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A beautifully composed journey through music history! Music history is a required course for all music students. Unfortunately, the typical music history book is dry and academic, focusing on rote memorization of important composers and works. This leads many to think that the topic is boring, but bestselling author Michael Miller proves that isn’t so. This guide makes music history interesting and fun, for both music students and older music lovers. • Covers more than Western “classical” music—also includes non-Western music and uniquely American forms such as jazz • More than just names and dates—puts musical developments in context with key historical events
When Dave Barry is on the loose, no one is safe! What Dave Barry did for the men’s movement in his Complete Guide to Guys and for foreign relations when he did Japan he now does for . . . everything in America. The rapacious observer of Tupperware ladies and leisure concept salesmen sounds off on: Football—Football is more than just a game. It is a potential opportunity to see a live person lying on the ground with a bone sticking out of his leg, while the fans, to show their appreciation, perform “the wave.” Sailing—There’s nothing quite like getting out on the open sea, where you can forget about the hassles and worries of life on land, and concentrate on the hassles and worries of life on the sea, such as death by squid. Gambling—Off-Track Betting parlors are the kinds of places where you never see signs that say, “Thank You for Not Smoking.” The best you can hope for is, “Thank You for Not Spitting Pieces of Your Cigar on My Neck.” “The good news: he’s funny as ever. The bad news: the book is only 304 pages.”—Los Angeles Daily News
The great depression in the popular recording industry that began in 1979 still continues. There are signs, however, that the industry is adjusting to new technologies and may soon revive. R. Serge Denisoff documents the decline and possible revival of this comprehensive study of the recording business, a sequel to his widely acclaimed Solid Gold: The Popular Record Industry. Denisoff offers a brief history of popular music and then, in detail, traces the life cycle of a record, beginning with the artist in the studio and following the record until its purchase. He explains the relationships between artist, manager, producer, company, distributor, merchandiser, and media. They all play roles in the scenario of a hit record. He also discusses the new technologies and how they may affect record sales, especially round-the-clock rock and roll on cable television. Tarnished Gold joins Solid Gold as a staple in the popular culture literature.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
No comics publisher has had a greater impact ― or generated more controversy ― than the immensely influential EC Comics. The second and concluding volume of conversations with the creators behind the EC war/horror/science fiction/suspense line brings The Comics Journal’s definitive interviews together with several never-before-published sessions, including a new interview with the legendary Jack Davis conducted by Gary Groth. It also includes: Publisher Bill Gaines on the origins of the company and his terrifying grilling before the Senate Subcommittee on Juvenile Delinquency, editor/writer/artist Al Feldstein on introducing serious science fiction to comics and his interactions with Ray Bradbury. Harvey Kurtzman on bringing realism to war comics with Frontline Combat and subversive satire to humor comics with Mad, the master of chirascuro, Alex Toth, on the aesthetic values that guided him through a career that included drawing for EC and animating Jonny Quest, colorist Marie Severin on the atmosphere of pranks and anarchy that dominated the EC bullpen. Plus, career-spanning interviews with George Evans and Jack Kamen, rare Q&A sessions with formal experimenter Bernard Krigstein and EC writer Colin Dawkins, and a conversation between Jack Davis and award-winning alternative cartoonist Jim Woodring.
What do Mark Koenig, Red Rolfe, Frank Crosetti, Sandy Alomar, Bobby Murcer, Wayne Tolleson, and Derek Jeter all have in common? They all wore number 2 for the New York Yankees, even though nearly eight decades have passed between the first time Koenig buttoned up a Yankee uniform with that number and the last time Jeter performed the same routine. The 1929 New York Yankees were the first Major League baseball team to begin regularly wearing uniform numbers. That team, led by superstars Babe Ruth and Lou Gehrig, was assigned its numbers based on the batting order. This is why Ruth wore 3, Gehrig 4, and so on. Soon other teams in other cities caught on, and before long every team in baseball were wearing numbers. But like many things in baseball history, it all started in the Bronx. Over 1,500 players have worn pinstripes in their careers, makes for a lot of good stories. Yankees by the Numbers tells those stories for every Yankee since ’29—from Earle Combs (the original #1) to Charlie Keller (the only Yankee to ever wear #99)—providing insightful and humorous commentary about the more memorable players, from a fan’s perspective. Each chapter also features a fascinating sidebar that reveals which players were the most obscure to wear a certain number, and also which numbers produced the most wins, home runs and stolen bases in club history. For data seekers, a “Yankees Alphabetical Roster” is a complete listing of every single Yankee since 1929, the numbers they wore, and their years of service at the House that Ruth Built. Updated through the 2014 baseball season, this second edition of Yankees by the Numbers is a book that every Yankee fan, young or old, should own and cherish. Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
The Big 50: St. Louis Cardinals is an amazing, full-color look at the 50 men and moments that make the Cardinals the Cardinals. St. Louis Post-Dispatch columnist Benjamin Hochman recounts the living history of the team, counting down from No. 50 to No. 1. Learn about and revisit the remarkable stories, featuring greats like Stan Musial, Bob Gibson, Mark McGwire, Albert Pujols, and Yadier Molina.
Meet the members of the most exclusive club in Major League Baseball. There is no award, there are no ceremonies, but nothing can compare to the pride and glory felt by a player as he hits that miracle milestone: 3,000. Since Cap Anson first reached the mark in 1897, only twenty-eight baseball players have ever heard the crack of ball and bat over 2,999 times; this newly updated edition of The 3,000 Hit Club captures the unique stories and career highlights of each one. In this distinctive collection of history and stats, veteran sportswriter Fred McMane takes readers onto the field and up to the plate with baseball’s greatest players. From Pete Rose and Willie Mays to Ricky Henderson and Derek Jeter, The 3,000 Hit Club has it all.
There is an epigram in this book from the Phil Ochs song, "Crucifixion", about the Kennedy assassination, that states: I fear to contemplate that beneath the greatest love, lies a hurricane of hate. On February 11th 1963, the Beatles recorded "There's a Place", a dazzling, unheralded tune which was included on their electrifying debut album, Please Please Me. This song firmly laid the foundation on which a huge utopian dream of the sixties would be built. Within that dream, however, also lay the seeds of a darker vision that would emerge out of the very counterculture that the Beatles and their music helped create. Thus, even as their music attracted adoring fans, it also enticed the murderous ambitions of Charles Manson; and though the Beatles may have inspired others to form bands, their own failed hopes ultimately led to their breakup. The disillusionment with the sixties, and the hopes associated with the group, would many years later culminate in the assassination of John Lennon and the attempted slaying of George Harrison by deranged and obsessive fans. In this incisive examination, author Kevin Courrier (Dangerous Kitchen: the Subversive World of Zappa, Randy Newman's American Dreams) examines how the Fab Four, through their astonishing music and comically rebellious personalities, created the promise of an inclusive culture built on the principles of pleasure and fulfillment. By taking us through their richly inventive catalogue, Courrier illustrates how the Beatles' startling impact on popular culture built a bond with audiences that was so strong, people today continue to either cling nostalgically to it, or struggle - and often struggle violently - to escape its influence.