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From Canada's global cities to its Arctic Circle - from the country's ongoing story of civil rights movements to languages under pressure - the writers in this issue upend the ways we imagine land, reconciliation, truth and belonging, revealing the histories of a nation's future. Margaret Atwood, Gary Barwin, Dionne Brand, Fanny Britt, Douglas Coupland, France Daigle, Alain Farah, Naomi Fontaine, Dominique Fortier, Krista Foss, Kim Fu, Rawi Hage, Anosh Irani, Falen Johnson, Benoit Jutras, Alex Leslie, Alexander MacLeod, Daphne Marlatt, Lisa Moore, Nadim Roberts, Armand Garnet Ruffo, Chlo Savoie-Bernard, Anakana Schofield, Paul Seesequasis, Johanna Skibsrud, Karen Solie, Souvankham Thammavongsa, Larry Tremblay. Guest-edited by Catherine Leroux and Madeleine Thein: Catherine Leroux is a novelist, translator and journalist. Le mur mitoyen won the 2014 France-Quebec Prize and its English translation, The Party Wall, was nominated for the Giller Prize in 2016. Madeleine Thien is the author of the story collection Simple Recipes, and three novels, including Certainty and Dogs at the Perimeter. Her most recent book, Do Not Say We Have Nothing, was shortlisted for the Man Booker Prize, won the Scotiabank Giller Prize and the Governor-General's Literary Award for Fiction.
A beautiful re-issued edition of poetry from the Scotiabank Giller Prize–winning author of How To Pronounce Knife FEATURING A NEW INTRODUCTION BY THE AUTHOR Winner of the Trillium Book Award for Poetry Light examines the word that gives the collection its name. There are poems about a sparkle, about how to say light, about a scarecrow, a dung beetle, a fish without eyes. Known for her precision and elegance, for her spare, clear voice, for distilling meaning from details, for not wasting words, Thammavongsa confirms her gifts with these astonishing poems. Light is a work that shines with rigour, humour, courage, and grit. First published in 2013, Souvankham Thammavongsa’s award-winning third book of poetry is an indispensable contribution to Canadian literature.
Winner of the Scotiabank Giller Prize and the Governor General's Literary Award Finalist for the Booker Prize and the Baileys Women's Prize for Fiction "A powerfully expansive novel…Thien writes with the mastery of a conductor." —New York Times Book Review “In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old.” Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations—those who lived through Mao’s Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers in the fragile layers of their collective story. Her quest will unveil how Kai, her enigmatic father, a talented pianist, and Ai-Ming’s father, the shy and brilliant composer, Sparrow, along with the violin prodigy Zhuli were forced to reimagine their artistic and private selves during China’s political campaigns and how their fates reverberate through the years with lasting consequences. With maturity and sophistication, humor and beauty, Thien has crafted a novel that is at once intimate and grandly political, rooted in the details of life inside China yet transcendent in its universality.
A revelatory portrait of eight Indigenous communities from across North America, shown through never-before-published archival photographs--a gorgeous extension of Paul Seesequasis's popular social media project. In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed alongside the official one: that of how Indigenous peoples and communities had held together during even the most difficult times. He embarked on a social media project to collect archival photos capturing everyday life in First Nations, Metis and Inuit communities from the 1920s through the 1970s. As he scoured archives and libraries, Paul uncovered a trove of candid images and began to post these on social media, where they sparked an extraordinary reaction. Friends and relatives of the individuals in the photographs commented online, and through this dialogue, rich histories came to light for the first time. Blanket Toss Under Midnight Sun collects some of the most arresting images and stories from Paul's project. While many of the photographs live in public archives, most have never been shown to the people in the communities they represent. As such, Blanket Toss is not only an invaluable historical record, it is a meaningful act of reclamation, showing the ongoing resilience of Indigenous communities, past, present--and future.
Madeleine Thien’s stunning debut novel fulfills all her early promise and introduces a young novelist of vision, maturity, and style. Gail Lim, a producer of radio documentaries in present-day Vancouver, finds herself haunted by events in her parents’ past in wartorn Asia, a past which remains a mystery that fiercely grips her imagination. As a child, Gail’s father, Matthew Lim, wandered the Leila Road and the jungle fringe with his lovely Ani, a girl whose early bond with Matthew will affect his life always. As children, they found themselves together under the terrifying shadow of war in Japanese-occupied Sandakan, Malaysia. The war shatters their families and splits the two apart until years later, when they remeet only to be separated again. The legacy of their connection is later inherited by Matthew’s wife, Clara, in unexpected ways. Gail’s journey to unravel the mystery of her parents’ lives takes her to Amsterdam, where she meets the war photographer Sipke, who tells his story of Ani and their relationship, which began in Jakarta, a story that will bring Gail face to face with the complications in her own life and lead her closer to the truth. Vivid, poignant, wise, at once sweeping and intimate, Certainty is a novel about the legacies of loss, about the dislocations of war and the redemptive qualities of love. Thien reveals herself as a novelist of rare and potent talent.
“Remember this night,” he said. “Mark it in your memories because tomorrow everything changes.” One starless night, a girl’s childhood was swept away by the terrors of the Khmer Rouge. Exiled from the city, she and her family were forced to live out in the open under constant surveillance. Each night, people were taken away. Caught up in a political storm which brought starvation to millions, tore families apart, and changed the world forever, she lost everyone she loved. Three decades later, Janie’s life in Montreal is unravelling. Haunted by her past, she has abandoned her husband and son and taken refuge in the home of her friend, the brilliant, troubled scientist, Hiroji Matsui. In 1970, Hiroji’s brother, James, travelled to Cambodia and fell in love. Five years later, the Khmer Rouge came to power, and James vanished. Brought together by the losses they endured, Janie and Hiroji had found solace in each another. And then, one strange day, Hiroji disappeared. Engulfed by the memories she thought she had fled, Janie must struggle to find grace in a world overshadowed by the sorrows of her past. Beautifully realized, deeply affecting, Dogs at the Perimeter evokes totalitarianism through the eyes of a little girl and draws a remarkable map of the mind’s battle with memory, loss, and the horrors of war. It confirms Madeleine Thien as one of the most gifted and powerful novelists writing today.
A finalist for the National Book Critics Circle Award and the PEN Open Book Award, and winner of the 2020 Giller Prize, this revelatory story collection honors characters struggling to find their bearings far from home, even as they do the necessary "grunt work of the world." A failed boxer painting nails at the local salon. A woman plucking feathers at a chicken processing plant. A housewife learning English from daytime soap operas. A mother teaching her daughter the art of worm harvesting. In her stunning debut story collection, O. Henry Award winner Souvankham Thammavongsa focuses on characters struggling to make a living, illuminating their hopes, disappointments, love affairs, acts of defiance, and above all their pursuit of a place to belong. In spare, intimate prose charged with emotional power and a sly wit, she paints an indelible portrait of watchful children, wounded men, and restless women caught between cultures, languages, and values. As one of Thammavongsa's characters says, "All we wanted was to live." And in these stories, they do—brightly, ferociously, unforgettably. Unsentimental yet tender, taut and visceral, How to Pronounce Knife announces Souvankham Thammavongsa as one of the most striking voices of her generation. “As the daughter of refugees, I’m able to finally see myself in stories.” —Angela So, Electric Literature
'What is your best investment? Buying a copy of the Writers' & Artists' Yearbook.' Kimberley Chambers This bestselling Writers' & Artists' Yearbook contains a wealth of information on all aspects of writing and becoming a published author, plus a comprehensive directory of media contacts. Packed with practical tips, it includes expert advice from renowned authors and industry insiders on: - submitting to agents and publishers - writing non-fiction and fiction across different genres and formats - poetry, plays, broadcast media and illustration - marketing and self-publishing - legal and financial information - writing prizes and festivals. Revised and updated annually, the Yearbook includes thousands of industry contacts and over 80 articles from writers of all forms and genres, including award-winning novelists, poets and playwrights, scriptwriters for TV, radio and videogames. If you want to find a literary or illustration agent or publisher, would like to self-publish or to crowdfund your creative idea then this Yearbook will help you. New content for this edition includes articles on If at first you don't succeed ... by Jessica Irena Smith, The importance of story development by Greg Mosse, Writing for readers by Rachel McLean, Creating a poetry comic by Chrissy Williams, Ghosting: writing other people's stories by Gillian Stern, Romantic motifs by Sue Moorcroft, How a publicist can help you by Hannah Hargrave, Writing across forms by Rob Gittins, Pitching your travel ideas by Jen & Sim Benson, The hybrid author by Simon McLeave. 'The wealth of information is staggering.' The Times