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Comprising images both sacred and secular, this modestly priced collection of works by the master of woodcut designs features 94 black-and-white illustrations with brief captions that include titles and dates.
All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.
Eighty-one plates show development from youth to full style. Many favorites, many are new. Introduction by Alfred Werner. "The fascination of the drawings is inexhaustible; the skill incredible; the upshot — delight." — Boston Globe.
The greatest German Renaissance artist, Albrecht Dürer produced a vast body of works, including altarpieces, religious works, portraits, copper engravings and woodcuts. Dürer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints and striking versatility. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Dürer’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Albrecht Dürer — over 100 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Dürer’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Includes Dürer's engravings and woodcuts - spend hours exploring the artist’s diverse works * The artist’s famous memoir of his travels * Features four bonus biographies - discover Dürer's artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights SAINT JOHN’S CHURCH SELF PORTRAIT, 1493 SAINT JEROME IN THE WILDERNESS VIRGIN AND CHILD BEFORE AN ARCHWAY PORTRAIT OF ELECTOR FREDERICK THE WISE OF SAXONY THE SEVEN SORROWS OF THE VIRGIN SELF PORTRAIT, 1498 PORTRAIT OF OSWOLT KREL SELF PORTRAIT WITH FUR-TRIMMED ROBE LAMENTATION FOR CHRIST A YOUNG HARE ADORATION OF THE MAGI FEAST OF THE ROSARY ADAM AND EVE MARTYRDOM OF THE TEN THOUSAND MELENCOLIA I PORTRAIT OF MICHAEL WOLGEMUT THE FOUR APOSTLES The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Engravings LIST OF ENGRAVINGS The Woodcuts LIST OF WOODCUTS The Memoir MEMOIRS OF JOURNEYS TO VENICE The Biographies DÜRER by Herbert Furst DÜRER by M. F. Sweetser ALBRECHT DÜRER by T. Sturge Moore BRIEF BIOGRAPHY by Sidney Colvin Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Though most famous for his engravings, Albrecht Durer (1471-1528) was also a master painter and draftsman whose work exemplifies the spirit of German art. This overview of Durer's entire oeuvre is an ideal introduction to his work.
This Bulletin discusses the Met's extensive collection of Renaissance textile pattern books, used primarily by women to embroider clothes and accessories. The practice of embroidery was seen as a virtuous endeavor, and textile pattern books, published with great frequency from the 1520s onward, were designed to inspire, instruct, and encourage "beautiful and virtuous women" in this esteemed practice. Straddling the disciplines of early printmaking, ornament design, and textile decoration, these works help shed light on the crucial period when the concept of fashion as a means of distinguishing individual identity became fixed in Western society.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.
Rediscover the drawings of Albrecht Dürer, one of the most prominent Renaissance artists, known as an incomparable painter and draughtsman with a keen eye for the natural world. During his lifetime, Dürer found tremendous success as a painter and printmaker, taking commissions from prominent figures such as Frederick the Wise and Holy Roman Emperor Maximilian I. His drawings and studies reveal his interest in human proportions, anatomy, and perspective. Featured in this book are Dürer's drawings from the Albertina Museum's preeminent collection including family portraits, studies of animals and plants, and studies of the human body. This book showcases more than 100 of Dürer's drawings including Hare, Self Portrait at the Age of 13, and Melencolia I, along with paintings and prints. Featuring scholarly essays and beautifully reproduced works, this book shows the reader not only how important Dürer's drawings are to his own oeuvre, but also how he helped drawing become an appreciated medium in its own right.