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Greek, Roman and Related Metalware in the Royal Ontario Museum Aby John W Hayes Metal vessels, lamps, containers and furniture fittings dating from 8th C BC to 6th C AD Egypt and the Mediterranean are catalogued in this well-illustrated volume.
This reference work which brings together tools of ancient toreuts (matrices, punches) and actual finds of hammered metalwork offers new complex approaches to study a particular technique of Greek, Roman and relaterd toreutics and jewellery manufacture.
The studies collected here are presented to Brunilde Sismondo Ridgway to honor an unusually inspiring and energetic teacher, a dedicated and prolific scholar, and a profoundly humane and caring human being. Bruni's passion for Greek sculpture, her constantly inquiring mind, and her bold questioning of long-accepted positions have sparked many stimulating discussions, often planting the germ of an idea to which students return in their own work. The themes here discussed reflect many of Bruni's scholarly interests. Most are on sculptural topics, but numismatics, architecture, and Iron Age Cyprus are also represented. Discussions focus on interpretations of technique and style, consider single sculptures, groups, and whole monuments, the well known as well as the unusual. University Museum Monograph, 100
This heavily illustrated catalogue is devoted to the Museum’s collection of silver and gold from the Hellenized East—one of the largest yet assembled. Among the objects included are rhyta, bowls, cups, jewelry, and decorative gold and silver ornaments for horse bridles and clothing. In an extensive introduction, the author dates the various groups of objects and places them within a wider cultural and archaeological context, providing a detailed stylistic analysis of the ornamental motifs of many pieces. Of particular importance is the inclusion of illustrations of some 50 little-known comparative objects as well as extensive bibliographic references.
This new collection presents a rich selection of innovative scholarship on the Etruscans, a vibrant, independent people whose distinct civilization flourished in central Italy for most of the first millennium BCE and whose artistic, social and cultural traditions helped shape the ancient Mediterranean, European, and Classical worlds. Includes contributions from an international cast of both established and emerging scholars Offers fresh perspectives on Etruscan art and culture, including analysis of the most up-to-date research and archaeological discoveries Reassesses and evaluates traditional topics like architecture, wall painting, ceramics, and sculpture as well as new ones such as textile archaeology, while also addressing themes that have yet to be thoroughly investigated in the scholarship, such as the obesus etruscus, the function and use of jewelry at different life stages, Greek and Roman topoi about the Etruscans, the Etruscans’ reception of ponderation, and more Counters the claim that the Etruscans were culturally inferior to the Greeks and Romans by emphasizing fields where the Etruscans were either technological or artistic pioneers and by reframing similarities in style and iconography as examples of Etruscan agency and reception rather than as a deficit of local creativity
This illustrated catalogue presents 190 objects from the Collection of Palestinian Antiquities in the Museum of Art and Archaeology at the University of Missouri-Columbia. Covering the 4th millennium BC to the 8th century AD, the artefacts are presented in ten thematic sections. These cover such subjects as: death and burial in the early Bronze Age; war; the domestic world in the Bronze and Iron Ages; the wider world; religion in the late Bronze and Iron Ages; Hellenistic and Byzantine trade; the villa at Tel Anafa; technology; everyday life in the hellenistic, Roman and Byzantine periods; and pagans, Jews and Christians. Each section begins with a discussion followed by a full description and discussion of the objects themselves, all of which are illustrated. Many types of object are represented including ceramics and lamps, personal implements and tools, religious figurines and carvings, jewellery, bone items, toilet implements, scarabs, armour and weapons, intaglio gems and ossuaries. The book begins with a brief discussion of changing attitudes and practice in the archaeology of the Holy Hand.