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In Great Canadian Animal Stories, sixteen masters of storytelling, keen observers either of nature or of their own animal companions, come together with tales that bring their experiences vividly to life. It includes classic stories by Jack London, Farley Mowat, Grey Owl, and Fred Bodsworth.
Farley Mowat, Gabrielle Roy, Grey Owl, Emily Carr and Robertson Davies are among the authors whose stories grace The Best Canadian Animal Stories. From a white-tailed deer that survives despite its blindness, a whale harassed by youths in a powerboat and a boy who is saved by his dog in a Cape Breton snowstorm, these are classic animal stories by some of Canada's best writers.
Sixteen realistic animal stories by Canadian authors.
“The right story, at the right time, if you happen to be open to it ... can perhaps move you so far outside of yourself that you will not consider going back.” “Like meeting a stranger, much of the pleasure of a story is its unknown power,” writes Best Canadian Stories 2020 guest editor Paige Cooper. “The right story, at the right time, if you happen to be open to it ... can perhaps move you so far outside of yourself that you will not consider going back.” From Festival du Voyageur to the shores of Lake Erie, Tbilisi to Toronto, the Amisk River to a hotel-turned-hospital in the midst of a mysterious pandemic, this wide-ranging anthology brings together the real and the speculative, small towns and big cities, grief and humour, introducing readers to stories that startle us into new understanding—of ourselves and each other, the worlds we inhabit and the ones they help us to imagine. Featuring work by: Maxime Raymond Bock • Lynn Coady • Kristyn Dunnion • Omar El Akkad • Camilla Grudova • Conor Kerr • Alex Leslie • Thea Lim • Madeleine Maillet • Cassidy McFadzean • Michael Melgaard • Jeff Noh • Casey Plett • Eden Robinson • Naben Ruthnum • Pablo Strauss • Souvankham Thammavongsa
For 26 years, Dr. David Perrin served as a country veterinarian in the rural (but never quiet) Creston valley of southern British Columbia. Don't Turn Your Back in the Barn is his engaging and entertaining firsthand account of his rookie year on the job in the early 1970s. Reminiscent of the beloved books of British veterinarian and writer James Herriot, Perrin's book is by turns heartbreaking and hysterical. In 22 stories, he relays his encounters with an eclectic group of two-legged clients and a roster of four-legged patients that range in size from a newborn kitten to a 1,500-pound pregnant heifer. Perrin's honest account of veterinary life includes his mistakes, successes, and frequent searches for answers to problems that most of us will thankfully never have to consider (for example, how does one discourage the advances of an amorous billy goat'). Passion, pathos, adventure, humor-Don't Turn Your Back in the Barn has it all.
This third, completely revised edition contains hundreds of new entries for a total of almost 2,000 children's books and magazines carefully selected and described by a team of children's librarians. Entries are arranged by subject, with reading levels indicated where necessary, and are also listed in a separate author-title index. A list of prize-winning Canadian children's books and a basic book list for librarians, teachers, and parents are included in this charmingly illustrated volume.
This new volume of the Literary History of Canada covers the continuing development of English-Canadian writing from 1972 to 1984. As with the three earlier volumes, this book is an invaluable guide to recent developments in English-Canadian literature and a resource for both the general reader and the specialist researcher. The contributors to this volume are Laurie Ricou, David Jackel, Linda Hutcheon, Philip Stratford, Barry Cameron, Balachandra Rajan, Robert Fothergill, Brian Parker, Cynthia Zimmerman, Frances Frazer, Edith Fowke, Bruce G. Trigger, Alan C. Cairns, Douglas Williams, Carl Berger, Shirley Neuman, Raymond S. Corteen, and Francess G. Halpenny.
The first collection of critical essays devoted to the study of English-Canadian literary anthologies brings together the work of thirteen prominent critics to investigate anthology formation in Canada and answer these key questions: Why are there so many literary anthologies in Canada, and how can we trace their history? What role have anthologies played in the formation of Canadian literary taste? How have anthologies influenced the training of students from generation to generation? What literary values do the editors of various anthologies tend to support, and how do these values affect canon formation in Canada? How have different genres fared in the creation of literary anthologies? How do Canadian anthologies transmit ideas about gender, region, ideology, and nation? Specific essays focus on anthologies as national metaphors, the controversies surrounding early literary collections, representations of First Nations peoples in anthologies, and the ways in which various editors have understood exploration narratives. In addition, the collection examines the representation of women in Canadian anthologies, the use of anthologies as teaching tools, and the creation of some very odd Canadian anthologies along the way.
"Inspired by the author's grandfather's experiences living in a lodge in the woods, a story of how people and animals survive a forest fire in a small Canadian town"--