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Opera houses--temples to the art of Mozart, Verdi, Tchaikovsky, and more--have been created by some of the most talented architects and designers of their generations, inspiring centuries of veneration from audiences, filled with royalty and commoners alike. In this sumptuous book, photographer Guillaume de Laubier and journalist Antoine Pecqueur explore more than 25 of the world's most beautiful opera houses, from Tokyo to Covent Garden, from Oslo to Chicago, from Milan to New York. The buildings are described in their historical contexts, while stunning photography reveals the theaters' most captivating spaces. In addition to offering sweeping views of ornate auditoriums and facades, the book opens doors normally closed to the public, entering the artists' dressing rooms, rehearsal halls, scenery workshops, and more, presenting a wide-ranging and compelling look into a spectacular world. Praise for The Most Beautiful Opera Houses in the World: "Performance spaces take the spotlight in The Most Beautiful Opera Houses in the World and you don't need to be a music buff to appreciate their range. The photographs by Guillaume de Laubier capture 32 theaters across the globe in rich detail . . . Who knew empty stages made for such good theater?" --Wall Street Journal "With the growing popularity of massive arenas, it is often difficult to think back to a time when going out for a night of music was synonymous with elegance. But a new book has rediscovered the high art of these exquisite theater spaces. The Most Beautiful Opera Houses in the World contains hundreds of photographs showing the exteriors and auditoriums of these cultural treasures--and is a reminder why these architectural wonders are worth a visit." --FOXNews.com
Italian Opera in the 18th and 19th centuries was an experience unequaled anywhere else in the world. The unique emotion, flavor, and passion that existed have yet to be attained in any other country. Opera houses in Italy are the birthplace of this great art form. They represent its beauty and richness. More than just concrete, stone, glass, and wood, they are alive, each with a character and history of its own. This work recreates the social, political, architectural, and performance histories of each house by including eyewitness accounts from Italian newspapers, journals, and books of the time. It covers more than 50 Italian opera houses and festivals, organized by their city of origin and geographic region. Each chapter is a journey back in time, beginning with the first theaters and performances in the city and concluding with an architectural description of the principal theater and a practical information guide for visitors (including hotel recommendations). The operatic activities of the main theater, including inaugurations, important performances, and world premieres, are also covered. A photospread, along with brief descriptions of opera-related sites, including the birthplaces, dwellings, and museums of Italy's greatest composers, give an even more complete portrait of the art.
Renaissance Europe, with its humanistic impulse, may have brought the cathedral-building Middle Ages to an end, but it rechanneled the religious fervor of the old era into a new cult, the cult of opera, whose grandiose rites demanded theatres as monumental and as prominently placed as any cathedral ever built. In Opera Houses of the World the musicologist Thierry Beauvert narrates in text and glorious image alike, the story of those fabulous buildings - the princes of the blood or of commerce who commissioned them, the architects who designed and decorated them, the composers who wrote for them, the golden-voiced singers who performed on their stages, and even the audiences who still attend performances like worshippers in sacred temples.
This illustrated guide to 100 of the world's most important concert halls and opera houses examines their architecture and engineering and discusses their acoustical quality as judged by conductors and music critics. The descriptions and photographs will serve as a valuable guide for today's peripatetic performers and music lovers. With technical discussions relegated to appendices, the book can be read with pleasure by anyone interested in musical performance. The photographs (specially commissioned for this book) and architectural drawings (all to the same scale) together with modern acoustical data on each of the halls provide a rich and unmatched resource on the design of halls for presenting musical performances. Together with the technical appendices, the data and drawings will serve as an invaluable reference for architects and engineers involved in the design of spaces for the performance of music.
This book is the first structured and complete research work undertaken on opera theatres across the entire Middle East and North Africa. Until now, no single study has looked at every theatrical and musical institute in these countries. Many of the opera theatres that are examined here have had very little written about them at all. This work fills this void in order to provide scholars and practitioners in the sector with the first reference work on the subject that will help our understanding of the evolutionary process that has led—and continues to lead—all the countries in the MENA region to equip themselves with an opera theatre.
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
The artist Andras Kaldor who trained as an architect, has spent the last 12 years painting opera houses all over Europe. Here are 33 of these buildings with a brief background history from an architectural and musical point of view.
14 Symbols of Pride -- Part Four Born Again: Revived Opera Houses and Their Communities -- 15 The Phoenix Rises -- 16 Successes -- 17 Engines for Regeneration -- 18 Like Family -- 19 Connecting Again -- Afterword -- Appendix: A Listing of Extant Opera Houses by State -- Notes -- Bibliography -- Index