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Well-known scenes from "Hamlet," "King Lear," "Macbeth," "Romeo and Juliet," "Julius Caesar," and 15 other popular plays. Summaries, selections from the appropriate text, and captions accompany the illustrations. 30 black-and-white illustrations.
(Applause Books). Jewish playwrights and plays of Jewish interest intended for general audiences have been increasingly conspicuous on the American stage since the early 20th century. No wonder. The evolution of Jewish life in America teems with richly dramatic material: immigration, "making it," intergenerational family relationships, the impact of the Great Depression, two World Wars, the Holocaust, the establishment of Israel, and the emergence of feminism and alternative life styles. And pre-eminently and enduringly, the dilemma of identity: how to acculturate without losing one's Jewish identity. A retrospective of the American Jewish repertoire of the last 80 years tells us a good deal about how Jews have perceived themselves and America and how America has perceived Jews. Schiff's collections, Awake and Singing (1995) and Fruitful and Multiplying (1996) were the first ever to represent the magnitude and importance of the American Jewish repertoire. This new edition brings together five plays from those pioneering anthologies: Elmer Rice's Counsellor-at-Law ; Clifford Odets' Awake and Sing! ; Sylvia Regan's Morning Star ; Paddy Chayefsky's The Tenth Man ; and Herb Gardner's Conversations with My Father . They are joined by Broken Glass , Arthur Miller's first play to focus specifically on deeply disturbing American Jewish problems: assimilation, self-hatred and terrified awareness of the Nazi threat to European co-religionists. The introductory essay provides a cultural and historical overview and there are generous headnotes to each play.
Having surveyed post-war British drama in State of the Nation, Michael Billington now looks at the global picture. In this provocative and challenging new book, he offers his highly personal selection of the 100 greatest plays ranging from the Greeks to the present-day. But his book is no mere list. Billington justifies his choices in extended essays- and even occasional dialogues- that put the plays in context, explain their significance and trace their performance history. In the end, it's a book that poses an infinite number of questions. What makes a great play? Does the definition change with time and circumstance? Or are certain common factors visible down the ages? It's safe to say that it's a book that, in revising the accepted canon, is bound to stimulate passionate argument and debate. Everyone will have strong views on Billington's chosen hundred and will be inspired to make their own selections. But, coming from Britain's longest-serving theatre critic, these essays are the product of a lifetime spent watching and reading plays and record the adventures of a soul amongst masterpieces.
Here are six plays that stand as landmarks of the modern drama: Chekhov’s THREE SISTERS repeats, in terms of a handful of people, the spasms of a dying society. Isben’s THE MASTER BUILDER is the tragedy of the modern romantic, caught between desire and reality. Shaw’s MRS. WARREN’S PROFESSION shocked England and America; this play was the first honest attempt in our era to deal with prostitution. O’Casey’s RED ROSES FOR ME is about a Protestant worker of Dublin who is a symbol of the ravaging conflicts in Ireland—and in man. Williams’s THE GLASS MENAGERIE is a tender, despairing portrait of two women, one lost in the past, the other in herself. Miller’s ALL MY SONS is a biting though compassionate, indictment of success through moral betrayal. We call these plays “modern.” But the they are high art, and are written with devotion to truth, and those two qualities have already made them timeless.
This important, landmark survey dispels the myth that there aren't any good plays for women.
This first volume in a two-volume anthology presents the history and evolution of Jewish plays (1920-1960), from the social realism and political concerns of Elmer Rice and Clifford Odets to the urban wit of Neil Simon and Wendy Wasserstein. Many of these plays are unavailable in any other format. (Drama)
In a series that explores the logic-defying comebacks and tough losses, the dramatic interceptions, fumbles, game-winning field goals, and touchdowns that shape a fan's greatest memories of their beloved team, this book does not disappoint as the ultimate collector's item for Bulldogs fans. It chronicles the most famous moments in the University of Georgia's football history, including the "onside kick" against Notre Dame in the Sugar Bowl in 1981, David Pollack's strip of the football against South Carolina in 2002, Belue-to-Scott for 93 yards to defeat rival Florida, Fran Tarkenton's fourth down touchdown pass in 1959, and "excessive celebration" in 2007. The descriptions of each play are accompanied with game information and quotes from participants, players, and observers with firsthand accounts.
Literature's greatest books condensed into 90 minutes.
"Lyman Felt is hospitalized after a serious car accident and two women claiming to be his wife meet by his side. Caught in a web of lies between two families both looking for an explanation, Lyman's reasons for his deceitfulness shed new light on old memories and replace deception with the unavoidable, aching truth."--Back cover.