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On the edge of the 1792 original city plan by designer Pierre L'Enfant lies the Greater U Street neighborhood. For nearly 70 years before the Civil War, orchards and grazing land covered the area. When Camp Campbell was settled during the war where Sixth and U Streets now lie, thousands of fighting soldiers and then freed men and women flocked to the area. The fighting ceased, and many people remained to construct small wood frame homes, churches, and businesses that eventually gave way to the elegant rows of substantial brick townhomes lining the surrounding street today. The rise of racial segregation in the early 1900s cultivated the Greater U Street area into a "city within a city" for the African-American community, and it remained so until the urban riots of 1968. The 1920s and 1930s witnessed a thriving cultural scene, with entertainers such as Sarah Vaughn, Pearl Bailey, Cab Calloway, and the neighborhood's own Edward "Duke" Ellington frequenting private clubs like Bohemian Caverns and other venues such as the Howard, Dunbar, Republic, and Lincoln Theaters. Known by many as the "Black Broadway," Greater U Street was unique in that many of its institutions-Industrial Bank and True Reformers Hall among them-were designed, financed, owned, and built utilizing the talents of such emerging African-American professionals as banker John Whitelaw and architect John A. Lankford.
"Before chain coffeeshops and luxury high-rises, before even the beginning of desegregation and the 1968 riots, Washington's Greater U Street was known as Black Broadway. From the early 1900s into the 1950s, African Americans plagued by Jim Crow laws in other parts of town were free to own businesses here and built what was often described as a "city within a city." Local author and journalist Briana A. Thomas narrates U Street's rich and unique history, from the early triumph of emancipation to the days of civil rights pioneer Mary Church Terrell and music giant Duke Ellington, through the recent struggle of gentrifiction" --
This book traces the history of the U Street neighborhood in Washington, D.C., from its Civil War–era origins to its recent gentrification. Home throughout the years to important scholars, entertainers, and political figures, as well as to historically prominent African American institutions, Washington’s U Street neighborhood is a critical zone of contact between black and white America. Howard University and the Howard Theater are both located there; Duke Ellington grew up in the neighborhood; and diplomat Ralph Bunche, Supreme Court Justice Thurgood Marshall, and medical researcher Charles Drew were all members of the community. This robustly diverse neighborhood included residents of different races and economic classes when it arose during the Civil War. Jim Crow laws came to the District after the Compromise of 1877, and segregation followed in the mid-1880s. Over the next century, U Street emerged as an energetic center of African American life in Washington. The mid-twentieth-century rise of cultural and educational institutions brought with it the establishment of African American middle and elite classes, ironically fostering biases within the black community. Later, with residential desegregation, many of the elites moved on and U Street entered decades of decline, suffered rioting in 1968, but has seen an initially fitful resurgence that has recently taken hold. Blair A. Ruble, a jazz aficionado, prominent urbanist, and longtime resident of Washington, D.C., is uniquely equipped to undertake the history of this culturally important area. His work is a rare instance of original research told in an engaging and compelling voice.
During the height of the crack epidemic that decimated the streets of D.C., Ruben Castaneda covered the crime beat for the Washington Post. The first in his family to graduate from college, he had landed a job at one of the country's premier newspapers. But his apparent success masked a devastating secret: he was a crack addict. Even as he covered the drug-fueled violence that was destroying the city, he was prowling S Street, a 24/7 open-air crack market, during his off hours, looking for his next fix. Castaneda's remarkable book, S Street Rising, is more than a memoir; it's a portrait of a city in crisis. It's the adrenalin-infused story of the street where Castaneda quickly became a regular, and where a fledgling church led by a charismatic and streetwise pastorwas protected by the local drug kingpin, a dangerous man who followed an old-school code of honor. It's the story of Castaneda's friendship with an exceptional police homicide commander whose career was derailed when he ran afoul of Mayor Marion Barry and his political cronies. And it's a study of the city itself as it tried to rise above the bloody crack epidemic and the corrosive politics of the Barry era. S Street Rising is The Wire meets the Oscar-winning movie Crash. And it's all true.
As the only American city under direct congressional control, Washington has served historically as a testing ground for federal policy initiatives and social experiments—with decidedly mixed results. Well-intentioned efforts to introduce measures of social justice for the district's largely black population have failed. Yet federal plans and federal money have successfully created a large federal presence—a triumph, argues Howard Gillette, of beauty over justice. In a new afterword, Gillette addresses the recent revitalization and the aftereffects of an urban sports arena.
For long-time residents of Washington, DC’s Shaw/U Street, the neighborhood has become almost unrecognizable in recent years. Where the city’s most infamous open-air drug market once stood, a farmers’ market now sells grass-fed beef and homemade duck egg ravioli. On the corner where AM.PM carryout used to dish out soul food, a new establishment markets its $28 foie gras burger. Shaw is experiencing a dramatic transformation, from “ghetto” to “gilded ghetto,” where white newcomers are rehabbing homes, developing dog parks, and paving the way for a third wave coffee shop on nearly every block. Race, Class, and Politics in the Cappuccino City is an in-depth ethnography of this gilded ghetto. Derek S. Hyra captures here a quickly gentrifying space in which long-time black residents are joined, and variously displaced, by an influx of young, white, relatively wealthy, and/or gay professionals who, in part as a result of global economic forces and the recent development of central business districts, have returned to the cities earlier generations fled decades ago. As a result, America is witnessing the emergence of what Hyra calls “cappuccino cities.” A cappuccino has essentially the same ingredients as a cup of coffee with milk, but is considered upscale, and is double the price. In Hyra’s cappuccino city, the black inner-city neighborhood undergoes enormous transformations and becomes racially “lighter” and more expensive by the year.
From the farm and orchard lands of the mid-1880s to the Civil War encampments, from modest wood frame homes to vast residences of Victorian splendor, the area surrounding the closely located Logan, Scott, and Thomas Circles has for many years been at the center of a rich history. Comprising a diverse architectural and social heritage, these neighborhoods have played a part in the great story of the capital city and have been home to the workingman and woman, the wealthy, the middle class, and the politically powerful alike. Following their use as the site of hangman's gallows for Civil War traitors, all three circles evolved into lush parks surrounded by the elegant, Victorian-era homes that housed nearly all of the nation's elite by the 1890s. Prior to the turn of the twentieth century, these neighborhoods were home to Washington's most influential citizens-pioneers and politicians, generals and industrialists-and, in the 1930s, to well-known leaders of the city's African-American community, such as Mary McLeod Bethune and Bishop Charles M. "Sweet Daddy" Grace. Logan Circle survives much as it was today, but many readers will not recognize the early homes, now long gone, that once surrounded Scott and Thomas Circles and have since been replaced by office buildings, hotels, and commercial establishments. Fortunately, a compelling visual record of the development of Logan, Scott, and Thomas Circles remains.
Washington D.C. is every American's home away from home. Since DC is a compact city with great public transportation, it's easy to explore both its high-profile side - its magnificent monuments, world-class museums, enthralling architecture, breathtaking vistas, and unique national parks - as well as its less famous persona - its cozy hideaways, ethnic eateries, bustling dance clubs, lively theaters, shopaholic hot spots, and more.Now it's a foodies' paradise enlivened with high-tech entrepreneurs and innovative buildings in entirely new and safer neighborhoods. Now, with Walking Washington D.C by local author Barbara J. Saffir, people can get to know the communities of D.C. Each walk tells the story of a neighborhood: a snapshot of some of its history and how it has transformed over the years. Readers will be pointed to distinctive architecture, landmark buildings, popular eateries, ethnic enclaves, art and performance spaces, and natural scenery. Maps and transportation directions make it easy to find your way. Whether you're looking for an afternoon stroll or a daylong outing, grab this book and start walking Washington D.C. After a few miles or a few days, you might fall in love.
Experience the history of America’s capitol with this uniquely engaging and informative guidebook. Alternating between site visits and brief historical narratives, this guide tells the story of Washington, DC, from its origins to current times. From George Washington’s Mount Vernon to the Kennedy Center, trek through each era of the federal district, on a tour of America’s most beloved sites. Go inside the White House, the only executive home in the world regularly open to the public. Travel to President Lincoln’s Cottage and see where he wrote the Emancipation Proclamation. And visit lesser-known sites, such as the grave of Pierre L’Enfant, the city’s Botanical Gardens, the Old Post Office, and a host of historical homes throughout the capital. This is the only guide you’ll need to curate an unforgettable expedition to our shining city on a hill.
This book rhetorically and historically examines the contextual and experiential dimensions of a wide range of public places—from memorials to stadiums—that are rife with political implications. Fourteen public places ranging from the national to local, from 9/11 memorials to a baseball park are analyzed. The authors investigate the histories of these public spaces, examine their designs, and discuss their political implications in order to outline their role within the public sphere. This book begins with a loose theoretical framework for understanding public places as rhetorically drawn from extant scholarship, and concludes with a systematic means of exploring the allocation of power by public places. Recommended for scholars of communication studies, rhetoric, political science, and architecture.