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A lively and engaging account of the leading ladies of imperial Rome from the foundation of the Empire to the third century AD (and a postscript on the fourth century). It is illustrated by 416 Coin Photographs as well as a dozen striking portraits by the author, and will thus be an indispensable resource for historians, art historians and numismatists in addition to its wider appeal.
A captivating popular history that shines a light on the notorious Julio-Claudian women who forged an empire​ Augustus, Tiberius, Caligula, Claudius, and Nero--these are the names history associates with the early Roman Empire. Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors' line to continue. Eminent scholar Guy de la Bédoyère, author of Praetorian, asserts that the women behind the scenes--including Livia, Octavia, and the elder and younger Agrippina--were the true backbone of the dynasty. De la Bédoyère draws on the accounts of ancient Roman historians to revisit a familiar time from a completely fresh vantage point. Anyone who enjoys I, Claudius will be fascinated by this study of dynastic power and gender interplay in ancient Rome.
Using all available sources, Boatwright explores the constraints and activities of the women of Rome's imperial families from 35 BCE to 235 CE. Livia, Agrippina the Younger, Julia Domna, and others feature in this richly illustrated investigation of change, continuity, historical contingency, and personal agency in imperial women's pursuits and representations.
They said she was a tyrant, a murderer and the most wicked woman in history. She kicked her way into the male spaces of politics and demanded to be recognised as an equal and a leader. For her audacity, she was murdered by her son and reviled by history. She was the sister, niece, wife and mother of emperors. She was an empress in her own right. And she was a nuanced, fearless trailblazer in the Roman world. The story of Agrippina – the first empress of Rome – is the story of an empire at its bloody, extravagant, chaotic, ruthless height.
Drawing from a broad range of documentation this book vividly characterizes eleven royal women who are brought visually to life through photographs of over 300 ancient coins and through the author's own illustrations. Spanning the period from the death of Julius Caesar in 44BC to the third century AD, and with an epilogue surveying empresses of later eras, the author's compelling biographies reveal their remarkable contributions towards the legacy of Imperial Rome. Examining the wives, daughters, sisters and mothers of emperors, the study includes: a pregnant Roman princess who saves a Roman army through an act of personal heroism three third-century empresses who rule the most powerful state on Earth, presiding over unprecedented social and political reform an empress, though revered by her husband, is immortalized in history for infidelity and corruption by students of her greatest enemy. Jasper Burns paints portraits of these exceptional women that are colourful, sympathetic, and above all profoundly human. This book will be highly valuable to numismatists, students and scholars of Roman history or women’s studies.
This sourcebook includes a rich and accessible selection of Roman original sources in translation ranging from the Regal Period through Republican and Imperial Rome to the late Empire and the coming of Christianity. From Roman goddesses to mortal women, imperial women to slaves and prostitutes, the volume brings new perspectives to the study of Roman women's lives. Literary sources comprise works by Livy, Catullus, Ovid, Juvenal and many others. Suggestions for further reading, a general bibliography, and an index of ancient authors and works are also included.
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This collection of essays represents research currently being undertaken on women's lives and their representations in various ancient societies. It provides a forum for the exchange and development of ideas and methods at a crucial period in the growth of women's studies in the UK.
Julia Augusta examines the socio-political impact of coin images of Augustus’s wife, Livia, within the broader context of her image in other visual media and reveals the detailed visual language that was developed for the promotion of Livia as the predominant female in the Roman imperial family. The book provides the most comprehensive examination of all extant coins of Livia to date, and provides one of the first studies on the images on Roman coins as gender-infused designs, which created a visual dialogue regarding Livia’s power and gender-roles in relation to those of male members of the imperial family. While the appearance of Roman women on coins was not entirely revolutionary, having roughly coincided with the introduction of images of powerful Roman statesmen to coins in the late 40s BCE, the degree to which Livia came to be commemorated on coins in the provinces and in Rome was unprecedented. This volume provides unique insights into the impact of these representations of Livia, both on coins and in other visual media. Julia Augusta: Images of Rome’s First Empress on the Coins of the Roman Empire will be of great interest to students of women and imperial imagery in the Roman Empire, as well as the importance of visual representation and Roman imperial ideology.
This book explains why Roman portrait statues, famed for their individuality, repeatedly employed the same body forms.