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Jeremy Paxman's magnificent history of the First World War tells the entire story of the war in one gripping narrative from the point of view of the British people. *** We may think we know about it, but what was life really like for the British people during the First World War? The well-known images - the pointing finger of Lord Kitchener; a Tommy buried in the mud of the Western Front; the memorial poppies of Remembrance Day - all reinforce the idea that it was a pointless waste of life. So why did the British fight it so willingly and how did the country endure it for so long? Using a wealth of first-hand source material, Jeremy Paxman brings vividly to life the day-to-day experience of the British over the entire course of the war, from politicians, newspapermen, campaigners and Generals, to Tommies, factory workers, nurses, wives and children. It shows how both British life and identity were utterly transformed - not always for the worst - by the enormous upheaval of the war. Rich with personalities, surprises and ironies, this lively narrative history paints a picture of courage and confusion, doubts and dilemmas, and is written with Jeremy Paxman's characteristic flair for storytelling, wry humour and pithy observation. *** "A fine introduction to the part Britain played in the first of the worst two wars in history. The writing is lively and the detail often surprising and memorable" Guardian "He writes so well and sympathetically, and chooses his detail so deftly, that if there is one new history of the war that you might actually enjoy from the very large centennial selection this is very likely it" The Times
_______________________________ 'A brilliant history: The first serious and really wide-ranging history of the Home Front during the Great War for decades. Scholarly, objective and extremely well-written. Filled with surprising revelations and empathy. Heffer's eye for the telling detail is evident on almost every page. A remarkable intellectual and literary achievement.' - ANDREW ROBERTS, TELEGRAPH _______________________________ A major new work of history on the profound changes in British society during the First World War The Great War evokes images of barbed wire and mud-filled trenches, and of the carnage of the Somme and Passchendaele, but it also involved change on the home front on an almost revolutionary scale. In his hugely ambitious and deeply researched new book, Simon Heffer explores how Britain was drawn into this slaughter, and was then transformed to fight a war in which, at times, its very future seemed in question. After a vivid account of the fraught conversations between Whitehall and Britain's embassies across Europe as disaster loomed in July 1914, Heffer explains why a government so desperate to avoid conflict found itself championing it. He describes the high politics and low skulduggery that saw the principled but passive Asquith replaced as prime minister by the unscrupulous but energetic Lloyd George; and he unpicks the arguments between politicians and generals about how to prosecute the war, which raged until the final offensive. He looks at the impact of four years of struggle on everyday life as people sought to cope with dwindling stocks of food and essential supplies, with conscription into the Army or wartime industries, with air-raids and with the ever-present threat of bereavement; and, in Ireland, with the political upheaval that followed the Easter Rising. And he shows how, in the spring of 1918, political obstinacy and incompetence saw all this sacrifice almost thrown away. Throughout, he complements his analysis with vivid portraits of the men and women who shaped British life during the war - soldiers such as Lord Kitchener, politicians such as Churchill, pacifists such as Lady Ottoline Morrell, and overmighty subjects such as the press magnate Lord Northcliffe. The result is a richly nuanced picture of an era that endured suffering and loss on an appalling scale but that also advanced the emancipation of women, notions of better health care and education, and pointed the way to a less deferential, more egalitarian future. _____________________________ 'Staring at God is a vast compendium of atrocious political conduct. Refreshing. A trenchant history.' - GERARD DE GROOT, THE TIMES 'A magisterial history' - MELANIE MCDONAGH, DAILY MAIL 'Gloriously rich and spirited [...] it zips along, leavened by so many wonderful cultural and social details.' - DOMINIC SOUTHBROOK, SUNDAY TIMES 'Ambitious in its scope, content and approach. Masterly.' - CHARLES VYVYAN, STANDPOINT 'Fascinating stuff.' - SPECTATOR 'Possibly the finest, most comprehensive analysis of the home front in the Great War ever produced.' - LITERARY REVIEW 'Every bit as good as its two predecessors. Illuminating.' - EXPRESS 'Absorbing' - NEW STATESMAN
How and why did Britain become involved in the First World War? Taking into account the scholarship of the last twenty-five years, this second edition of Zara S. Steiner's classic study, thoroughly revised with Keith Neilson, explores a subject which is as highly contentious as ever. While retaining the basic argument that Britain went to war in 1914 not as a result of internal pressures but as a response to external events, Steiner and Neilson reject recent arguments that Britain became involved because of fears of an 'invented' German menace, or to defend her Empire. Instead, placing greater emphasis than before on the role of Russia, the authors convincingly argue that Britain entered the war in order to preserve the European balance of power and the nation's favourable position within it. Lucid and comprehensive, Britain and the Origins of the First World War brings together the bureaucratic, diplomatic, economic, strategical and ideological factors that led to Britain's entry into the Great War, and remains the most complete survey of the pre-war situation.
A groundbreaking new history of the British home front during the First World War.
Previous edition of this translation: 2005.
The First World War appears as a fault line in Britain’s twentieth-century history. Between August 1914 and November 1918 the titanic struggle against Imperial Germany and her allies consumed more people, more money and more resources than any other conflict Britain had hitherto experienced. For the first time, it opened up a Home Front that stretched into all parts of the British polity, society and culture, touching the lives of every citizen regardless of age, gender and class. Even vegetables were grown in the gardens of Buckingham Palace. Britain and World War One throws attention on these civilians who fought the war on the Home Front. Harnessing recent scholarship, and drawing on original documents, oral testimony and historical texts, this book casts a fresh look over different aspects of British society during the four long years of war. It revisits the early war enthusiasm and the making of Kitchener’s new armies; the emotive debates over conscription; the relationships between politics, government and popular opinion; women working in wartime industries; the popular experience of war and the question of social change. The book also explores areas of wartime Britain overlooked by recent histories, including the impact of the war on rural society; the mobilization of industry, and the importance of technology, as well as exploring responses to air raids, food and housing shortages; the challenges to traditional social and sexual mores and wartime culture. Britain and World War One is an essential book for all students and interested lay readers of the First World War.
Some historians contend that femininity was "disrupted, constructed and reconstructed" during World War I, but what happened to masculinity? Using the evidence of letters, diaries, and oral histories of members of the military and of civilians, as well as contemporary photographs and government propoganda, Dismembering the Male explores the impact of the First World War on the male body. Each chapter explores a different facet of the war and masculinity in depth. Joanna Bourke discovers that those who were dismembered and disabled by the war were not viewed as passive or weak, like their civilian counterparts, but were the focus of much government and public sentiment. Those suffering from disease were viewed differently, often finding themselves accused of malingering. Joanna Bourke argues convincingly that military experiences led to a greater sharing of gender identities between men of different classes and ages. Dismembering the Male concludes that ultimately, attempts to reconstruct a new type of masculinity failed as the threat of another war, and with it the sacrifice of a new generation of men, intensified.
This account of British life in the wake of World War I is “social history at its very best . . . insightful and utterly absorbing” (Minneapolis Star-Tribune). As the euphoria of Armistice Day in 1918 quickly subsided, there was no denying the carnage that the Great War had left in its wake. Grief and shock overwhelmed the psyche of the British people—but from their despair, new life would slowly emerge. For veterans with faces demolished in the trenches, surgeon Harold Gillies brings hope with his miraculous skin-grafting procedure. Women win the vote, skirt hems leap, and Brits forget their troubles at packed dance halls. And two years later, the remains of a nameless combatant would be laid to rest in the Tomb of the Unknown Soldier at Westminster Abbey, as “The Great Silence,” observed in memory of the countless dead, halted citizens in silent reverence. This history of two transformative years in the life of a nation features countless characters, from an aging butler to a pair of newlyweds, from the Prince of Wales to T. E. Lawrence, the real-life Lawrence of Arabia. The Great Silence depicts a nation fighting the forces that threaten to tear it apart and discovering the common bonds that hold it together. “A pearl of anecdotal history, The Great Silence is a satisfying companion to major studies of World War I and its aftermath . . . as Nicolson proceeds through the familiar stages of grief—denial, anger and acceptance—she gives you a deeper understanding of not only this brief period, but also how war’s sacrifices don’t end after the fighting stops.” —The Seattle Times “It may make you cry.” —The Boston Globe
This book is an innovative comparative history of how German and British soldiers endured the horror of the First World War. Unlike existing literature, which emphasises the strength of societies or military institutions, this study argues that at the heart of armies' robustness lay natural human resilience. Drawing widely on contemporary letters and diaries of British and German soldiers, psychiatric reports and official documentation, and interpreting these sources with modern psychological research, this unique account provides fresh insights into the soldiers' fears, motivations and coping mechanisms. It explains why the British outlasted their opponents by examining and comparing the motives for fighting, the effectiveness with which armies and societies supported men and the combatants' morale throughout the conflict on both sides. Finally it challenges the consensus on the war's end, arguing that not a 'covert strike' but rather an 'ordered surrender' led by junior officers brought about Germany's defeat in 1918.
In 1914 almost one quarter of the earth's surface was British. When the empire and its allies went to war in 1914 against the Central Powers, history's first global conflict was inevitable. It is the social and cultural reactions to that war and within those distant, often overlooked, societies which is the focus of this volume. From Singapore to Australia, Cyprus to Ireland, India to Iraq and around the rest of the British imperial world, further complexities and interlocking themes are addressed, offering new perspectives on imperial and colonial history and theory, as well as art, music, photography, propaganda, education, pacifism, gender, class, race and diplomacy at the end of the pax Britannica.