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The fifth book in the series that began with the Newbery Medal–winning Sarah, Plain and Tall by Patricia MacLachlan. Jack leans back on Grandfather's shoulder. Aunt Mattie's knitting needles click in the dark. The moon rises. The candle flickers in the gentle prairie wind. I close my eyes to keep everything there. Could anything be more perfect than a prairie wedding? Cassie Witting doesn't think so, for her sister Anna's wedding brings two lovebirds together, aunts from faraway Maine, a long white dress with a wedding veil, dancing under a clear blue sky, and a world that smells of roses. As the Witting family comes together for this most special day, Cassie sees that life brings the change of seasons, brother Jack on Grandfather's lap, joy, sorrow, and a special dance only Grandfather does.
When the boys her own age run away from her at the Bear Dance, Autumn Eyetoo picks a partner from among the old men of the tribe.
"Child uses her grandparents' story as a gateway into discussion of various kinds of labor and survival in Great Lakes Ojibwe communities, from traditional ricing to opportunistic bootlegging, from healing dances to sustainable fishing. The result is a portrait of daily work and family life on reservations in the first half of the twentieth century"--
A picture book masterpiece from Caldecott medal winner Allen Say now available in paperback! Lyrical, breathtaking, splendid—words used to describe Allen Say’s Grandfather’s Journey when it was first published. At once deeply personal yet expressing universally held emotions, this tale of one man’s love for two countries and his constant desire to be in both places captured readers’ attention and hearts. Fifteen years later, it remains as historically relevant and emotionally engaging as ever.
Born out of the experiences of hundreds of thousands of women who Raechel and Amanda have walked alongside as they walk with the Lord, She Reads Truth is the message that will help you understand the place of God's Word in your life.
Rosa finds a way to communicate with her aging Popthrough their feet!
A young couple begin their life together in the Colorado wilderness--they clear the land, build a house, and plan for the baby that will soon be born. But when a fierce winter storm blows in, they are left with little hope. Thomas Locker's glorious paintings and Keith Strand's inspiring reverie bring the Christmas spirit to life.
Two rhyming stories of wonderful Jewish grandmothers and grandfathers.
A beautifully nostalgic picture book about one grandfather's younger days that shows you're only as old as you feel! "In this affectionate story, three children follow their grandfather up to the attic, where he pulls out his old bowler hat, gold-tipped cane, and his tap shoes. Grandpa once danced on the vaudeville stage, and as he glides across the floor, the children can see what it was like to be a song and dance man. Gammell captures all the story's inherent joie de vivre with color pencil renderings that leap off the pages. Bespectacled, enthusiastic Grandpa clearly exudes the message that you're only as old as you feel, but the children respond--as will readers--to the nostalgia of the moment. Utterly original."--(starred) Booklist.
"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."--Deborah Hay Her movements are uncharacteristic, her words subversive, her dances unlike anything done before--and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay's account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay's creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance's four-month emergence. In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements--precise and mysterious, mental and physical--that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.