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This book spans three centuries of popular entertainment and everyday culture, showcasing both mainstream and submerged channels and voices to examine how once reviled business values gained supremacy and poisoned the American spirit. The office in popular culture is often depicted as a topsy-turvy parallel universe where psychological disorders are legitimized as "managerial styles" and comically depraved bosses torment those who do the actual work. During the 1950s, the Beats chose denim and the open road over gray flannel suits and office jobs, but today their grandchildren—Generation Y—aggressively covet desk jobs. "Greed Is Good" and Other Fables: Office Life in Popular Culture examines how office life is both extolled and lampooned in popular culture. The book tracks how business values ascended to cultural dominance in the United States today, revealing our incessant struggle between financial and spiritual goals in the pursuit of "freedom" and the fulfillment of the American dream. By drawing upon sources as varied as books, newspapers, magazines, television shows, movies, blogs, message boards, documentaries, public speeches, corporate training films, and employee newsletters, the author provides compelling insights into the range of competing values and ideals interwoven throughout office life.
An unusual collection of the same story adapted by thirty-three different cultures with nearly fifty additional story summaries. In addition, The Golden Axe contains scripts for readers theater and/or puppet presentations, a classroom game, interpretive notes, and storytelling tips, charts.
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Reproduced pages of the original 17th-century Yiddish, including the woodcuts, face the first English translation of the 34 fables that comprise Wallich's Sefer Mesholim. A valuable resource for students of the Yiddish language and of European Jewish culture of the early modern period. The fables come mostly from Aesop and medieval Hebrew and German sources. Well annotated. No index. Annotation copyright by Book News, Inc., Portland, OR
Honoring the path of a slave, this dramatic picture-book biography and concise anthology of Aesop's most child-friendly fables tells how a child born into slavery in ancient Greece found a way to speak out against injustice by using the skill and wit of his storytelling--storytelling that has survived for 2,500 years. Stunningly illustrated by two-time Caldecott Honor winner Pamela Zagarenski. The Tortoise and the Hare. The Boy Who Cried Wolf. The Fox and the Crow. Each of Aesop's stories has a lesson to tell, but Aesop's true-life story is perhaps the most inspiring tale of them all. Gracefully revealing the genesis of his tales, this true story of Aesop shows how fables not only liberated him from captivity but spread wisdom over a millennium. This is the only children's book biography about him. Includes thirteen illustrated fables: The Lion and the Mouse, The Goose and the Golden Egg, The Fox and the Crow, Town Mouse and Country Mouse, The Ant and the Grasshopper, The Dog and the Wolf, The Lion and the Statue, The Tortoise and the Hare, The Boy Who Cried Wolf, The North Wind and the Sun, The Fox and the Grapes, The Dog and the Wolf, The Lion and the Boar.
An adorable cautionary tale from Caldecott Honoree Vera Brosgol We are the Little Guys. Yes, we are small. But there are a lot of us. Together we are strong, and we can get all we need. The Little Guys might be small, but they aim to be mighty. As they head off to find breakfast, they can conquer anything through teamwork—cross deep waters, dig through obstacles, and climb the tallest trees. Nothing can stop them! But as they begin to amass more than they need, the creatures in the forest ponder—what happens when no one can stop the Little Guys? This slyly funny and rambunctious read-aloud explores how strength in numbers only works when the whole community unites together. A School Library Journal Best Book of 2019 A 2019 Horn Book Fanfare Best of 2019 Book
What’s better than a lost treasure? Seven lost treasures! These rarely seen Dr. Seuss stories were published in magazines in the early 1950s and are finally available in book form. They include “The Bippolo Seed” (in which a scheming feline leads a duck toward a bad decision), “The Rabbit, the Bear, and the Zinniga-Zanniga” (about a rabbit who is saved from a bear by a single eyelash), “Gustav, the Goldfish” (an early rhymed version of the Beginner Book A Fish Out of Water), “Tadd and Todd” (about a twin who is striving to be an individual), “Steak for Supper” (in which fantastic creatures follow a boy home in anticipation of a steak dinner), “The Strange Shirt Spot” (the inspiration for the bathtub-ring scene in The Cat in the Hat Comes Back), and “The Great Henry McBride” (about a boy whose far-flung career fantasies are bested only by those of Dr. Seuss himself). An introduction by Seuss scholar Charles D. Cohen traces the history of the stories, which demonstrate an intentional move toward the writing style we now associate with Dr. Seuss. Cohen also explores the themes that recur in well-known Seuss stories (like the importance of the imagination or the perils of greed). With a color palette enhanced beyond the limitations of the original magazines, this is a collection that no Seuss fan (whether scholar or second grader) will want to miss.
This exclusive Signet Classic edition contains 203 of Aesop’s most enduring and popular fables, translated into readable, modern American English and beautifully illustrated with classic woodcuts by the great French artist J. J. Grandville. It is both amazing and wonderful that so much of the richness of our language and our moral education still owes a huge debt to a Greek slave who was executed more than two thousand years ago. Yet “sour grapes,” “crying ‘wolf,’” “actions speak louder than words,” “honesty is the best policy,” and literally hundreds of other metaphors, axioms, and ideas that are now woven into the very fabric of Western culture all came from Aesop’s Fables. An extraordinary storyteller who used cunning foxes, surly dogs, clever mice, fearsome lions, and foolish humans to describe the reality of a harsh world, Aesop created narratives that are appealing, funny, politically astute, and profoundly true. And Aesop’s truth—often summed up in the pithy “moral of the story”—retains an awesome power to affect us, reaching us through both our intellects and our hearts. Including: “The Fox and the Grapes” “The Ants and the Grasshopper” “The Country Mouse and the Town Mouse” …and 200 Other Famous Fables Edited and with an Afterword by Jack Zipes With an Introduction by Sam Pickering
Around the beginning of the common era, Indian Buddhists began to collect fables, or jataka tales, illuminating various human virtues and foibles—from kindness, cooperation, loyalty and self-discipline on the one hand to greed, pride, foolishness, and treachery on the other. Instead of populating these stories with people, they cast the animals of their immediate environment in the leading roles—which may have given the tales a universal appeal that helped them travel around the world, surfacing in the Middle East as Aesop's fables and in various other guises throughout East and Southeast Asia, Africa, Russia, and Europe. Author and painter Mark McGinnis has collected over forty of these hallowed popular tales and retold them in vividly poetic yet accessible language, their original Buddhist messages firmly intact. Each story is accompanied with a beautifully rendered full-color painting, making this an equally attractive book for children and adults, whether Buddhist or not, who love fine stories about their fellow wise (and foolish) creatures.
This volume contains three short stories of speculative fiction - "Real Life Fiction," "In The Heavens As On Earth" and "Press The Record Button." Each story explores possibilities at the end of our known world. Time travel, manipulation of reality, nuclear war, reincarnation, chance, and a host of other ideas are woven through the various stories.