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The core of the book focuses on tragic costume in its original performance context of fifth-century Athens, but the implications of subsequent uses in Roman and more recent performances are also taken into consideration.Most importantly, the reader is invited to think about how tragic costume worked as a language in ancient performance and was manipulated physically and verbally in order to create meaning. Elements of this language are shown through a series of test cases from a range of ancient tragedies. All ancient passages are given in translation and the book includes a glossary of terms.
At the peak of its perfection in the fifth century B.C., the glory of classical Greek drama was matched by the magnificence of its costumes. Iris Brooke, the author of many lively books on fashion, describes how performers were dressed in plays by Aeschylus, Sophocles and Euripides, and explains how the actors' need for effective movement and performance influenced the cut of their costumes. Topics cover textiles and civil attire, armor, insignia of gods and goddesses, jewelry, masks, headdresses, and garments worn by the chorus. Unabridged republication of the volume originally published by Theatre Arts Books, New York, 1962. 53 black-and-white illustrations. Index.
Costume production distinguishes early civilization from the Paleolithic era as much as architectural production. Costume transcends boundaries, as it first unites and then divides mankind. The mode of dress differentiates friend from foe and peasant from prince. Changes in the appearance and types of garments through the ages are a significant indicator of social, economic and chronological changes. This annotated bibliography of 603 references, taken from monographs, dissertations, festschrifts, periodicals, encyclopedias and handbooks, is the most comprehensive research tool for the subject of ancient Greek costume. This subject is of increasing interest to scholars in many fields, including archaeology and anthropology, art and art history, classics, drama, history, ancient literature, even modern literature. The references in this bibliography range from the encyclopedia entry to the monograph, and show a variety of themes: women's dress, men's dress, foreign dress, accessories, jewelry, headdresses, theater dress, textile production and literary evidence.
This work describes how performers were dressed in plays by Aeschylus, Sophocles, and Euripides, and explains how the actors' performances influenced the cut of their costumes. 53 black-and-white illustrations.
Carefully copied from ancient vases and statuary, these early-19th-century classic line renderings combine unusual clarity of style with unquestioned authenticity. Over 700 illustrations depict all classes and occupations.
This book interprets the handling of costume in the plays of the ancient Greek comic playwright Aristophanes, using as evidence the surviving plays as well as vase-paintings and terracotta figurines. This book fills a gap in the study of ancient Greek drama, focusing on performance, gender, and the body.
Contains dramatizations of five Greek myths, which give up to thirty-five students significant roles and help them learn about Greek mythology.
2 figures (male and female) and 16 elaborately embroidered and artfully draped costumes from major historical periods: Archaic (c. 750–500 BC), Classical (c. 500–232 BC), and Hellenistic (323–30 BC). Descriptive notes included.