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NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • “A taut page-turner with all the hallmarks of a good historical thriller.”—Orlando Sentinel The gripping true story of the duel to end all duels in medieval France as a resolute knight defends his wife’s honor against the man she accuses of a heinous crime In the midst of the devastating Hundred Years’ War between France and England, Jean de Carrouges, a Norman knight fresh from combat in Scotland, returns home to yet another deadly threat. His wife, Marguerite, has accused squire Jacques Le Gris of rape. A deadlocked court decrees a trial by combat between the two men that will also leave Marguerite’s fate in the balance. For if her husband loses the duel, she will be put to death as a false accuser. While enemy troops pillage the land, and rebellion and plague threaten the lives of all, Carrouges and Le Gris meet in full armor on a walled field in Paris. What follows is the final duel ever authorized by the Parlement of Paris, a fierce fight with lance, sword, and dagger before a massive crowd that includes the teenage King Charles VI, during which both combatants are wounded—but only one fatally. Based on extensive research in Normandy and Paris, The Last Duel brings to life a colorful, turbulent age and three unforgettable characters caught in a fatal triangle of crime, scandal, and revenge. The Last Duel is at once a moving human drama, a captivating true crime story, and an engrossing work of historical intrigue with themes that echo powerfully centuries later.
DigiCat presents to you this meticulously edited and formatted collection of the greatest classics of French literature: A History of French Literature François Rabelais: Gargantua and Pantagruel Molière: Tartuffe or the Hypocrite The Misanthrope The Miser The Imaginary Invalid The Impostures of Scapin... Jean Racine: Phaedra Pierre Corneille: The Cid Voltaire: Candide Zadig Micromegas The Huron A Philosophical Dictionary... Jean-Jacques Rousseau: Confessions Emile The Social Contract De Laclos: Dangerous Liaisons Stendhal‎: The Red and the Black The Charterhouse of Parma... Honoré de Balzac: Father Goriot Eugénie Grandet Lost Illusions The Lily of the Valley A Woman of Thirty Colonel Chabert The Magic Skin The Unknown Masterpiece... Victor Hugo: Les Misérables The Man Who Laughs The Hunchback of Notre-Dame Toilers of the Sea... George Sand: The Devil's Pool Mauprat Alexandre Dumas pere: The Three Musketeers Twenty Years After The Vicomte de Bragelonne Ten Years After Louise de la Valliere The Man in the Iron Mask The Count of Monte Cristo... Alexandre Dumas fils: The Lady with the Camellias Gustave Flaubert: Madame Bovary Salammbô Bouvard and Pécuchet Sentimental Education... Émile Zola: Thérèse Raquin The Fortune of the Rougons The Kill The Dram Shop A Love Episode Nana Piping Hot Germinal His Masterpiece The Earth The Dream The Human Beast Money The Downfall Doctor Pascal... Jules Verne: Twenty Thousand Leagues Under the Sea Around the World in Eighty Days The Mysterious Island Journey to the Centre of the Earth From the Earth to the Moon Around the Moon In Search of the Castaways Guy de Maupassant: A Life Bel-Ami (The History of a Scoundrel) Mont Oriol Notre Coeur Pierre and Jean Strong as Death The Necklace The Horla Boul de Suif Two Friends Madame Tellier's Establishment... Charles Baudelaire: The Flowers of Evil Anatole France: The Revolt of the Angels The Gods are Athirst (The Gods Will Have Blood) Penguin Island Thaïs Gaston Leroux: The Phantom of the Opera The Mystery of the Yellow Room The Secret of the Night The Man with the Black Feather Marcel Proust: Swann's Way
Many of the West’s best writers fought in duels or wrote about them, seduced by glamour or risk or recklessness. A gift as a plot device, the duel also offered a way to discover how we face fears of humiliation, pain, and death. John Leigh’s literary history of the duel illuminates these and other tensions attending the birth of the modern world.
Mark Twain's 'The Greatest Works of Mark Twain: 370+ Titles in One Edition (Illustrated)' is a comprehensive collection that showcases the literary genius of one of America's most iconic writers. Known for his satirical wit and keen observations of human nature, Twain's works range from humorous anecdotes to thoughtful social commentary. This edition includes a vast array of Twain's works, from his beloved classics like 'The Adventures of Huckleberry Finn' and 'The Adventures of Tom Sawyer' to lesser-known gems that highlight the breadth of his talent. The addition of illustrations enhances the reader's experience and brings Twain's timeless stories to life. Twain's writing style is engaging, accessible, and filled with profound insights that continue to resonate with readers today.
A Tramp Abroad is a Travel Literature book that a little bit of an autobiography and fictional events of the renowned author Mark Twain. This book is about the travels of the author and his friend Harris though Europe and the object is to walk the whole way the end up using some form of travel or another. This is also thought to be the unofficial sequel to the Innocents Abroad.
CHAPTER I [The Knighted Knave of Bergen] One day it occurred to me that it had been many years since the world had been afforded the spectacle of a man adventurous enough to undertake a journey through Europe on foot. After much thought, I decided that I was a person fitted to furnish to mankind this spectacle. So I determined to do it. This was in March, 1878. I looked about me for the right sort of person to accompany me in the capacity of agent, and finally hired a Mr. Harris for this service. It was also my purpose to study art while in Europe. Mr. Harris was in sympathy with me in this. He was as much of an enthusiast in art as I was, and not less anxious to learn to paint. I desired to learn the German language; so did Harris. Toward the middle of April we sailed in the Holsatia, Captain Brandt, and had a very pleasant trip, indeed. After a brief rest at Hamburg, we made preparations for a long pedestrian trip southward in the soft spring weather, but at the last moment we changed the program, for private reasons, and took the express-train. We made a short halt at Frankfort-on-the-Main, and found it an interesting city. I would have liked to visit the birthplace of Gutenburg, but it could not be done, as no memorandum of the site of the house has been kept. So we spent an hour in the Goethe mansion instead. The city permits this house to belong to private parties, instead of gracing and dignifying herself with the honor of possessing and protecting it. Frankfort is one of the sixteen cities which have the distinction of being the place where the following incident occurred. Charlemagne, while chasing the Saxons (as he said), or being chased by them (as they said), arrived at the bank of the river at dawn, in a fog. The enemy were either before him or behind him; but in any case he wanted to get across, very badly. He would have given anything for a guide, but none was to be had. Presently he saw a deer, followed by her young, approach the water. He watched her, judging that she would seek a ford, and he was right. She waded over, and the army followed. So a great Frankish victory or defeat was gained or avoided; and in order to commemorate the episode, Charlemagne commanded a city to be built there, which he named Frankfort—the ford of the Franks. None of the other cities where this event happened were named for it. This is good evidence that Frankfort was the first place it occurred at. Frankfort has another distinction—it is the birthplace of the German alphabet; or at least of the German word for alphabet—buchstaben. They say that the first movable types were made on birch sticks—buchstabe—hence the name. ILLUSTRATIONS PORTRAIT OF THE AUTHOR TITIAN'S MOSES THE AUTHOR'S MEMORIES THE BLACK KNIGHT OPENING HIS VIZIER THE ENRAGED EMPEROR THE PORTIER ONE OF THOSE BOYS SCHLOSS HOTEL IN MY CAGE HEIDELBERG CASTLE HEIDELBERG CASTLE, RIVER FRONTAGE THE RETREAT JIM BAKER "A BLUE FLUSH ABOUT IT" COULD NOT SEE IT THE BEER KING THE LECTURER'S AUDIENCE INDUSTRIOUS STUDENTS IDLE STUDENT COMPANIONABLE INTERCOURSE AN IMPOSING SPECTACLE AN ADVERTISEMENT "UNDERSTANDS HIS BUSINESS" THE OLD SURGEON THE FIRST WOUND THE CASTLE COURT WOUNDED FAVORITE STREET COSTUME INEFFACEABLE SCARS PIECE OF SWORD FRENCH CALM THE CHALLENGE ACCEPTED A SEARCH HE SWOONED PONDEROUSLY I ROLLED HIM OVER THE ONE I HIRED THE MARCH TO THE FIELD THE POST OF DANGER THE RECONCILIATION AN OBJECT OF ADMIRATION WAGNER RAGING ROARING SHRIEKING A CUSTOMARY THING ONE OF THE "REST" A CONTRIBUTION BOX CONSPICUOUS TAIL PIECE ONLY A SHRIEK "HE ONLY CRY" LATE COMERS CARED FOR EVIDENTLY DREAMING "TURN ON MORE RAIN" HARRIS ATTENDING THE OPERA PAINTING MY GREAT PICTURE OUR START AN UNKNOWN COSTUME THE TOWER SLOW BUT SURE THE ROBBER CHIEF AN HONEST MAN THE TOWN BY NIGHT GENERATIONS OF BAREFEET OUR BEDROOM PRACTICING PAWING AROUND A NIGHT'S WORK LEAVING HEILBRONN THE CAPTAIN WAITING FOR THE TRAIN A DEEP
Blending cultural history, biography, and literary criticism, this book explores how one of America's greatest icons used the French to help build a new sense of what it is to be “American” in the second half of the nineteenth century. While critics have generally dismissed Mark Twain’s relationship with France as hostile, Harrington and Jenn see Twain’s use of the French as a foil to help construct his identity as “the representative American.” Examining new materials that detail his Montmatre study, the carte de visite album, and a chronology of his visits to France, the book offers close readings of writings that have been largely ignored, such as The Innocents Adrift manuscript and the unpublished chapters of A Tramp Abroad, combining literary analysis, socio-historical context and biographical research.