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This first hand report on the work of nurses and other caregivers in a nursing home is set powerfully in the context of wider political, economic, and cultural forces that shape and constrain the quality of care for America's elderly. Diamond demonstrates in a compelling way the price that business-as-usual policies extract from the elderly as well as those whose work it is to care for them. In a society in which some two million people live in 16,000 nursing homes, with their numbers escalating daily, this thought-provoking work demands immediate and widespread attention. "[An] unnerving portrait of what it's like to work and live in a nursing home. . . . By giving voice to so many unheard residents and workers Diamond has performed an important service for us all."—Diane Cole, New York Newsday "With Making Gray Gold, Timothy Diamond describes the commodification of long-term care in the most vivid representation in a decade of round-the-clock institutional life. . . . A personal addition to the troublingly impersonal national debate over healthcare reform."—Madonna Harrington Meyer, Contemporary Sociology
"This book explores Native American and Euro-American lead mining in the Midwest. As Europeans flooded North America and moved westward, their own mining practices were greatly informed by Native American mining methods already in place. And while many researchers have explored gold, silver, and copper mining and smelting, lead has not received much scholarly attention, despite a long history of Native American and European desire for the ore. Chambers reflects on how early mining techniques affected the culture clash between Native Americans and European colonists, all the while tracking the impact increased mining had on the environment of what would become the states of Illinois and Missouri"--
No event in our history is more legendary than the Yukon Gold Rush of 1896. On August 16, when rich gold deposits were discovered in Bonanza Creek, 100,000 prospectors set off for the newly created Dawson City in search of instant wealth. Hungry miners hoped for the one big strike; others, for prosperity in this instant boom town; some, for the adventure of a lifetime. Charlotte Gray, one of our best writers of non-fiction, tells the story of the Gold Rush through the intimate lives of six extraordinary people: the saintly priest Father Judge; the feisty entrepreneur Belinda Mulrooney; the struggling writer Jack London; the imperious British journalist Flora Shaw; the legendary Sam Steele of the Mounties; and the prospector William Haskell. Brilliantly interweaving their stories, Gray creates a fascinating panorama of a frontier town where desperados, saloon keepers, gamblers, dance hall girls, churchmen and law-makers were thrown together in a volatile time. Beautifully illustrated with period photographs and documents of the Gold Rush, Gold Diggers is a colourful and entertaining journey into a world gone mad for gold.
Through his creative use of acronyms, Ed Gray takes readers on a 40-day journey of faith development. Overcoming temptation, remaining faithful in tough times, and victorious Christian living are just a few of the topics Gray covers.
The story of how Congress helped win the Civil War-placing a dynamic House and Senate, rather than Lincoln, at the center of the conflict.
Faulks's first novel since the extraordinary success of Birdsong is written with the same passion, power and breadth of vision. Set in England and France during the darkest days of World War II, Charlotte Gray, like Birdsong, depicts a complex love affair that is both shaped and thwarted by war. It is 1942. London is blacked out, but France is under a greater darkness, as the occupying Nazi forces encroach ever closer in a tense waiting game. Charlotte Gray, a volatile but determined young woman, travels south from Edinburgh. Working in London, she has a brief but intense love affair with an RAF pilot. When his plane is lost over France, she contrives to go there herself to work in the Resistance and to search for him--but then is unwilling to leave as she finds that the struggle for the country's fate is intimately linked to her own battle to take control of her life. Faulks's novel is an examination of lost paradises, politics without belief, the limits of memory, the redemptive power of art and the existence of hope beyond reason. It is also a brilliant evocation of life in Occupied France and, more significantly, a revelation of the appalling price many Frenchmen paid to survive in unoccupied, so-called Free France. As the men, women and children of Charlotte's small town prepare to meet their terrible destiny, the truth of what took place in wartime France is finally exposed. When private lives and public events fatally collide, the roots of the characters' lives are torn up and exposed. These harrowing scenes are presented with the passion and narrative force that readers will recall from Birdsong. Charlotte Gray will attract even more readers to Faulks's remarkable fiction.
If you read wine reviews, you're already either amused or confused by the soaring language wine writers often use to describe what they're smelling and tasting. But do you always know what they mean? Have you ever sipped a complex white and sensed what's so colorfully described as a peacock's tail? Have you ever savored a full-bodied red only to detect the ripe acrid smell of a horse stall? If not, you're in for a treat, because these terms and thousands more are all here to amuse, dismay, enlighten, inspire, puzzle, and utterly shock you . Welcome to the rich linguistic universe of wine speak: a world where words and wine intersect in an uncontrolled riot of language guaranteed to keep you entertained for hours. The author, a lifelong lover of both wine and words, has compiled and organized this unique thesaurus of 36,975 wine tasting descriptors into 20 special collections extracted from 27 categories so you can locate exactly the right term or phrase to express yourself clearly or to understand others. May your path across the galaxy of wine be paved only with labels from the very best bottles on earth. Or, much more cautiously, with wines that could introduce you to angel pee, citronella, eastern European fruit soup, Godzilla, iodine, ladies' underwear, mustard gas, old running shoes, rawhide, hot tar roads, bubblegum, sweaty saddles, crushed ants, kitchen drains, or even turpentine.
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.