Download Free Great American Houses And Gardens Book in PDF and EPUB Free Download. You can read online Great American Houses And Gardens and write the review.

IMAGES' third monograph on the outstanding new classicist, William T. Baker.
Eight of America's greatest estates--the Governor's Palace at Colonial Williamsburg, Mount Vernon, Vizcaya, The Huntington, Monticello, Biltmore, Winterthur, and The Hermitage--are showcased in this illustrated gift pop-up book. 50 illustrations. 7 spreads.
America has an abundance of fascinating and varied house styles, as fascinating and diverse as its people. This unique book will allow readers to recognize the architectural features and style of virtually any house they encounter.
More than 150 mansions open to the public.
An exquisitely photographed collection of the great houses and mansions of the South. In the tradition of Rizzoli’s Historic Houses of the Hudson Valley and Great Houses of New England, Great Houses of the South features a stunning array of newly photographed homes that range over three centuries and are distinctive examples of the architecture of the region. While in popular imagination the "Southern Style" is embodied in the classic Southern plantation house with its Greek Revival detailing—its stately white columns, wide porch, and symmetrical shape—the houses themselves are much more various and engaging, as shown in this important volume. From stately Stanton Hall of Natchez, Mississippi, one of the most magnificent and palatial residences of antebellum America; to Longue Vue House and Gardens of New Orleans, the luxurious Classical Revival–style home of Edgar and Edith Stern; to the fabled Biltmore of Asheville, North Carolina, the opulent French Renaissance–inspired chateau and Gilded Age estate of George Washington Vanderbilt, this lavish volume is comprehensive in scope and a landmark work of enduring interest to homeowners, architects, architecture historians, and all those who love fine architecture.
Twenty restored or renovated Early American country homes feature the myriad of different styles from around the country. The homes exude a simplicity that is somewhat rustic and somewhat country in an understated way. Tim Tanner also features some small cabins that have been made livable for today as well as decorating ideas and outbuildings. Early American Country Homes is an inspiration and resource for those who are interested in building, re-creating, restoring, or just enjoying a return to simpler styling in home design.
Albert, Righter & Tittman Architects create finely crafted houses that pay homage to classic American house styles yet are adapted with skill, mastery and a good dose of irreverence to suit contemporary American life. At first glance, their Cambridge Cupola House loks like a typical mid-19th-century Greek Revival house, but on closer inspection, one realises that nothing is quite where it should be. The grand, cupola-topped rotunda entrance, for instance, is located not in the front, but on the side of the house! The reason? To increase the living space for the inhabitants. Richly illustrated with specially commissioned photographs, as well as with plans, drawings and watercolours, this sumptuous volume celebrates AR & Ts timeless, innovative designs and explores the historical styles on which they are based from Classical to Shingle, from Carpenter Gothic to Cape. Focusing on the superb craftsmanship and exquisite detailing of AR & Ts exteriors, interiors and outbuldiings, each chapter features one or more sidebars highlighting their inventive use of architectural elements, including columns, fireplaces, balustrades and moldings. It will be a trove of design ideas for professionals and homeowners alike.
Presents 22 articles from past issues of Fine Homebuilding that feature houses under 2,400 square feet.
For award-winning architect Gil Schafer, the most successful houses are the ones that celebrate the small moments of life—houses with timeless charm that are imbued with memory and anchored in a distinct sense of place. Essentially, Schafer believes a house is truly successful when the people who live there consider it home. It’s this belief—and Schafer’s rare ability to translate his clients’ deeply personal visions of how they want to live into a physical home that reflects those dreams—that has established him as one of the most sought-after, highly-regarded architects of our time. In his new book, A Place to Call Home Schafer follows up his bestselling The Great American House, by pulling the curtain back on his distinctive approach, sharing his process (complete with unexpected, accessible ideas readers can work into their own projects) and taking readers on a detailed tour of seven beautifully realized houses in a range of styles located around the country—each in a unique place, and each with a character all its own. 250 lush, full color photographs of these seven houses and other never-before-seen projects, including exterior, interior, and landscape details, invite readers into Schafer’s world of comfortable classicism. Opening with memories of the childhood homes and experiences that have shaped Schafer’s own history, A Place to Call Home gives the reader the sense that for Schafer, architecture is not just a career but a way of life, a calling. He describes how the many varied houses of his youth were informed as much by their style as by their sense of place, and how these experiences of home informed his idea of classicism as a set of values that he applies to many different kinds of architecture in places as varied as the ones he grew up in. Because while Schafer is absolutely a classical architect, he is in fact a modern traditionalist, and A Place to Call Home showcases how he effortlessly interprets traditional principles for a multiplicity of architectural styles within contemporary ways of living. Sections in Part I include the delicate balance of modern and traditional aesthetics, the juxtaposition of fancy and simple, and the details that make each project special and livable. Schafer also delves into what he refers to as “the spaces in between,” those often overlooked spaces like closets, mudrooms, and laundry rooms, explaining their underappreciated value in the broader context of a home. Part of Schafer’s skill lies in the way he gives the minutiae of a project as much attention as the grand aesthetic gestures, and ultimately, it’s this combination that brings his homes to life. Part II of the book is the story of seven houses and the places they inhabit—each with a completely different character and soul: a charming cottage completely rebuilt into a casual but gracious house for a young family in bucolic Mill Valley, California; a reconstructed historic 1930s Colonial house and gardens set in lush woodlands in Connecticut; a new, Adirondack camp-inspired house for an active family perched on the edge of Lake Placid with stunning views of nearby Whiteface Mountain; an elegant but family-friendly Fifth Avenue apartment with a panoramic view of Central Park; a new timber frame and stone barn situated to take advantage of the summer sun on a lovely, rambling property in New England; a new residence and outbuildings on a 6,000 acre hunting preserve in Georgia, inspired by the historic 1920s and 1930s hunting plantation houses in the region; and Schafer’s own, deeply personal, newly-renovated and surprisingly modern house located just a few feet from the Atlantic Ocean in coastal Maine. In Schafer’s hands, the stories of these houses are irresistibly readable. He guides the reader through each of the design decisions, sharing anecdotes about the process and fascinating historical background and contextual influences of the settings. Ultimately, the houses featured in A Place to Call Home are more than just beautiful buildings in beautiful places. In each of them, Schafer has created a dialogue between past and present, a personalized world that people can inhabit gracefully, in sync with their own notions of home. Because, as Schafer writes in the book, he designs houses “not for an architect’s ego, but [for] the beauty of life, the joys of family, and, not least, a heartfelt celebration of place.”