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This compelling text and dramatic photographic essay convey the emotional power of the death rituals of a small Greek village--the funeral, the singing of laments, the distribution of food, the daily visits to the graves, and especially the rite of exhumation. These rituals help Greek villagers face the universal paradox of mourning: how can the living sustain relationships with the dead and at the same time bring them to an end, in order to continue to live meaningfully as members of a community? That is the villagers' dilemma, and our own. Thirty-one moving photographs (reproduced in duotone to do justice to their great beauty) combine with vivid descriptions of the bereaved women of "Potamia" and with the words of the funeral laments to allow the reader an unusual emotional identification with the people of rural Greece as they struggle to integrate the experience of death into their daily lives. Loring M. Danforth's sensitive use of symbolic and structural analysis complements his discussion of the social context in which these rituals occur. He explores important themes in rural Greek life, such as the position of women, patterns of reciprocity and obligation, and the nature of social relations within the family.
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From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.
*Winner of the AFS Elli Köngäs-Maranda Prize 2016* Multidisciplinary or post-disciplinary research is what is needed when dealing with such complex subjects as ritual behaviour. This research, therefore, combines ethnography with historical sources to examine the relationship between modern Greek death rituals and ancient written and visual sources on the subject of death and gender. The central theme of this work is women’s role in connection with the cult of the dead in ancient and modern Greece. The research is based on studies in ancient history combined with the author’s fieldwork and anthropological analysis of today’s Mediterranean societies. Since death rituals have a focal and lasting importance, and reflect the gender relations within a society, the institutions surrounding death may function as a critical vantage point from which to view society. The comparison is based on certain religious festivals that are dedicated to deceased persons and on other death rituals. Using laments, burials and the ensuing memorial rituals, the relationship between the cult dedicated to deceased mediators in both ancient and modern society is analysed. The research shows how the official ideological rituals are influenced by the domestic rituals people perform for their own dead, and vice versa, that the modern domestic rituals simultaneously reflect the public performances. As this cult has many parallels with the ancient official cult, the following questions are central: Can an analysis of modern public and domestic rituals in combination with ancient sources tell the reader more about the ancient death cult as a whole? What does such an analysis suggest about the relationship between the domestic death cult and the official? Since the practical performance of the domestic rituals was – and still remains – in the hands of women, it is crucial to discover the extent of their influence to elucidate the real power relations between women and men. This research represents a new contribution to earlier presentations of the Greek “reality”, but mainly from the female perspective, which is highly significant since men produced most of the ancient sources. This means that the principal objective for this endeavour is to question the ways in which history has been written through the ages, to supplement the male with a female perspective, perhaps complementing an Olympian Zeus with a Chthonic Mother Earth. The research brings both ancient and modern worlds into mutual illumination; its relevance therefore transcends the Greek context both in time and space.
This study of the changing relationships between burial rituals and social structure in Early Iron Age Greece will be required reading for all archaeologists working with burial evidence, in whatever period. This book differs from many topical studies of state formation in that unique and particular developments are given as much weight as those factors which are common to all early states. The ancient literary evidence and the relevant historical and anthropological comparisons are extensively drawn on in an attempt to explain the transition to the city-state, a development which was to have decisive effects for the subsequent development of European society.
The most comprehensive book on Roman burial practices—now available in paperback Never before available in paperback, J. M. C. Toynbee's study is the most comprehensive book on Roman burial practices. Ranging throughout the Roman world from Rome to Pompeii, Britain to Jerusalem—Toynbee's book examines funeral practices from a wide variety of perspectives. First, Toynbee examines Roman beliefs about death and the afterlife, revealing that few Romans believed in the Elysian Fields of poetic invention. She then describes the rituals associated with burial and mourning: commemorative meals at the gravesite were common, with some tombs having built-in kitchens and rooms where family could stay overnight. Toynbee also includes descriptions of the layout and finances of cemeteries, the tomb types of both the rich and poor, and the types of grave markers and monuments as well as tomb furnishings.
Examines ancient Greek conceptions of death and the afterlife In our contemporary Western society, death has become taboo. Despite its inevitability, we focus on maintaining youthfulness and well-being, while fearing death's intrusion in our daily activities. In contrast, observes Maria Serena Mirto, the ancient Greeks embraced death more openly and effectively, developing a variety of rituals to help them grieve the dead and, in the process, alleviate anxiety and suffering. In this fascinating book, Mirto examines conceptions of death and the afterlife in the ancient Greek world, revealing few similarities-and many differences-between ancient and modern ways of approaching death. Exploring the cultural and religious foundations underlying Greek burial rites and customs, Mirto traces the evolution of these practices during the archaic and classical periods. She explains the relationship between the living and the dead as reflected in grave markers, epitaphs, and burial offerings and discusses the social and political dimensions of burial and lamentation. She also describes shifting beliefs about life after death, showing how concepts of immortality, depicted so memorably in Homer's epics, began to change during the classical period. Death in the Greek World straddles the boundary between literary and religious imagination and synthesizes observations from archaeology, visual art, philosophy, politics, and law. The author places particular emphasis on Homer's epics, the first literary testimony of an understanding of death in ancient Greece. And because these stories are still so central to Western culture, her discussion casts new light on elements we thought we had already understood. Originally written and published in Italian, this English-language translation of Death in the Greek World includes the most recent scholarship on newly discovered texts and objects, and engages the latest theoretical perspectives on the gendered roles of men and women as agents of mourning. The volume also features a new section dealing with hero cults and a new appendix outlining fundamental developments in modern studies of death in the ancient Greek world. Volume 44 in the Oklahoma Series in Classical Culture Maria Serena Mirto is Associate Professor of Classical Philology, Department of Classics, University of Pisa, Italy. A. M. Osborne holds an MA in Modern and Medieval Languages from the University of Cambridge, and an MA with distinction in Literary Translation from the University of East Anglia. A resident of the United Kingdom, she currently translates both academic and literary texts.
The forms by which a deceased person may be brought to rest are as many as there are causes of death. In most societies the disposal of the corpse is accompanied by some form of celebration or ritual which may range from a simple act of deportment in solitude to the engagement of large masses of people in laborious and creative festivities. In a funerary context the term ritual may be taken to represent a process that incorporates all the actions performed and thoughts expressed in connection with a dying and dead person, from the preparatory pre-death stages to the final deposition of the corpse and the post-mortem stages of grief and commemoration. The contributions presented here are focused not on the examination of different funerary practices, their function and meaning, but on the changes of such rituals _ how and when they occurred and how they may be explained. Based on case studies from a range of geographical regions and from different prehistoric and historical periods, a range of key themes are examined concerning belief and ritual, body and deposition, place, performance and commemoration, exploring a complex web of practices.