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Greek Rebetiko from a Psychocultural Perspective: Same Songs Changing Minds examines the ways in which audiences in present-day Greece and Turkey perceive and use the Greek popular song genre rebetiko to cultivate specific cultural habits and identities. In the past, rebetiko has been associated chiefly with the lower strata of Greek society. But Daniel Koglin approaches the subject from a different perspective, exploring the mythological and ritual aspects of rebetiko, which intellectual elites on both sides of the Aegean Sea have adapted to their own world views in our age of globalized consumption. Combining qualitative and quantitative methods from ethnomusicology, ritual studies, conceptual history and music psychology, Koglin casts light on the role played by national perceptions in the processes of music production and consumption. His analysis reveals that rebetiko persistently oscillates between conceptual categories: it is a music both ours and theirs, marginal and mainstream, joyful and grievous, sacred and profane. The study culminates in the thesis that this semantic multistability is not only a key concept to understanding the ongoing popularity of rebetiko in Greece, and its recent renaissance in Turkey, but also a fundamental aspect of the human experience on the south-eastern borders of Europe.
Drawing upon anthropological studies that document culturally specific ways of perceiving ethic Others in Greece and Cyprus, this book explores the cultural boundaries of the categories ‘Greek’ and ‘Turk’, and compares views on what it means to be one of these ethnic groups or both. The contributors examine the opinions of diverse social groups, such as ordinary middle-class citizens, intellectuals, army officers, children, villagers, refugees from Asia Minor, and Greek-and-Turkisj-Cypriots. They also investigate the local attitudes to international politics and highlight the contextual – as opposed to immutable and essentialist – meaning of evaluations about nations, such as Greece, Turkey and Cyprus, and their citizens. When Greeks think about Turks carefully unpacks the cultural meaning of popular metaphors, stereotypes and versions of history as these are articulated in the context of discussions about the Turks in Greece. It sets the template for understanding how local perceptions of resemblance and difference provide a conceptual framework for defining and negotiating ethnic identity at the local, national and international level. It sheds valuable light on the politics of identity-making and the constitution of nationalism in Greece and Cyprus. This book was previously published as a special issue of South European Society and Politics.
The volume contains a selection of papers presented at an international conference on "Intercultural Aspects in and around Turkic Literatures" in Nicosia in 2003. The contributions address various aspects of and views on interculturalism, cosmopolitanism, stereotypes and crosscultural literary trends in Turkic literatures and literatures in contact with Turkic culture and literatures, namely Greek, Russian, and Italian. The contributors, who come from nine different countries, examine topics from the analysis of the image of the "other" in Turkish or "neighbouring" literary texts to the investigation of literary techniques and trends as a device of interculturalism and cosmopolitanism and cover a period from the 18th to the 20th century. Also included are introductory chapters on the historical and political context of the contact areas discussed in the contributions.
A wide-ranging study of popular poetry and songs from the end of the Byzantine Empire to the present.
Providing an interdisciplinary look at Greece’s Muslim minority and migrant communities, this book provides an exhaustive legal analysis of regulations and broadens our understanding of the political management of ethnic and religious otherness, while placing these phenomena in historical context.