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The Primer Of Greek Literature, Originally Published In 1877, Is, Till Date, The Finest Introduction To The Literary World Of The Greeks. The Book Is Divided Into Three Parts: The Early Literature, The Attic Literature And The Literature Of The Decadence. Written By No Less A Scholar Than Sir Richard Claverhouse Jebb, O.M., The Greatest Greek Scholar Of His Time, The Book Offers, In A Very Lucid Style And Precise Manner, An Authentic Sketch Of Greek Literature. In The Words Of Sir Jebb The Book Is Written In Such A Way That It Should Be Useful, Not Only To Students Of Greek, But Also To Those Who Do Not Know Greek, And Who Will Never Read A Greek Book Except In A Translation. And So The Sketch Is Intended To Serve As A Framework Into Which Those Who Read Any Of The Greek Books, Whether In Original Or In English, May Fit What They Read. It Is A Highly Rewarding And Sustaining Experience To Enter The World Of Greek Literature With No Less A Guide Than Sir R.C. Jebb Who May Be Said To Hold The Greek Literature In The Palm Of His Hand. Students Of Ancient European Classics Will Find This Book Extremely Useful As An Introduction To The World Of Greek Literature, And Even The General Readers Who Are Interested In Greek Civilization And Culture Will Find This Book Quite Interesting.
In Ladies' Greek, Yopie Prins illuminates a culture of female classical literacy that emerged in the second half of the nineteenth century, during the formation of women's colleges on both sides of the Atlantic. Why did Victorian women of letters desire to learn ancient Greek, a "dead" language written in a strange alphabet and no longer spoken? In the words of Elizabeth Barrett Browning, they wrote "some Greek upon the margin—lady's Greek, without the accents." Yet in the margins of classical scholarship they discovered other ways of knowing, and not knowing, Greek. Mediating between professional philology and the popularization of classics, these passionate amateurs became an important medium for classical transmission. Combining archival research on the entry of women into Greek studies in Victorian England and America with a literary interest in their translations of Greek tragedy, Prins demonstrates how women turned to this genre to perform a passion for ancient Greek, full of eros and pathos. She focuses on five tragedies—Agamemnon, Prometheus Bound, Electra, Hippolytus, and The Bacchae—to analyze a wide range of translational practices by women and to explore the ongoing legacy of Ladies' Greek. Key figures in this story include Barrett Browning and Virginia Woolf, Janet Case and Jane Harrison, Edith Hamilton and Eva Palmer, and A. Mary F. Robinson and H.D. The book also features numerous illustrations, including photographs of early performances of Greek tragedy at women's colleges. The first comparative study of Anglo-American Hellenism, Ladies' Greek opens up new perspectives in transatlantic Victorian studies and the study of classical reception, translation, and gender.
This volume is available on its own or as part of the seven volume set, Greek Literature. This collection reprints in facsimile the most influential scholarship published in this field during the twentieth century. For a complete list of the volume titles in this set, see the listing for Greek Literature [ISBN 0-8153-3681-0]. A full table of contents can be obtained by email: [email protected].