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"This volume gives an account of the Church in the period from the end of the Sixth Ecumenical Synod in 681 to the Battle of Manzikert in 1071. Although "Greek East" and "Latin West" are becoming distinct entities during this expanse of time, the author treats them in parallel, observing the points at which their destinies coincide or conflict. The author notes developments within the whole of the Church rather than striving simply, or even primarily, to explain the eventual schism between Eastern and Western Christendom. Coveriing events both unique to each part (the Iconoclastic controversy in the East and the rise of the Carolingian Empire in the West) and common to each part (monastic reform, renaissance, and mission) the author skillfully portrays two Christian civilizations that share much in common yet become increasingly incomprehensible to one another. Despite curious synchronisms between East and West, the author demonstrates how two paths diverged from a once common route, and how eventually Byzantine Orthodoxy defined the Greek East over and against the Latin West in theological, religious, cultural, and political terms." -- Provided by publisher.
The division of Christendom into the Greek East and the Latin West has its origins far back in history but its consequences still affect Europe, and thus Western Civilization. Sherrard's study seeks to indicate both the fundamental character and some of the consequences of this division. He points especially to the underlying metaphysical bases of Greek Christian thought, and contrasts them with those of the Latin West.
Fergus Millar is one of the most influential contemporary historians of the ancient world. His essays and books, including The Emperor in the Roman World and The Roman Near East, have enriched our understanding of the Greco-Roman world in fundamental ways. In his writings Millar has made the inhabitants of the Roman Empire central to our conception of how the empire functioned. He also has shown how and why Rabbinic Judaism, Christianity, and Islam evolved from within the wider cultural context of the Greco-Roman world. Opening this collection of sixteen essays is a new contribution by Millar in which he defends the continuing significance of the study of Classics and argues for expanding the definition of what constitutes that field. In this volume he also questions the dominant scholarly interpretation of politics in the Roman Republic, arguing that the Roman people, not the Senate, were the sovereign power in Republican Rome. In so doing he sheds new light on the establishment of a new regime by the first Roman emperor, Caesar Augustus.
From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
Most studies of Graeco-Roman magic focus on the Greek texts. Stimulated by important recent finds of Latin curse-tablets, this collection of essays for the first time tries to define the nature and extent of the originality of magical practice in the Latin West
This book explores how festivals of Rome were celebrated in the Greek East and their transformations in the Christian world.
Sten Ebbesen has contributed many works in the field of ancient and medieval philosophy over many decades of dedicated research. His style is crisp and lucid and his philosophical penetration and exposition of often difficult concepts and issues is both clear and intellectually impressive. Ashgate is proud to present this three volume set of his collected essays, all of them thoroughly revised and updated. Each volume is thematically arranged.Volume One: Greek-Latin Philosophical Interaction explores issues of relevance to the history of logic and semantics, and in particular connections and/or differences between Greek and Latin theory and scholarly procedures, with special emphasis on late antiquity and the Middle Ages.
Wisdom on the Move explores the complexity and flexibility of wisdom traditions in Late Antiquity and beyond. This book studies how sayings, maxims and expressions of spiritual insight travelled across linguistic and cultural borders, between different religions and milieus, and how this multicultural process reshaped these sayings and anecdotes. Wisdom on the Move takes the reader on a journey through late antique religious traditions, from manuscript fragments and folios via the monastic cradle of Egypt, across linguistic and cultural barriers, through Jewish and Biblical wisdom, monastic sayings, and Muslim interpretations. Particular attention is paid to the monastic Apophthegmata Patrum, arguably the most important genre of wisdom literature in the early Christian world.
In The Impact of the Roman Empire on The Cult of Asclepius Ghislaine van der Ploeg offers an overview and analysis of how worship of the Graeco-Roman god Asclepius adapted, changed, and was disseminated under the Roman Empire. It is shown that the cult enjoyed a vibrant period of worship in the Roman era and by analysing the factors by which this religious changed happened, the impact which the Roman Empire had upon religious life is determined. Making use of epigraphic, numismatic, visual, and literary sources, van der Ploeg demonstrates the multifaceted nature of the Roman cult of Asclepius, updating current thinking about the god.