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In many ways, the history of domestic humor writing is also a history of domestic life in the twentieth century. For many years, domestic humor was written primarily by females; significant contributions from male writers began as times and family structures changed. It remains timeless because of its basis on the relationships between husbands and wives, parents and children, houses and inhabitants, pets and their owners, chores and their doers, and neighbors. This work is a historical and literary survey of humorists who wrote about home. It begins with a chapter on the social context of and attitudes toward traditional domestic roles and housewives. The following chapters, beginning with the 1920s and continuing through today, cover the different time periods and the foremost American domestic humorists, and the humor written by surrogate parents, grown children about their childhood families, husbands, and Canadian and English writers. Also covered are the differences among various writers toward traditional domestic roles--some, like Erma Bombeck and Judith Viorst, embraced them, while others, like Caryl Kristenson and Marilyn Kentz, resisted them. Common themes, such as the isolation and competitiveness of housework, home as an idealized metaphysical goal and ongoing physical challenge, and the urban, suburban, and rural life, are also explored.
Seventeen-year-old Gwen is preparing to audition for New York City’s top music schools when her grandfather mysteriously disappears, leaving Gwen only a phone message telling her not to worry. But there’s nothing more stressful than practicing for her auditions, not knowing where her grandfather is, and being forced to lie about his whereabouts when her insistent great-uncle demands an audience with him. Then Gwen meets Robert, also in town for music auditions, and the two pair up to brave the city without supervision. As auditions approach and her great-uncle becomes more aggressive, Gwen and Robert make a startling discovery. Suddenly Gwen’s hopes are turned upside down, and she and Robert are united in ways neither of them could have foretold. . . .
What guy takes his granddaughter to the aquarium and spouts fish puns all day? Who accompanies her to a childrens recreation center and almost faints in the bouncy house? And which grandpa goes to the White House Easter Egg Roll so he can introduce his precious pumpkin not to the president but to Peppa Pig? Jerry Zezima, who also gives grandfatherly advice to Prince Charles, peddles his granddaughters preschool fundraiser, introduces her to the neighborhood ice cream man, and does lots of other fun stuff, both with and without his adorable princess, which may explain why she is more mature than he is. In Grandfather Knows Best, nationally syndicated humorist Jerry Zezima writes about the joys of grandparenthood and the things one man will do for the little girl who has captured his heart.
Fun stories to teach your kids about money. "Perhaps the most cleverly written, and delightful to read, financial education book" J.J. Wenrich (Author and Financial Advisor) When Grandpa Jack was a young man, he went on an adventure to a faraway island in search of gold. Whilst he was on the island he discovered 'The Three Rules of Wealth'. These rules helped him to become a very wealthy man. As Gail shares her Grandpa’s adventures, your kids will learn: - The difference between being 'Rich' and being 'Wealthy' - How to earn money - The importance of saving their money - How to grow their money (investing) - That patience is the superpower of the wealthy - Why they should avoid gambling, scams and (bad) debt Your kids will also have to try and solve Grandpa's Mystery Code as they answer short questions to recap on what they have learnt throughout the book. “This book should be in every school library” Kevin Gatland OBE "I would give this book 5 stars out of 5 ... It’s great to read aloud!" Isla Manson, avid reader, age 11
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
A New York Times Bestseller “Each interview is a revelation.” —USA Today “As heartwarming as a holiday pumpkin pie and every bit as homey . . . what emerges in these compelling pages is hard-won wisdom and boundless humanity.” —Seattle Post-Intelligencer As heard on NPR, a wondrous nationwide celebration of our shared humanity StoryCorps founder and legendary radio producer Dave Isay selects the most memorable stories from StoryCorps' collection, creating a moving portrait of American life. The voices here connect us to real people and their lives—to their experiences of profound joy, sadness, courage, and despair, to good times and hard times, to good deeds and misdeeds. To read this book is to be reminded of how rich and varied the American storybook truly is, how resistant to easy categorization or stereotype. We are our history, individually and collectively, and Listening Is an Act of Love touchingly reminds us of this powerful truth. Dave Isay's latest book, Callings, published in 2016 from Penguin Press.