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Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
Held on June 22, 1938, in Yankee Stadium, the second Louis-Schmeling fight sparked excitement around the globe. For all its length--the fight lasted but two minutes--it remains one of the most memorable events in boxing history and, indeed, one of the most significant sporting events ever. In this superb account, Lewis A. Erenberg offers a vivid portrait of Joe Louis, Max Schmeling, their individual careers, and their two epic fights, shedding light on what these fighters represented to their nations, and why their second bout took on such international importance. Erenberg shows how in the first fight Schmeling shocked everyone with a dramatic twelfth-round knockout of Louis, becoming a German national hero and a (unwilling) symbol of Aryan superiority. In fact, the second fight was seen around the world in symbolic terms--as a match between Nazism and American democracy. Erenberg discusses how Louis' dramatic first-round victory was a devastating blow to Hitler, who turned on Schmeling and, during the war, had the boxer (then serving as a paratrooper) sent on a series of dangerous missions. Louis, meanwhile, went from being a hero of his race--"Our Joe"--to the first black champion embraced by all Americans, black and white, an important step forward in United States race relations. Erenberg also describes how, after the war, the two boxers became symbols of German-American reconciliation. With Schmeling as a Coca Cola executive, and Louis down on his luck, the former foes became friends, and when Louis died, Schmeling helped pay for his funeral. Here then is a stirring and insightful account of one of the great moments in boxing history, a confrontation that provided global theater on an epic scale.
The final volume of Christopher Bigsby's critical account of American drama in the twentieth century.
Multidisciplinary focus Surveying many disciplines, this anthology brings together an outstanding selection of scholarly articles that examine the profound impact of law on the lives of women in the United States. The themes addressed include the historical, political, and social contexts of legal issues that have affected women's struggles to obtain equal treatment under the law. The articles are drawn from journals in law, political science, history, women's studies, philosophy, and education and represent some of the most interesting writing on the subject. The law in theory andpractice Many of the articles bring race, social, and economic factors into their analyses, observing, for example, that black women, poor women, and single mothers are treated by the wielders of the power of the law differently than middle class white women. Other topics covered include the evolution of women's legal status, reproduction rights, sexuality and family issues, equal employment and educational opportunities, domestic violence, pornography and sexual exploitation, hate speech, and feminist legal thought. A valuable research and classroom aid, this series provides in-depth coverage of specific legal issues and takes into account the major legal changes and policies that have had an impact on the lives of American women.
This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.
From his first year in the majors, George Herman "Babe" Ruth knew he could profit from celebrity. Babe Ruth Cigars in 1915 marked his first attempt to cash in. Traded to the Yankees in 1920, he soon signed with Christy Walsh, baseball's first publicity agent. Walsh realized that stories of great deeds in sports were a commodity, and in 1921 sold Ruth's ghostwritten byline to a newspaper syndicate for $15,000 ($187,000 today). Ruth hit home runs while Walsh's writers made him a hero, crafting his public image as a lovable scalawag. Were the stories true? It didn't matter--they sold. Many survive but have never been scrutinized until now. Drawing on primary sources, this book examines the stories, separating exaggerated facts from clear falsehoods. This book traces Ruth's ascendance as the first great media-created superstar and celebrity product endorser.