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1975. Christopher Reed, a young minister in his first job, receives much-needed seasoning, is necessarily dis-illusioned. How? On one level by having an affair with Becky, one of his teen-aged parishioners. But the affair begun on a theological dare so to speak, in order to test an intriguing vision of the freedom of the Gospel which Dr. Buttrick, the senior pastor under whom Reed works, a truly Christ-like man (though it depends, of course, on what your image of Jesus is) has presented. "Scrupulous," or guilt-stricken, Reed tells his wife Vinnie, an artist and a free thinker, what he has done with Becky. Vinnie erupts, then curiously adjusts, gradually accommodates herself, allows the affair to continue. Reed also tells Dr. Buttrick what he has done. Great- spirited, a wise old man, a genius, Dr. Buttrick listens and counsels. He counsels both Reed and Vinnie. The three of them discuss the limits of marriage, the relevance of Christianity to same. Vinnie and Dr. Buttrick have their own intense relationship. Meanwhile the meteoric Becky moves through her senior year in high school, fights free of her youth and prepares to leave for college. Obsessed almost, Reed suffers at the prospect of "losing" her. And grows in some ways as a person or at least as a pastor, learning to expect less of the flock which he supposedly leads, since it often acts less than nobly. Some members even turn on Dr. Buttrick, the genuinely good man, in the year of the novel's action.
1975. Christopher Reed, a young minister in his first job, receives much-needed seasoning, is necessarily disillusioned. How? On one level by having an affair with Becky Grierson, one of his teen-aged parishioners. But the affair is begun on a theological dare so to speak, in order to test an intriguing vision of the freedom of the Gospel which Dr. Buttrick, the senior pastor under whom Reed works, a truly Christ-like man (though it depends, of course, on what your image of Jesus is) has presented. "Scrupulous," or guilt-stricken, Reed tells his wife Vinnie, an artist and a free-thinker, what he has done with Becky. Vinnie erupts, then curiously, over time, adjusts, gradually accommodates herself, allows the affair to continue. Reed also tells Dr. Buttrick what he has done. Great-spirited, a wise old man, a genius, Dr. Buttrick listens and counsels. He counsels both Reed and Vinnie. The three of them discuss the limits of marriage, the relevance of Christianity to same. Vinnie and Dr. Buttrick have their own intense relationship. Meanwhile the meteoric Becky moves through her senior year in high school, fights free of her youth and prepares to leave for college. Obsessed almost, Reed suffers at the prospect of "losing" her. And grows in some way as a person or at least as a pastor, learning to expect less of the flock which he supposedly leads, since if often acts less than nobly. Some members even turn on Dr. Buttrick, the genuinely good man, in the year of the novels action.
William Guy (when he is not traveling) lives and writes in Pittsburgh, Pennsylvania. He is the author of Gravitys Revolt, a novel; Defunctive Music, a book of poems;A Travelers Education; Magic Casements; and Something Sensational, three books of travel essays. With William Orr he is the author of Living Hope: a Study of the New Testament Theme of Birth from Above. He has completed a translation of The Iliad. He is presently at work on The Lyndoniad, a book of interrelated poems about the year 1968, a long poem containing history (he hopes).
One of The Atlantic’s Great American Novels of the Past 100 Years “The comedy crackles, the puns pop, the satire explodes.”—The New York Times “The work of a virtuoso with prose . . . His intricate symbolic order [is] akin to that of Joyce’s Ulysses.”—Chicago Tribune “A puzzle, an intrigue, a literary and historical tour de force.”—San Francsisco Examiner The highly original satire about Oedipa Maas, a woman who finds herself enmeshed in a worldwide conspiracy. When her ex-lover, wealthy real-estate tycoon Pierce Inverarity, dies and designates her the coexecutor of his estate, California housewife Oedipa Maas is thrust into a paranoid mystery of metaphors, symbols, and the United States Postal Service. Traveling across Southern California, she meets some extremely interesting characters, and attains a not inconsiderable amount of self-knowledge.
Occupy Pynchon examines power and resistance in the writer’s post–Gravity’s Rainbow novels. As Sean Carswell shows, Pynchon’s representations of global power after the neoliberal revolution of the 1980s shed the paranoia and metaphysical bent of his first three novels and share a great deal in common with the work of Michael Hardt and Antonio Negri’s critical trilogy, Empire, Multitude, and Commonwealth. In both cases, the authors describe global power as a horizontal network of multinational corporations, national governments, and supranational institutions. Pynchon, as do Hardt and Negri, theorizes resistance as a horizontal network of individuals who work together, without sacrificing their singularities, to resist the political and economic exploitation of empire. Carswell enriches this examination of Pynchon’s politics—as made evident in Vineland (1990), Mason & Dixon (1997), Against the Day (2006), Inherent Vice (2009), and Bleeding Edge (2013)—by reading the novels alongside the global resistance movements of the early 2010s. Beginning with the Arab Spring and progressing into the Occupy Movement, political activists engaged in a global uprising. The ensuing struggle mirrored Pynchon’s concepts of power and resistance, and Occupy activists in particular constructed their movement around the same philosophical tradition from which Pynchon, as well as Hardt and Negri, emerges. This exploration of Pynchon shines a new light on Pynchon studies, recasting his post-1970s fiction as central to his vision of resisting global neoliberal capitalism.
"It would be hard to imagine a better guide to this difficult subject." -- Scientific American In Three Roads to Quantum Gravity, Lee Smolin provides an accessible overview of the attempts to build a final "theory of everything." He explains in simple terms what scientists are talking about when they say the world is made from exotic entities such as loops, strings, and black holes and tells the fascinating stories behind these discoveries: the rivalries, epiphanies, and intrigues he witnessed firsthand. "Provocative, original, and unsettling." -- The New York Review of Books "An excellent writer, a creative thinker." -- Nature
After coming out as transgender, Chris is still processing a frightening assault he survived the year before, while Maia, grieving the loss of her older sister, is trying to find her place in the world, which makes falling in love the furthest thing on their minds--until it is not.
About the Book This book predicts a future when the population of the world is near one hundred billion and on the verge of a super science. All life will be at risk if testosterone-driven males are still in charge of the monetary and power resources of the world. In this future world, the world government has passed strict laws that require castration of any male found guilty of any sexual assault or of using violence to commit any crime. Regarding reproduction, only one replacement child per adult is allowed. A replacement child is not mandated, but if one is cloned or otherwise brought into existence, the parent is required to raise and support that child until it reaches the legal age of thirty. Many men are refusing to make a replacement commitment in order to have the freedom to live their lives as they see fit, and scientists are predicting the extinction of the human male (now called a drone) within the next three hundred years. About the Author James B. Dreme is the oldest of seven children. He dropped out of high school during his junior year in order to join the service as the Viet Nam War was first heating up in the spring of 1965. After four years in the Navy, he met the expectations of the church he was a fifth-generation member of and fulfilled a successful two-year mission. After his mission, he got engaged and started school at A.S.U. After that, he graduated from Arizona State University and taught school for a little under a decade. Dreme then got divorced and re-enlisted for two more years in the Navy. He became an aircraft structural mechanic second class petty officer and switched to teaching individual students in their homes until he retired.
This volume presents Professor Cohen's original interpretation of the revolution that marked the beginnings of modern science and set Newtonian science as the model for the highest level of achievement in other branches of science. It shows that Newton developed a special kind of relation between abstract mathematical constructs and the physical systems that we observe in the world around us by means of experiment and critical observation. The heart of the radical Newtonian style is the construction on the mind of a mathematical system that has some features in common with the physical world; this system was then modified when the deductions and conclusions drawn from it are tested against the physical universe. Using this system Newton was able to make his revolutionary innovations in celestial mechanics and, ultimately, create a new physics of central forces and the law of universal gravitation. Building on his analysis of Newton's methodology, Professor Cohen explores the fine structure of revolutionary change and scientific creativity in general. This is done by developing the concept of scientific change as a series of transformations of existing ideas. It is shown that such transformation is characteristic of many aspects of the sciences and that the concept of scientific change by transformation suggests a new way of examining the very nature of scientific creativity.