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“Children and adults alike will enjoy Nasario’s brilliant telling of the events that were part of his growing up. As I read the stories I heard Nasario’s voice and I could see clearly the people and places he describes. I was reminded that the stories our grandparents told not only entertained us, they taught us valuable lessons. “The magic of storytelling is still with us. At home or in the classroom, stories such as these will spark the imagination and encourage reading.”—Rudolfo Anaya, author of Bless Me, Ultima The popular cuentos that parents and grandparents in rural New Mexico once upon a time told their children are a rich source of the folklore of the region and offer satisfying entertainment. In this collection of bilingual stories about the Río Puerco Valley, where Nasario García grew up, he shares the traditions, myths, and stories of his homeland. He recounts stories of the evil eye and rooster racing, the Wailing Woman and the punishing of the santos. Preceding each tale is García’s brief explanation of the history and culture behind the story.
Nasario García grew up in Ojo del Padre, a village in the Río Puerco Valley northwest of Albuquerque, the way rural New Mexicans had for generations. His parents built their own adobe house, raised their own food, hauled their water, and brought up their children to respect the old ways. When he was young, García's mother taught him to mend his clothes and enlisted his aid in slaughtering chickens. Here he offers detailed accounts of these and other mundane tasks, explaining that doing laundry in tin tubs with a washboard represented progress for people accustomed to washing their clothes in the Río Puerco and scrubbing them with stones. Life is an adventure, from hauling wood down from the mountains to getting a haircut to family dinners and celebration. Story after story, with details such as the P & G soap that his mother used, the menu at his uncle's wedding, the use of both Spanish and English when he started school, tell the story of a vanished way of life.
In this collection of bilingual stories about the Río Puerco Valley, where Nasario García grew up, he shares the traditions, myths, and stories of his homeland.
The legend of Quetzalcóatl is the enduring epic myth of Mesoamerica. The gods create the universe, but man must carefully tend to the harmony of the world. Without spiritual attention to harmony, chaos may reign, destroying the universe and civilization. The ancient Mexicans, like other peoples throughout the world, wrestled with ideas and metaphors by which to know the Godhead and developed their own concepts about their relationship to the universe. Quetzalcóatl came to the Toltecs to teach them art, agriculture, peace, and knowledge. He was a redeemer god, and his story inspires, instructs, and entertains, as do all the great myths of the world. Now available in paperback, the Lord of the Dawn is Anaya’s exploration of the cosmology and the rich and complex spiritual thought of his Native American ancestors. The story depicts the daily world of man, the struggle between the peacemakers and the warmongers, and the world of the gods and their role in the life of mankind.
Set in New Mexico, Arizona, Colorado, and northern Mexico, this timeless material offers lessons about life and how to triumph over its hardships: from making a bargain with the devil to gaining peace through true love; from dealing with inexplicable, even supernatural events to accepting special gifts that transform pain into joy; and from overcoming jealousy, anger, or stinginess to accepting others just as they are."--BOOK JACKET.
Don't sound like una momia--add a little sizzle to your Spanish! If someone called you tragaldabas would you be insulted or flattered? If you shouted ¡Mota! in the street, would you expected to get a cab or get arrested? Thanks to The Red-Hot Book of Spanish Slang and Idioms, you'll always know your tejemaneje (scheme) from your merequetengue (mess) no matter where you find yourself in the Spanish-speaking world. Five thousand words and phrases--plus helpful hints as to what's cordial and what's vulgar--keep you in sync with Spanish slang. Spanish to English niños popis (upper-class kids) Spoiled brats Contigo ni a China me voy. (I'm not even going to China with you) You're impossible La cruda (rawness) Hangover English to Spanish Ugly as sin ser un espantapájaro (to be a scarecrow) To be lucky tener leche (to have milk) Why are you staring at me? ¿Tengo monos en la cara? (Do I have monkeys on my face?)
ñDavid is mine!î Mrs. Renteria shouts out to her neighbors gathered about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. ñDavid?î Tiburcio asked. ñSince when is his name David? He looks to me more like a ƒî Tiburcio glanced at the manÍs face, ñƒ a Luis.î Mrs. RenteriaÍs neighbors call out a litany of names that better suit the mysterious corpse: Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. The very first winner of the Chicano / Latino Literary Prize in 1974, Ron AriasÍ ñThe Wetbackî uses dark humor to reflect on the appearance of a dead brown man in their midst. This landmark collection of prize-winning fiction, poetry, and drama paints a historical and aesthetic panorama of Chicana/o and Latina/o letters over a twenty-five-year period beginning in 1974 and ending in 1999. Most, but not all, of the winning entries are featured in this anthology, which also includes second- and third-place winners, as well as honorable mentions. Now entering its thirty-first year, the award has recognized a wide variety of writers, from established ones such as Juan Felipe Herrera, Michael Nava, and Helena Maria Viramontes, to those that are lesser known. Many of the pieces in this anthology are considered to be foundational texts of Chicana/o and Latina/o literature, and those that are not as widely recognized deserve more serious study and attention. Presented in chronological order, the selected writings are primarily in English, although some are written in Spanish, and others in Spanglish. Some, like Francisco X. AlarconÍs poem ñRaices / Roots,î appear in both languages: ñMis raices / las cargo / siempre / conmigo / enrolladas / me sirven / de almohada.î ñI carry / my roots / with me / all the time / rolled up / I use them / as my pillow.î In addition to the diverse array of authors, styles, and genres, the works included in this collection cover a wide range of themes, from more political issues of ethnic, gender, and class.
"Let me say at the outset that this book is not about Bear (he would be spoken of in the singular and masculine, capitalized and without an article), or it is only incidentally about him. I am less interested in defining the being of Bear than in trying to understand something about the spirit of wilderness, of which Bear is a very particular expression. . . . Bear is a template of the wilderness."--from the Introduction Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime. With transcendent dignity and gentleness, In the Bear's House celebrates Momaday's extraordinary creative vision and evolution as one of our most gifted artists.
"In the Presence of the Sun presents 30 years of selected works by [N. Scott] Momaday, the well-known Southwest Native American novelist. His unadorned poetry, which recounts fables and rituals of the Kiowa nation, conveys the deep sense of place of the Native American oral tradition. Here are dream-songs about animals (bear, bison, terrapin) and life away from urban alienation, an imagined re-creation based on Billy the Kid, prose poems about Plains Shields (and a fascinating discussion of their background), and new poems that utilize primary colors ('forms of the earth') to express instinctive continuities of a pre-Columbian vision."--Library Journal "The strong, spare beauty of In the Presence of the Sun is compelling evidence that Scott Momaday is one of the most versatile and distinguished artists in America today."--Peter Matthiessen ". . . the images, the voices, the people are shadowy, elusive, burning with invention, like flames against a dark sky. For behind them is always the artist-author himself . . . a man with a sacred investiture. Strong medicine, strong art indeed."--The New York Times Book Review