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Bestselling poet, writer, and Instagram sensation Nikita Gill returns with a collection of poetry and prose retelling the legends of the Goddesses, both great and small, in their own words. With lyrical prose and striking verse, beloved poet Nikita Gill (Fierce Fairytales, Wild Embers) uses the history of Ancient Greece and beyond to explore and share the stories of the mothers, warriors, creators, survivors, and destroyers who shook the world. In pieces that burn with empathy and admiration for these women, Gill unearths the power and glory of the very foundations of mythology and culture that have been too-often ignored or pushed aside. Complete with beautiful hand-drawn illustrations, Gill's poetry and stories weave old and forgotten tales of might and love into an empowering collection for the modern woman.
The book presents in depth histories of the cults of seven major goddesses and many excerpts from their literature--hymns, prayers, and magical spells as well as descriptions of ritual, temples and clergy.
A spunky, feminist take on the myth of Gaia, the Greek goddess of the Earth Long before the age of the Olympian gods, Gaia created the world in all its beauty. But from Gaia also came the Titans, who ran wild and free through this world—until her husband Ouranos turned on Gaia and declared himself the ruler of all she’d created. Her son Cronus then rose to power, but soon he too became hungry for more power—so much so that he swallowed his own children. But Gaia managed to hide the youngest son, Zeus, from Cronus. Zeus grew up and defeated Cronus and saved his brothers and sisters. Gaia thought this would be the end of all the needless war, but Zeus was not satisfied—he swore to rid the world of anyone who challenged his power. Gaia was furious. She wanted no part in the world of Zeus. She would not fight his destruction with more destruction. It might be too late for Zeus, but it wasn’t too late for the mortals—or for the earth itself. Follow the goddess of earth through her struggles with gods and mortals as she discovers her strength and eventually finds the peace she has always longed for. Tales of Great Goddesses are graphic novels that bring the stories of some of the most powerful and fascinating mythical goddesses to life!
A spunky, feminist take on the myth of Athena, the Greek goddess of wisdom, war, and courage From the moment she sprung from Zeus’s head, Athena was extraordinary. Even though some doubted her as a young goddess, Athena never backed down from a fight. Poseidon wants to be the patron god of a nearby city? Well, so does Athena! And she’s going to outwit him and found Athens. Perseus doesn’t know how to defeat Medusa? No problem! Athena can give him the knowledge (and shield) he needs to take off her head. Odysseus is lost at sea, seemingly doomed? Not anymore! Athena can get him home. Follow the goddess of wisdom through her adventures with gods and mortals, discover the perils of crossing her, and see how she eventually learned to better understand and aid the human race.
A study of the tombs, temples, and artifacts dedicated to the female deity of pre-history, the Great Goddess.
For as long as we have sought god, we have found the goddess. Ruling over the imaginations of humankind’s earliest agricultural civilizations, she played a critical spiritual role as a keeper of nature’s fertile powers and an assurance of the next sustaining harvest. In The Goddess, David Leeming and Christopher Fee take us all the way back into prehistory, tracing the goddess across vast spans of time to tell the epic story of the transformation of belief and what it says about who we are. Leeming and Fee use the goddess to gaze into the lives and souls of the people who worshipped her. They chart the development of traditional Western gender roles through an understanding of the transformation of concepts of the Goddess from her earliest roots in India and Iran to her more familiar faces in Ireland and Iceland. They examine the subordination of the goddess to the god as human civilizations became mobile and began to look upon masculine deities for assurances of survival in movement and battle. And they show how, despite this history, the goddess has remained alive in our spiritual imaginations, in figures such as the Christian Virgin Mother and, in contemporary times, the new-age resurrection of figures such as Gaia. The Goddess explores this central aspect of ancient spiritual thought as a window into human history and the deepest roots of our beliefs.
The nurturing Earth Goddess, the Great Mother worshipped at the dawn of civilization—historical fact or consoling fiction? While Goddess mythologies proliferate and the public devours books by artists, psychotherapists, and enthusiastic amateurs, it is remarkable that those in the field of prehistory have remained largely silent. Did Goddess worship really exist? What actually remains from the earliest cultures, and what can it tell us? What can we learn about the early stages of human religion from the study of prehistoric carvings, pictures, pottery, figurines, and temples? In Ancient Goddesses, historians and archaeologists write accessibly about this intriguing and controversial topic for the first time. Considering a number of significant early civilizations—Predynastic and Early Dynastic Egypt; “Old Europe;” Early North West Europe; “Celtic” civilization; the Prehistoric Aegean; Malta; the Ancient Near East; Old Testament Israel; Çatalhöyük; and Archaic Greece—these experts review the most recent evidence so that readers can make up their own minds. Contributors include Ruth Tringham and Margaret Conkey, University of California, Berkeley; Lynn Meskell, New College, Oxford; Fekri Hassan, University College, London; Karel van der Toorn, University of Amsterdam; Joan Westenholz, Bible Lands Museum, Jerusalem; Elizabeth Shee Twohig, University College, Cork; Caroline Malone, New Hall, Cambridge; Mary Voyatzis, University of Arizona; and Miranda Green, University of Wales College.
Bestselling poet, writer, and Instagram sensation Nikita Gill returns with an innovative novel in verse, exploring Hindu mythology and legend. Let her be a little less human, a little more divine Give her heart armor so it doesn't break as easily as mine Meet Paro. A girl with a strong will, a full heart, and much to learn. Born into a family reeling from the ruptures of Partition in India, we follow her as she crosses the precarious lines between childhood, teenage discovery, and realizing her adult self. In the process, Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment. Nikita Gill's vivid poetry and beautiful illustrations have captured hearts and imaginations--but in The Girl and the Goddess, she offers us her most personal and deeply felt writing to date: an intimate coming-of-age story told in linked poems that offers a look into the Hindu mythology and rich cultural influences that helped her become the woman she is today.
Though men dominated early Irish society, women dominated the supernatural. Goddesses of war, fertility, and sovereignty ordered human destiny. Christian monks, in recording the old stories, turned these pagan deities into saints, like St Brigit, or into mortal queens like Medb of Connacht. The Morrigan, the Great Queen, war goddess, remains a figure of awe, but her pagan functions are glossed over. She perches, crow of battle, on the dying warrior CuChulainn's pillar stone, but her role as his tutelary deity, and as planner and fomentor of the whole tremendous Tain, the war between Ulster and Connacht, is obscured. Unlike the Anglo-Irish authors who in modern times treated the same material in English, the good Irish monks were not shocked by her sexual aggressiveness. They show her coupling with the Dagda, the 'good god' of the Tuatha De Danann before the second battle of Mag Tuired, but they conceal that this act - by a goddess of war, fertility and sovereignty - gives the Dagda's people victory and the possession of Ireland. Or they reduce the sovereignty to allegory - when Niall of the Nine Hostages sleeps with the Hag she is allegorical of the trials of kingship! With the English invasion and colonization, the power of the goddesses diminishes further. The book shows the fall in status of the pagan goddesses, first under medieval Christianity and then under Anglo-Irish culture. That this fall shows a loss in the recognition of the roles of women seems evident from the texts. This human loss only begins to be restored when, presiding over the severed heads in Yeats's The Death of Cuchulain, the Morrigu declares, 'I arranged the Dance.'
Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.