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Glenwood Cemetery has long offered a serene and pastoral final resting place for many of Houston's civic leaders and historic figures. In Houston's Silent Garden, Suzanne Turner and Joanne Seale Wilson reveal the story of this beautifully wooded and landscaped preserve's development—a story that is also very much entwined with the history of Houston. In 1871, recovering from Reconstruction, a group of progressive citizens noticed that Houston needed a new cemetery at the edge of the central city. Embracing the picturesque aesthetic that had swept through the Eastern Seaboard, the founders of Glenwood selected land along Buffalo Bayou and developed Glenwood. Since then, the cemetery's monuments have memorialized the lives of many of the city's most interesting residents (Allen, Baker, Brown, Clayton, Cooley, Cullinan, Farish, Hermann, Hobby, House, Hughes, Jones, Law, Rice, Staub, Sterling, Weiss, and Wortham, among many others). The monuments also showcase the artistry and craftsmanship of some of the region's finest sculptors and artisans. Accompanied by the breathtaking photography of Paul Hester, this book chronicles the cemetery's origins from its inception in 1871 to the present day. Through the story of Glenwood, readers will appreciate some of the natural features that shaped Houston's evolution and will also begin to understand the forces of urbanization that positioned Houston to become the vital community it is today. Houston's Silent Garden is a must-read for those interested in Houston civic and regional history, architecture, and urban planning.
If it's important for you to incorporate the scientific method into your teaching, this lab manual is the perfect fit. In every exercise there are scientific method boxes that provide students with insight into the relevance of the scientific method to the topic at hand. The manual also includes "In Greater Depth" problems, a more challenging probe into certain issues. They are more quantitative in nature and require more in-depth, critical thinking, which is unique to this type of manual.
Jean LeBlanc had lived in the Louisiana swamp country all his fourteen years. He loved the swamp, just as his father did. Jean had never gone to school, and neither had his father, but Papa taught him what a man needed to know in order to live in the swamp. Jean could shoot alligators, trap muskrats, and catch fish almost as well as any grown man in the bayou. But things were changing. Big caterpillar tractors were shoving up the black earth and filling the swampland with noise and blue diesel smoke. The state of Louisiana was building a road through the swamp, and the animals were moving farther into the wilds. A man couldn't make a living by hunting and trapping. Papa had to go to work on the offshore oil rigs out in the Gulf of Mexico, and Jean had to look after his mother and sister while Papa was gone. Taking his father's place proved to be more difficult and dangerous than Jean had imagined. But it was a maturing experience, and it helped Jean to accept the fact that nothing stays the same. Both he and Papa had come to realize that the old way of life was gone, and that for Jean, the new life must include school.
Featuring information on the best hotels, restaurants, sights, festivals, parts, and driving tours available throughout the entire country, Fodor's USA 1992 is the most comprehensive guide of its kind.
ONE REMOTE BAYOU MANSION WAS HOLDING TIGHT TO ITS SECRETS Bodyguard Brian Marcentel knew Justine Chatry had a job to do, but so did he. He'd been hired to keep her safe--from whatever lurked behind the walls of a long-neglected mansion. And yet, the beautiful researcher insisted on helping him investigate every suspicious noise and following him through the murky bayou as he tracked down trespassers. All of that paled in comparison, though, to his greatest challenge: trying to resist her when the fear took over and she looked to him for protection. Still, no matter how fiery their attraction, there was something about this frustrating, sexy woman that seemed so familiar. But trying to penetrate her secrets was like trying to keep her out of his arms. Or out of his bed.
The Elephants Graveyard is like an epitaph without a tombstone.Officer Kevin Martin, SFPD The Elephants Graveyard is the citys skid rowthe Tenderloin District of San Francisco. Its a purgatory for the junkies and shadowy characters that frequent the dark alleys, bars, and fleabag hotels on the dark side of the city by the bay. But to some, its a sacred place to hide out, to fall off the face of Gods green earth, and never be found. And like the old African elephants who journeyed to a secret place to die, Rooster journeyed into the Tenderloin, and his bones will never be found. Sean Patrick Murphy walked into the Mill Valley Police Department for the first time back in 1971. Things were different back then, and had he known what he knows now, he would have turned around and walked right back out the door. Mill Valley was the best-kept secret in Marin County. White powder cocaine, marijuana, hot-tub orgies, and rock n roll were all part of the scene. It was all fun and games until the Colombians moved in and ruined everything. The Sweetwater Bar took over as the West Coast cocaine connection, and the Medelln cartel started murdering anyone who stood in their way, including police officers. The twisting tale of corruption and greed took Murphy into the seedy underworld of a life he came to loathe. It was the drugs, extortion, philandering, and a ruined relationship that turned his life into a living hell. But somewhere along the way, Rooster snapped out of the slump he had fallen into. By the late seventies, the Colombians had been driven out of Mill Valley and into hiding. The Sweetwater Bar had been shut down, and top-ranking police officials had become the target of a federal RICO investigation. A special task force led by Officer Sean Murphy, dubbed Rooster by his peers, and the FBI went after the bad guys with a vengeance. And the dirty cops on the MVPD were on the top of list. By 1980, the United States attorney had indicted all of the players in the RICO investigationColombians and cops. But the Colombians and the owner of the Sweetwater, Lance Larkin, had fled to Bogot and into the arms of the feared drug lord, Pablo Valencia. Finally, in 1982, extradition warrants were issued, charging Javier Valencia (son of Pablo Valencia) and Lance Larkin with racketeering, drug dealing, and murder. But the Colombians reacted violently, beheading a Supreme Court justice and vowing to kill everyone connected to the investigation. It was trouble all right. But when the Colombians crossed the line and kidnapped Roosters four-year-old daughter, everything changed. All bets were off. And it didnt take long for the Colombians to become the victims. The Elephants Graveyard is the sequel to Rooster: A Badge, Gun, and Heartache.