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One hundred and one stunning portraits, 16 in color, by a select group of world-famous artists. Color portraits include Rubens' Young Woman with Crossed Hands, Rossetti's Aurea Catena (Portrait of Mrs. Morris), and Renoir's Portrait of Cézanne. Black-and-white plates include works by Matisse, Bellini, Delacroix, van Gogh, Schiele, Degas, and others.
Guides the reader through a complete, step-by-step tour of the watercolor materials and methods needed to create expressive, masterful portraits.
"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.
Discusses the life and work of Hans Holbein the Younger, the artist most responsible for preserving in his portraits the court of King Henry VIII.
This debut book in the Pocket Art series is packed with expert technical guidance on drawing realistic portraits in pencil and stunning, inspirational examples. London-based artist Joanna Henly (a.k.a. Miss Led) guides you through every aspect of pencil portraiture with a lively, graphic approach to instruction—demystifying the complexities of the human face with step-by-step illustrations and expert tips. Get started with a quick overview of how to set up your work space, how to hold a pencil, and tips on mark making. A section on understanding the face begins with a look at its underlying structure (the skull and muscles) and includes guidance on capturing facial relationships from different angles. Then learn to accurately draw each individual feature—eyes, ears, nose, mouth, skin tones, and hair—with illustrations of their anatomy and examples of their differing shapes. You’ll also find tips on rendering the facial expressions of your subjects. The exercises demonstrate and reinforce the skills as you go, while the incredible artwork inspires and motivates. With its compact size and sturdy flexi binding, you can carry this invaluable resource everywhere you go—in your backpack, bag, or pocket.
RICHARD F. LACK (1928-2009) was one of the most important and distinguished artists of the last half of the twentieth century. Over the span of sixty-three years he completed more than 1,300 paintings, drawings, sketches, studies, etchings, woodcuts, and watercolors. Early in his career he received thirty-four Gold Medals, Best of Show, People's Choice awards, and several scholarships for his atelier (19711992); 100 highly trained painters completed Lack's program, many of whom are accomplished artists recognized nationally today.
Art Workshop for Children is not just another book of straightforward art projects. The book's unique child-led approach provides a framework for cultivating creative thinking and encourages the wonder that comes when children are allowed to freely explore the creative process and their materials. As children work through these open-ended workshops, adults are guided on how to be facilitators who provide questions, encourage deep thinking, and help spark an excitement for discovery. Children explore basic materials and workshops that use minimal supplies, and then gradually add new materials to fill the art cabinets as well as new skills and more complex workshops. Most workshops are suitable to preschool-aged children, and each contains ideas for explorations and new twists to engage older or more experienced artists. Interspersed throughout are sidebar essays that introduce perspectives on mess-making, imperfection, the role of adult, collaborative art, and thoughts on the Reggio Emilia method, a self-guided teaching philosophy. These pieces underscore the value of art-making with children, and support the parent/teacher/care-giver on how to successfully lead, question, and navigate their children through the workshops to result in the fullest experiences.
Masterpieces of drawing from the great schools and traditions of Italy and northern Europe, spanning four centuries from Filippino Lippi, Andrea del Sarto, and Titian to Rembrandt, Van Dyck, and Ingres. 47 plates.
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
This extravagantly illustrated catalogue--published in association with a major exhibition--evokes the romantic fascination with Italy that glimmers in the work of John Singer Sargent. Sargent, heralded on both sides of the Atlantic, was one of the most creative American artists of the late nineteenth century. Born in Florence to American parents living abroad, he retained a deep and lifelong connection to the country famed for its ability to get "ineradicably in one's blood." Sargent vacationed frequently in Italy, and most of the works he created there were painted not for commission but out of his artistic passion for Italy's people, land, and culture. Often hauntingly powerful, they range from dramatically painted genre scenes of Italian peasants and saturated landscapes that celebrate the beauty of the Italian countryside to portraits of other Anglo-American expatriates and tourists, including Henry James and Edith Wharton. The majority of works are of Italian sites, including well-known tourist spots but also the quieter, more isolated locales that Sargent sought out. His subjects include magnificent Italian gardens with their ancient and Baroque statuary, Rome's Neoclassical and Renaissance buildings, urban street scenes, the Italian Alps, and, of course, Venetian canals. Sargent found Venice particularly alluring, and the city well suited the watercolor medium in which he worked most often in Italy. His use of vivid colors, brushwork that varied from soft and fluid to bold and dashing, and an overwhelming sense of light and air characterize his Italian scenes--and rank Sargent as one of the finest watercolorists of all time. His later Italian works, some in watercolor and others in oil, reveal an artist who relished his materials and made art purely for art's sake. Both beautiful and informative, this lavish volume includes eighty-five color and fifty black-and-white images. It adds a new dimension to our appreciation of Sargent's art and will delight anyone who loves Italy, as Sargent so passionately did.