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Conditioned by local ways of knowing and doing, Great Zimbabwe develops a new interpretation of the famous World Heritage site of Great Zimbabwe. It combines archaeological knowledge, including recent material from the author’s excavations, with native concepts and philosophies. Working from a large data set has made it possible, for the first time, to develop an archaeology of Great Zimbabwe that is informed by finds and observations from the entire site and wider landscape. In so doing, the book strongly contributes towards decolonising African and world archaeology. Written in an accessible manner, the book is aimed at undergraduate students, graduate students, and practicing archaeologists both in Africa and across the globe. The book will also make contributions to the broader field such as African Studies, African History, and World Archaeology through its emphasis on developing synergies between local ways of knowing and the archaeology.
This book examines the politics of landscape and heritage by focusing on the example of Great Zimbabwe National Monument in southern Zimbabwe. The controversy that surrounded the site in the early part of the 20th century, between colonial antiquarians and professional archaeologists, is well reported in the published literature. Based on long term ethnographic field work around Great Zimbabwe, as well as archival research in NMMZ, in the National Archives of Zimbabwe, and several months of research at the World Heritage Centre in Paris, this new book represents an important step beyond that controversy over origins, to focus on the site's position in local contests between, and among individuals within, the Nemanwa, Charumbira and Mugabe clans over land, power and authority. To justify their claims, chiefs, spirit mediums and elders of each clan make appeals to different, but related, constructions of the past. Emphasising the disappearance of the 'Voice' that used to speak there, these narratives also describe the destruction, alienation and desecration of Great Zimbabwe that occurred, and continues, through the international and national, archaeological and heritage processes and practices by which Great Zimbabwe has become a national and world heritage site today.
First Published in 1994. This research guide was written as a comprehensive, though by no means exhaustive, survey of the literature pertinent to studying the indigenous complex societies of south central Africa. Although the paramount focus of the compilation was the archaeology of Great Zimbabwe, the author has drawn from a broad geographical area and a wider period of time than that usually associated with Zimbabwean culture in order to demonstrate the cultural background for the growth of monumental trading towns in south central Africa.
Beautifully produced and illustrated, this study of the Zimbabwean birds is more than a description or history of the eight soapstone carvings found at the Great Zimbabwe historical site. It offers an insight into an aspect of the cultural heritage of Zimbabwe and an interpretation of the important site of Great Zimbabwe from which it is inherited. The story of the birds is used to explore themes in Zimbabwean historiography. By focusing on the religious symbolism of the birds, the author argues that the Great Zimbabwe site was both a political and religious centre. Practically the work illustrates the central symbolic meaning of the birds to the people and nation of Zimbabwe. And the work is in the context of the construction of an authentic national history. In a foreward, the Minister of Foreign Affairs of Zimbabwe says that the birds are constitutents of a living tradition embodying the body spirit of the modern national state of Zimbabwe.
Martin Hall explains how archaeologists find sites, design an excavation, date finds, and write history. The reader is given an outline of the history of the African continent, from the early hominids to the present. South Africa: David Philip/New Africa Books