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In his introduction, Stelios Lydakis notes, "It would be impossible for an art historian to study the works of antiquity without extensive reference to their influence on the art of the centuries that followed." Lydakis provides a complete history of ancient Greek painting from the earliest examples in Crete, Thera, and Mycenae to those of the classical and Roman epochs. Through a multitude of examples, he shows how these ancient works shaped modern ones. The literary references he considers include the works of Lucian, Philostratos, Pausanias, and Pliny the Elder. The works of art reproduced include wall paintings from the Palace of Knossos, Thera, Pompeii, Herculaneum, and Oplontis; vases from the Mycenaean through the Classical periods; reliefs from the Parthenon; and mosaics from Pompeii and Delos. The book also features paintings made in later centuries by such artists as Mantegna, Titian, Dürer, Raphael, Rembrandt, and Rubens that were inspired by antique models.
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
This book provides the first comprehensive overview of the techniques and materials used in a range of monumental paintings from the Late Classical to the Graeco-Roman period reflecting the Hellenistic culture. Based primarily on the technical examination and analyses of wall paintings, painted architectural elements and marble monuments, the scientific study of materials provides information on the chemical composition of the plasters, the nature of pigments and their microstructure and identifies patterns of trade and methods of manufacture (if synthesised). The results suggest a highly developed and cosmopolitan culture, encompassing the entire Mediterranean region and beyond, from the mountains of Macedonia to the deserts of Ptolemaic Egypt and the Eurasian Plateau, throughout which ideas and goods flowed freely.
The 18th century's Neoclassicist movement - with its white marble sculptures - has helped Greek art to remain vivid in our memories even today. But, as author Michael Siebler points out, the reality of ancient Greek art is entirely different. This book throws light on some of the most important artists of the period.
This volume completes a series of four titles which comprehensively cover the development of Greek vases.
Covers painting in Bronze-Age Greece; painting of the Archaic, the Classical, and the Hellenistic periods, and ends with a study of Graeco-Roman painting in the 2nd-3rd c. AD. Looks at techniques, style and themes in multidisciplinary approach to the material record. Extensive bibliography. English language text. 334 col. illus.
Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides.
A comprehensive, authoritative account of the development Greek Art through the 1st millennium BC. An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present Includes chapters on Chronology and Topography, as well as Workshops and Technology Includes four major sections: Forms, Times and Places; Contacts and Colonies; Images and Meanings; Greek Art: Ancient to Antique