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We can all name the classic rock and pop albums of the last fifty years. But what about the great lost albums? The albums that fell behind the back of the musical sofa? The albums that, in a very real sense, have been completely made up by the authors of this book? It took a bestselling crime writer or three to hunt down these fifty lost classics, and an award-winning TV comedy scriptwriter to buy them a pint and make them write it. From the 60s to the 00s, with track listings and full histories, Great Lost Albums reveals the recordings that - just perhaps - never existed, but really should have done. Albums include: · Bob Dylan's legendary collaboration with Liberace · Joy Division's 'musical theatre' period · Coldplay's IKEA Sessions, including 'Conscious Uncoupling (See Leaflet for Details)' and 'In my Place (There's a Lovely HEMNES Shelving System)' · The Who's magisterial, abandoned rock opera 'Bingo Wizard' · Kraftwerk's hastily deleted Christmas album, featuring the melancholic classic 'I Wish to Return this Item' ...and many, many more.
The Greatest Music Never Sold is a never-before-attempted look at the legendary lost recordings of the pop music world. It reveals the secrets of 20 albums — works by superstars and supergroups such as Mick Jagger, Seal, Chicago, David Bowie, Prince, Cheryl Crow, the Beastie Boys, U2, and 50 Cent — that have never been officially released. New interviews with artists, band members, producers, engineers, and label executives shine a light into the darkened studio vaults, revealing the ego battles, politics, and career confusion that have buried work by these pop music greats. Certain to apeal to record collectors, bootleggers, and ardent music fans everywhere, The Greatest Music Never Sold is a rare look into one of pop music's hidden corners.
Everyone recognises the iconic photo from the cover of the Ramones' self-titled album of 1976. But how many have seen the image, taken with the same roll of film, of Dee Dee excitedly chasing his bandmates out of shot with a stick? This compilation of stunning images from punk and new wave's most iconic albums uncovers these lost photographs, along with the stories behind them. With hundreds of photographs, accompanied by anecdotes, interviews and first-hand accounts from the photographers themselves, this book gives access to rare behind-the-scenes stories about how shoots took place and the creative processes behind them.
A Pink Floyd album with no instruments. A Sex Pistols record more incendiary than 'Never Mind The Bollocks'. A sci-fi rock opera by Weezer. Rock 'n' roll history is littered with intriguing albums that never saw the light of day, let alone the charts. Self-destructive ambition, intra-band turmoil, record-company politics and even death have all played their part in creating a fascinating sub-genre of mythic masterpieces. Now, 'The Greatest Albums You'll Never Hear' untangles the twists of fate, the fights and the sheer bad luck that prevented these sonic gems from being pressed. Spanning more than half a century of music from all genres, these tales take in legends such as The Beatles, The Rolling Stones and David Bowie, cult heroes like Brian Eno and Frank Zappa, and contemporary artists, including Green Day and Dr Dre.
*** This is the story of the great lost Beatles album. The end of the Beatles wasn't inevitable. It came through miscommunication, misunderstandings and missed opportunities to reconcile. But what if it didn't end? What if just one of those chances was taken, and the Beatles carried on? What if they made one last, great album? In Like Some Forgotten Dream, Daniel Rachel - winner of the prestigious Penderyn Music Book Prize - looks at what could have been. Drawing on impeccable research, Rachel examines the the Fab Four's untimely demise - and from the ashes compiles a track list for an imagined final album, pulling together unfinished demos, forgotten B-sides, hit solo songs, and arguing that together they form the basis of a lost Beatles masterpiece. Compelling and convincing, Like Some Forgotten Dream is a daring re-write of Beatles history, and a tantalising glimpse of what might have been. Praise for Daniel Rachel: Walls Come Tumbling Down: 'Superlative...brilliant' - Q Magazine 'Triumphant' - The Guardian 'Brilliant' - Mojo Isle of Noises: 'In depth, scholarly' - Q Magazine 'Fascinating' - The Guardian / NME 'Fantastic, insightful interviews' - Noel Gallagher Don't Look Back in Anger: 'A-grade, A-list' - The Sunday Times 'A rollicking read' - Mail on Sunday 'Remarkable' - Art Review 'Book of the Week' - The Guardian
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
The story of the final recordings of one of the greatest jazz musicians of the twentieth century
Thoroughly revised and expanded, this entertaining musical companion provides original reviews of more than seven hundred albums, along with deailed information on recording and production details, release dates, artists and musicians, cross references, and more. Original.
Debut albums are among the cultural artefacts that capture the popular imagination especially well. As a first impression, the debut album may take on a mythical status, whether the artist or group achieves enduring success or in rare cases when an initial record turns out to be an apogee for an artist. Whatever the subsequent career trajectory, the debut album is a meaningful text that can be scrutinized for its revelatory signs and the expectations that follow. Please Allow Me to Introduce Myself: Essays on Debut Albums tells the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of the album, each essay looks back at the album and places it within multiple contexts, particularly the artist’s career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists.