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Irene and Yannis come with 32 costumes and accessories — 12 from the fashions of antiquity and the rest from the folk styles of modern times. Apparel of peasants, nobles, priestess, and soldier, plus embroidered garments from Macedonia, Thrace, Athens, and the islands.
You'll love this new deluxe edition of an underground classic. Meet 37 outrageous, sexy, glamorous swinging singles and socialites at a fabulous Manhattan cocktail party hosted by "Aunt Mary." A parade of gay and lesbian stereotypes are trotted out in paper doll form for perusal in this reprint of the iconic, highly collectible Attitudes book first released by renown paper doll artist Tom Tierney in 1979. This new volume has been recreated, now in full color and with six new characters, to commemorate one of the early books in a long series of paper doll books for which Tierney has become famous. Enjoy hairdressers, movie stars, millionaires, models, drag queens, and others, each nearly naked in seductive loungerie, and with character appropriate clothing.
The breathtakingly beautiful story of one little girl and her five paper dolls.
If this work is to be kept within its limitations, it is naturally impossible to give a complete survey of all the varieties of the various styles. To get this knowledge it will be necessary to consult the works of reference, of which lists are given in each section. On the other hand, the special aspect of the work is more fully treated than in any other accessible book upon the subject. Every illustration of costume given has been actually cut out and made up before being sketched, except in a few cases which are of the nature of duplicates, so that by following the directions given it will be easy for anyone to reproduce them in material. Where decoration is required, the exact drawing and colouring of the various styles of Historic Ornament, which are the work of F. S. Hornblower (who has also coloured the costumes where necessary), will enable such details to be appropriately applied. Throughout the book, the illustrations are given by means of facsimiles of drawings by artists of the various centuries, so that a historic survey of the History of Figure Drawing will be included. Where the drawings of primitive artists do not clearly express the ideas intended to be conveyed, a modern drawing{vi} of the garment on a dress-stand will be used for explanation of the measured drawings of the cut-out garments. The growing appreciation of the beauty and value of the earlier and more primitive systems of cutting shown in modern dress designing for the last decade, when the so-called Magyar blouse (really the simple tunic common to all primitive folk) began to be popular, will make the present volume a convenient form of inspiration for designers; also, where more exact reproduction is needed, as in theatrical work, pageantry, and so forth, the careful working out of the details of cut and decoration will expedite production and save hours of fruitless searching in reference libraries.
After her grandmother dies, Katya finds herself in a kingdom where the Tsarvitch has been turned into living ice and she uses the magic nesting dolls her babushka had given her to try to break the curse.
Spanning eight decades and chronicling the wild ride of a Greek-American family through the vicissitudes of the twentieth century, Jeffrey Eugenides’ witty, exuberant novel on one level tells a traditional story about three generations of a fantastic, absurd, lovable immigrant family -- blessed and cursed with generous doses of tragedy and high comedy. But there’s a provocative twist. Cal, the narrator -- also Callie -- is a hermaphrodite. And the explanation for this takes us spooling back in time, through a breathtaking review of the twentieth century, to 1922, when the Turks sacked Smyrna and Callie’s grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set our narrator’s life in motion. Middlesex is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. It’s a brilliant exploration of divided people, divided families, divided cities and nations -- the connected halves that make up ourselves and our world.