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Although there are encyclopedias and biographical dictionaries of contemporary British film and theatre actors, most lack the intimacy of face-to-face interviews. Typically drawn from secondary sources, collections of interviews often repeat tired anecdotes about an actor’s film or stage roles, with very little nuance or fresh insights. Great Britons of Stage and Screen: In Conversation features interviews with some of the leading actors of the last fifty years and more. In this collection, Barbara Roisman Cooper presents interviews she personally conducted with more than twenty stars of film, television, and theatre. Held in intimate surroundings—including the actors’ private homes and theatre dressing rooms between performances—these interviews provide readers with a rounded understanding of the creative process and the dedication required to develop a performance. Including many well-known Oscar, Tony, Olivier, and BAFTA winners, each interview is preceded by a short introduction and followed by the performer’s most significant credits, both on the stage and screen. The actors and actresses who shared their stories in this volume include Dame Eileen Atkins Isla Blair Simon Callow Dame Joan Collins Peggy Cummins Sinéad Cusack Samantha Eggar Stephen Fry Julian Glover Stephen Greif Jeremy Irons Sir Derek Jacobi Felicity Kendal Sir Ben Kingsley Dame Angela Lansbury Sir John Mills Alfred Molina Lynn Redgrave Jean Simmons David Suchet Richard Todd Michael York Designed to serve as a resource for those studying or writing about the worlds of theatre and film in general—and the art and craft of acting, specifically—Great Britons of Stage and Screen will also appealto the many fans of the artists who have entertained audiences for decades.
Arriving in Hollywood in 1950 to launch her American film career, Jean Simmons (1929-2010) had already appeared in 18 British films and was best known for her portrayal of Ophelia in Laurence Olivier's Hamlet. She soon became a favorite female face working with some of filmmaking's greats and acted opposite many Hollywood A-listers. Two of her most popular films--Guys and Dolls (1955) and Spartacus (1960)--were international box-office hits, and in her seven decades-long career she collected numerous awards and honors including a Golden Globe, an Emmy, and two Oscar nominations as Best Actress. Despite the accomplishments and accolades, radiant beauty, and stunning versatility, Simmons is considered by many to be an underrated artist, too often handed more comfortable leading female roles than those that could've elevated her to the level of super stardom experienced by some of her peers. This, the first full-length biography of Simmons, fills a gap in film and performing arts studies, and includes extensive notes and photographs.
This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature.
Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, African-Caribbean, south Asian and east Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre in Britain was integrated from the 1960s to the 21st century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with nearly forty performers and directors, the book chronicles important productions that led to ground-breaking castings of Black and Asian actors in substantial Shakespearean roles including: · Zakes Mokae (Cry Freedom) as one of three black witches in William Gaskill's 1966 production of Macbeth at the Royal Court Theatre. · Norman Beaton as Angelo in Michael Rudman's 1981 production of Measure for Measure at the National Theatre – the first majority Black Shakespearean cast at the theatre. · Josette Simon as Isabella in Measure for Measure at the Royal Shakespeare Company in 1987. · Adrian Lester in the title role of Nicholas Hytner's 2003 production of Henry V. · Iqbal Khan on his 2012 production of Much Ado About Nothing – the first production with an all south Asian cast at the Royal Shakespeare Company. · Alfred Enoch and Rakie Ayola as Edgar and Goneril in Talawa Theatre Company's 2016 production of King Lear · Paapa Essiedu as Hamlet in Simon Godwin's 2016 production for the Royal Shakespeare Company. With first-hand accounts from key performers including Joseph Marcell, Adrian Lester, Josette Simon, Lolita Chakrabarti, Noma Dumezweni, Rakie Ayola, David Yip, Ray Fearon, Paterson Joseph, Alfred Enoch, Rudolph Walker and many more, this book is an invaluable history of Black and Asian Shakespeareans that highlights the gains these actors have made and the challenges still faced in pursuing a career in classical theatre.
This book offers a timely examination of the relationship between Shakespeare and contemporary digital media. By focusing upon a variety of ‘Shakespearean’ individuals, groups and communities and their ‘online’ presence, the book explores the role of popular internet culture in the ongoing adaptation of Shakespeare’s plays and his general cultural standing. The description of certain performers as ‘Shakespearean’ is a ubiquitous but often throwaway assessment. However, a study of ‘Shakespearean’ actors within a broader cultural context reveals much, not only about the mutable face of British culture (popular and ‘highbrow’) but also about national identity and commerce. These performers share an online space with the other major focus of the book: the fans and digital content creators whose engagement with the Shakespearean marks them out as more than just audiences and consumers; they become producers and critics. Ultimately, Digital Shakespeareans moves beyond the theatrical history focus of related works to consider the role of digital culture and technology in shaping Shakespeare’s contemporary adaptive legacy and the means by which we engage with it.
'Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.' - Kathryn Hughes, Mail on Sunday He was a Salford-born, homework-hating bookie's son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more. Gabriel Hershman's colourful and riveting account of Finney's life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain's greatest actors built a glittering career without sacrificing his integrity.
Carrying On presents the complete story of the Carry Ons which have made Britain laugh for generations on film, television, and stage, and of the unique British filmmaking partnership of producer Peter Rogers and director Gerald Thomas. Writer and film historian Ian Fryer takes us on a journey into the glorious days of classic British humour, bringing to life the Carry On films and the vibrant, fascinating world of comedy from which they sprang. This lively and entertaining book presents detailed histories of the thirty Carry On films, revealing a cinematic legacy which is often more clever and complex than expected; from the post-war optimism of Carry On Sergeant and Carry On Nurse, via mini-epics such as Carry On Cleo, all the way to the smut-tinged seventies. Carrying On also turns the spotlight onto the host of other productions the Rogers and Thomas partnership brought to the screen along with detailed biographies of legendary Carry On stars such as Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, and Barbara Windsor who have brought fun and laughter to millions for decades.
Rudyard Kipling and Sir Henry Rider Haggard--close friends--wrote about adventure and the exotic in very different ways. Examined together, their works illuminate each other. The writings of both have been adapted to the screen, stage, television, and radio numerous times (with varying degrees of fidelity) and this is a complete guide to those adaptations. In the main section of the book each original literary work is summarized, followed by a complete filmography and an analysis of each film based on that story or poem. Additional sections provide information on adaptations for radio, stage, and television. Photographs are included from films ranging from The Jungle Book (Kipling) to King Solomon's Mines (Haggard).
Tudor and Stuart Britain charts the political, religious, economic and social history of Britain from the start of Henry VII’s reign in 1485 to the death of Queen Anne in 1714, providing students and lecturers with a detailed chronological narrative of significant events, such as the Reformation, the nature of Tudor government, the English Civil War, the Interregnum and the restoration of the monarchy. This fourth edition has been fully updated and each chapter now begins with an introductory overview of the topic being discussed, in which important and current historical debates are highlighted. Other new features of the book include a closer examination of the image and style of leadership that different monarchs projected during their reigns; greater coverage of Phillip II and Mary I as joint monarchs; new sections exploring witchcraft during the period and the urban sector in the Stuart age; and increased discussion of the English Civil War, of Oliver Cromwell and of Cromwellian rule during the 1650s. Also containing an entirely rewritten guide to further reading and enhanced by a wide selection of maps and illustrations, Tudor and Stuart Britain is an excellent resource for both students and teachers of this period.