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Excerpt from A Book of Cambridge Verse Nevertheless, after all deductions have been made, how much true poetry is yet left! He must be hard to please who cannot find intense enjoyment in the Eclogues of Phineas Fletcher, in Cowley's epitaph on Harvey, in the Miltonic stanzas of Gray's Installation Ode, in a score of other pieces, grave, quaint, or classical in their allusive ness of phrasing. Especially grateful must we be to the number of poets, of exquisite feeling and easy mastery of form, who during the last fifty or sixty years have enriched the language with delicate and elegant verse, from which it has been only too difficult to choose because its quantity is so great and its merit so even. Of this we trust we have given a tolerably adequate selection but it would have been easy to multiply it fourfold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Donald Francis Tovey Born in 1 875, Donald Francis Tovey was a British musicologist and composer. He took classical honors with his B. A. at Ox ford in 1898, and became a pianist of the first rank, though he never sought a virtuoso career. From 1914 to 1940 he was Reid Professor of Music at Edinburgh University. He died in 1 940. His other books include Normality and Freedom in Music, The Main Stream of Music, A Musician Talks, Essays in Musical Analysis, and Beethoven. ivx Meridian Books edition first published October 1956 First printing September 1956 Second printing June 1957 Third printing July 1958 Fourth printing April 1959 Fifth printing December 1959 Reprinted by arrangement with Oxford University Press Originally published 1944 as Musical Articles from the Encyclopaedia Britannica Library of Congress catalog card number 56-10015 Manufactured in the United States of America EDITORIAL PREFACE THE desire to set down upon paper a comprehensive system of musical education was present in the mind of Donald Tovey for the greater part of his life. In 1896, when he was 21, he wrote in a letter to a friend that he had begun a great work quot on the means of Expression in Music quot If ever I finish the thing, into print it shall go. Thirty years later, he was talking about a series of four text-books on music. But into print neither the one scheme nor the other went the final expression of his ideas on music was never written. It never could be written, because it was never final in the mind of that incessant discoverer in music. Nor was his method of writing that of finality. The nearest point to finality which Tovey ever reached in his expression of a formal philosophy in music is tobe found in the articles on technique and aesthetics of music as he called them himself in the list of his writings supplied to Who s Who which he contributed to the Encyclopaedia Britannica. Those articles, written from 1906 onwards for the eleventh edition of the Ency clopaedia, and revised again, almost rewritten, for the fourteenth edition in 1929, were necessarily cast in the imposed form of treatises under word-headings. Yet they coalesce very firmly into a clear and coherent testament, almost into a text-book of the art of music in its widest meaning. Like the Glossary to the Essays in Musical Analysis, the entries are unconnected, the whole comprehensive, and while not attempting completeness, afford the reader a wider range of musical thought and a fuller discussion of technical problems than most of the exhaustive and laborious theses now available. Tovey himself set great store by these articles. They formed for him the basis of his teaching at the University of Edinburgh. They are the background to those fuller considerations of musical compositions which are his Essays in Musical Analysis. It was his own proposal that these articles should be gathered together into one volume, an idea expressed to me as long ago as 1926. Means were then taken towards the end of publishing, and it was agreed that Tovey should in his own time make any alterations or correc tions necessary for the new method of presentation. But many other fresh and no doubt more important ideas and schemes came bubbling up into that wonderfully fertile brain, and nothing was done about the book of musical articles. I say more important because, though he was in life so fully occupied, it has now been foundpossible to publish these articles after the author s death. This book contains all the articles which Tovey wrote for the VI EDITORIAL PREFACE Encyclopaedia Britannica, as they now appear there, with the exception of one on Modern Music and the biographies. The book was set up from printed slips, and thus follows the text finally approved and corrected by the author. The very long musical examples are printed in full...
Excerpt from The Correspondence of Henrik Ibsen ON the 3lst of May 1880, Henrik Ibsen wrote to his publisher, Frederik Hegel, that he had begun a little book in which he intended to give some account of the outward and inward conditions under which each one of his works had come into being (letter It was to be called From Simian, to Rome, and was to give descriptions of his life at Skien and Grimstad, Bergen and Christiania, Dresden, Munich, and Rome. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Convert is about the British Suffrage movement, which the author knew well. Part witty and scathing commentary on the upper classes, part political rhetoric quoted directly from open-air meetings, and part muck-raking realism, it moves back and forth between the personal and the political until the two can no longer be distinguished. The Convert uses as its frame the political "conversion" of Vida Levering, a beautiful, upper middle-class woman. We follow Vida's growing discontent with "country weekend" society and her increasing awareness of the common lot of women. Forthright and direct, Elizabeth Robins discusses issues that must have been shocking in 1907: unwed motherhood, the effects of the inequality of women, and the essential disrespect that underlies chivalry. Reminiscent of Jane Austen and foreshadowing the work of Virginia Woolf, The Convert is a fascinating novel. It provides us with a sense of history and a feeling of pride in what women could and did accomplish. It is also disturbing because far too many of the issues are still relevant.
Fear (Classic Reprint) and FEAR by Angelo Mosso are insightful explorations into the psychology of fear. Utilizing both anecdotal evidence and scientific analysis, Mosso provides an in-depth look at this powerful emotion. Whether you're a psychology student, a professional, or simply a curious reader, Mosso's works offer valuable insights into human emotion and behavior. Don't miss the opportunity to explore the intricate workings of the human mind with Fear (Classic Reprint) and FEAR. Order your copies today!
Excerpt from Scenes of Clerical Life Litany, only to feel with more intensity my burst into the conspicuousness of public life when I was made to stand up on the seat during the psalms or the singing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Work and the Man (Classic Reprint) by Agnes Rush Burr offers a thought-provoking examination of the relationship between labor and character. This thought-provoking book argues that the work a person does can shape their character, and conversely, the character can influence their work. Through insightful commentary and vivid illustrations, Burr creates a compelling discourse on the importance of work in personal development. The Work and the Man is a timeless book that will inspire and challenge you to reflect on your own work and its impact on your character. Delve into the intriguing relationship between work and character with The Work and the Man by Agnes Rush Burr. Discover the profound insights within this classic reprint today!
Excerpt from Howrah The deep channel alternates from left to right and vice cersa according to the windings of the river, except where deflected by the large tributaries which debouch into it at the southern limit of this district. Proceeding from Howrah Bridge, the deep channel runs on the Calcutta side in the Calcutta Reach past the Fort and Kidderpore to Garden Reach. At Rajganj, Opposite Hangman Point, it crosses over to the Howrah Side, and follows the Sankrail Reach as far as Melancholy (menikhali) Point. It then zigzags from left to right at each bend. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.