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For many, Made in Japan is synonymous with quality the perfect marriage of aesthetic appeal and functionality. The intentions of the designer can be found in the slightest detail, but none are overworked, preferring spare elegance to busy excess. Mixing traditional art and philosophy with contemporary design to create a material and visual culture that blends seamlessly into their lives at home. With this strong national identity and focus on design, it is no wonder their creative output is admired and imitated throughout the world. Made in Japan highlights more than 40 creatives from different fields who exemplify this design character through their work in graphic design and branding, illustration, packaging, fashion, product and spatial design.
The best of Japanese graphic poster design, from the 1964 Tokyo Olympics to the Issey Miyake logo This book brings together the best of Japanese graphic poster design--from the 1964 Tokyo Olympics to the creation of the Issey Miyake logo, and from the Osaka Expo to the official poster for the Pan-Pacific Design Congress. Japanese contemporary posters are considered to have started in the mid-'50s, after World War II and following a period of depression, post-militarism and post-autarchy. This new expressive mode was fueled by stimuli from abroad, but it was also a chance to reinterpret traditional themes and colors, bringing them into modernity in refreshing and fruitful ways. In the maze of expressive forms that flourished in Japan during the postwar period, graphic design stands out as a precious tool for following the thread of national creativity and the intense permanence of traditional aesthetic sensibility through these new forms. Over half a century after the inception of graphics and with the coming Olympic Games taking place in 2021, this volume takes a wide view of the trends and aesthetic shifts that can be traced in the development of graphic design in Japan. Contemporary Japanese Graphic Designersincludes 85 graphic designers and 756 posters. It is the most complete volume on the subject in any language.
Japanese graphic design enjoys a unique reputation in the design world, with a distinct aesthetic that makes it instantly recognizable to experts and amateur designers alike. This book explores this unmistakable discipline from all angles, from historical and cultural backgrounds of the form to contemporary work. It features interviews with contemporary designers, discussions on cultural influences such as yamato-e, ukiyo-e, and manga, historical information on the movement's development, and numerous examples of exceptional projects by Japanese designers organized in four categories: logos, posters and books, branding, and packaging. Articles by graphic designers like Masaaki Hiromura, Daigo Daikoku, Eriko Kawakami and more round out the contents, making Japanese Graphics a comprehensive guide to this fascinating field of design.
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
"Within graphic design, the concept of systems is profoundly rooted in form. Starting from a series of design research residencies in the context of the Porto Design Biennale, this volume proposes a variety of perspectives--social, cultural, political--to challenge this deeply engrained tradition."--Publisher's description.
The story of Japan's design ethos, by Muji's celebrated art director As Art Director for Muji since 2002, Japanese graphic designer Kenya Hara (born 1958) and his aesthetic of pared-back, beautifully functional objects has taken the world by (quiet) storm. With Kenya Hara: Designing Japan, the designer presents his vision of how his industry can contribute to the future of his country: a future founded on Hara's unique philosophy of beauty as well as crowd-sourced wisdom from around the world. The book spans history, from the beginnings of professional Japanese design in the 16th century to the impact of the 2011 Tohoku earthquake. But Hara's real focus is on the future. A master collaborator, meticulous organizer and globally conscious innovator, Hara draws on more than three decades of work in design and exhibition curating, as well his professional interactions with creators from many fields. Designing Japanoffers a foundation course on the essence of Japanese aesthetics, while maintaining a practical approach to Japan's circumstances and future possibilities. Hara reveals the methods by which designers in Japan work with government and industry, and considers how design can propose solutions for this island nation as its population ages, other nations take over manufacturing and technology develops. Illustrations and examples recognize successful problem-solving through design, proving that design is a living, changing industry that remains relevant not in spite of, but as a partner to, advancing technology.