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The cliche is that prostitution is the oldest profession. Isn't it time that the subject received a full reference treatment? This major 2-volume set is the first to treat in an inclusive reference what is usually considered a societal failing and the underside of sexuality and economic survival. The A-to-Z encyclopedia offers wide-ranging entries related to prostitution and the sex industry, past and present, both worldwide (mostly in the West) and in the United States. The topic of prostitution has high-interest appeal across disciplines, and the narrative entries illuminate literature, art, law, medicine, economics, politics, women's studies, religion, sociology, sexuality, film, popular culture, public health, nonfiction, American and world history, business, gender, media, education, crime, race, technology, performing arts, family, social work, social mores, pornography, the military, tourism, child labor, and more. It is targeted to the general reader, who will gain useful insight into the human race through time via its sex industry and prostitution. An introduction overviews the scope of prostitution from the earliest historical records, including the Bible. User-friendly lists that are alphabetically and topically arranged help the reader find entries of interest, as does the comprehensive index. A chronology proffers significant dates related to the topic. Each entry is signed and has suggestions for further reading. Sample entries: Abolition; Actresses; Augustine, Saint; Barr, Candy; Bible; Camp Followers; Chamberlain-Kahn Bill of 1918; Child Prostitution; Clothing, Contagious Diseases Acts of 1864, 1866, and 1869; Crime; Debby Doesn't Do It for Free; Dickens, Charles; Devadasi; Entrapment; Fallen Woman Trope; Feminism; Films, Cult; Five Points; Free Love; Geisha; Globalization; Guidebooks; Hip-Hop; HIV/AIDS and the Prostitution Rights Movement; Human Rights; Incest; Internet; Jack the Ripper; Kama Sutra; League of Nations; Lulu; Male Stripping; Mann Act; Mayhew, Henry; Memoirs; Migration and Mobility; Nazi Germany; Poetry; Purity Movements; R&R; Religion; Salvation Army; Scapegoating; Slang; Storyville; Temporary Marriage; Unions; Venice; Window Prostitution.
A fascinating portrayal of the lives of the great nineteenth-century courtesans. Marie Duplessis, Cora Pearl, La Païva and La Présidente, the four women whose lives and legends are examined in this fascinating book, were all representatives of the golden age of the French courtesan. In the reign of Emperor Napoleon III the opulent and pampered demimonde became almost indistinguishable from the haut-monde, with mythical reputations growing up around its most glittering and favored celebrities. Marie Duplessis became the prototype of the virtuous courtesan when Alexandre Dumas Fils portrayed her as Marguerite Gautier in La dame aux Camélias. Apollonie Sabatier, known as La Présidente, put men of letters and other arts at ease amidst the gracious manners and bawdy talk of her salon and was immortalized by sculptor August Clésinger and poet Charles Baudelaire. To prejudiced eyes, the Russian Jew La Païva appeared intent on exploiting the rich young men of Paris. Covetous onlookers resented her ability to amass and display great wealth, most notably in the design and building of her opulent hotel in the Avenue of the Champs Elysées. The English beauty who called herself Cora Pearl was another "foreign threat", with her athletic physique, sixty horses and ability "to make bored men laugh", including Prince Napoleon. Virginia Rounding disentangles myth from reality in her lively, thought-provoking study. Nineteenth-century Paris comes to life and so do its most distinguished and déclassé inhabitants.
"First published in the United Kingdom by Icon Books Ltd"--Title page verso.
From Pulitzer-Prize-nominated author Susan Griffin comes an unprecedented, provocative look at the dazzling world of the West’s first independent women, whose lively liaisons brought them unspoken influence, wealth, and freedom. While they charmed some of Europe’s most illustrious men honing their social skills as well as their sexual ones, the great courtesans gained riches, power, education, and sexual freedom in a time when other women were denied all of these. From Imperia of sixteenth-century Rome, who personified the Renaissance ideal of beauty; Mme. de Pompadour, the arbiter of all things fashionable in eighteenth-century Paris and Versailles; Liane de Pougy, known in France during the Belle Epoque as “Our National Courtesan”; to Sarah Bernhardt, who, following in her mother’s footsteps, supported herself in her early career with a second profession, The Book of the Courtesans tells the life stories and intricacies of the lavish lifestyles of these women. Unlike their geisha counterparts, courtesans neither lived in brothels nor bent their wills to suit their suitors. They were strong- willed, autonomous, and plucky. An open secret, their presence can be felt throughout our culture. The muses who enflamed the hearts and imaginations of our most celebrated artists, they were also artists in their own right. They wrote poetry and novels, invented the cancan at the Moulin Rouge, and presented celebrated acts at the Folies Bergères. They helped to influence and shape the sensibility of modern literature, painting, and fashion. When Greek sculptor Praxiteles wanted to depict Venus he used a famous courtesan as a model, as in later centuries Titian, Veronese, Raphael, Giorgione, and Boucher did when they painted goddesses. When Marcel Proust was a young man it was the courtesan Laure Hayman who took him under her wing, introducing him to the right people, and providing inspiration for one of literature’s greatest masterpieces. And they often had considerable political influence too. When King Louis XV needed advice on foreign affairs or appointments of state he turned to Jeanne du Barry as well as Pompadour. In her witty and insightful prose, as Griffin celebrates these alluring and fascinating women, she restores a lost legacy of women’s history. She gives us the stories of these amazing women who, starting from impoverished or unimpressive beginnings, garnered chateaux, fine coaches, fabulous collections of jewelry, and even aristocratic titles along the way. And through a brilliant exploration of their extraordinary abilities, skills, and talents which Griffin playfully categorizes as their virtues "Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm" her book explains how, while helping themselves, through their often outrageous, always entertaining examples, the great courtesans not only enriched our cultural heritage but helped to liberate women from the social, sexual, and economic strictures that confined them. Intensively researched and beautifully crafted, The Book of the Courtesans delves into scintillating but often hidden worlds, telling stories gleaned from many sources, including courtesans’ memoirs, presented along with stunning rare photographs to create memorable portraits of some of the most pivotal figures in women’s history.
Seeking independence from her family in Brewer Street, Soho, London in 1858, Elizabeth Susanna Browning responds to an advertisement placed by 'Zeta' in The Times newspaper. Within days, Elizabeth is appointed housekeeper to 'Zeta', a strange but charismatic American engineer and newspaper editor, Zerah Colburn. Before long, 'Lizzy' as she is called by Mr. Colburn, and her new employer are sailing to New York on the iron steamer, Great Eastern. The couple marry in New York but a turbulent married life unfolds in Philadelphia where Zerah Colburn has launched a weekly newspaper. Hit by the 1860 financial crash, the newspaper folds and the couple head for London. In London, life is no happier for Lizzy who faces a personal and humiliating crisis. Faced with the diemma of staying with her husband or leaving, Lizzy hires a private enquiry agent, Mr. Bentley. What Mr. Bentley uncovers wounds Lizzy. But there are more shocks in store before she finds peace of mind with a new lover, another engineer, but from Norway.
If Cleopatra's nose had been half an inch longer, neither Caesar nor Mark Antony would have fallen in love with her. It: A History of Human Beauty treats outstanding physical attractiveness as a quality or possession, comparable to power, intelligence, strength, wealth, education or family, that had a marked effect on history. Beauty in men and women opened opportunities to its possessors not available to the ordinary looking or ugly. While in the past women have had to use the lure of sex to achieve power or wealth, epitomised by royal mistresses or the Grandes Horizontales of the nineteenth century, modern film stars (male and female) can acquire great wealth simply by the use of their images, while attractiveness on television is an essential modern qualification for power, as shown by Ronald Reagan and Tony Blair.
NEW YORK TIMES BESTSELLER • A magisterial world history unlike any other that tells the story of humanity through the one thing we all have in common: families • From the author of The Romanovs “Succession meets Game of Thrones.” —The Spectator • “The author brings his cast of dynastic titans, rogues and psychopaths to life...An epic that both entertains and informs.” —The Economist, Best Books of the Year Around 950,000 years ago, a family of five walked along the beach and left behind the oldest family footprints ever discovered. For award-winning historian Simon Sebag Montefiore, these poignant, familiar fossils serve as an inspiration for a new kind of world history, one that is genuinely global, spans all eras and all continents, and focuses on the family ties that connect every one of us. In this epic, ever-surprising book, Montefiore chronicles the world’s great dynasties across human history through palace intrigues, love affairs, and family lives, linking grand themes of war, migration, plague, religion, and technology to the people at the heart of the human drama. It features a cast of extraordinary diversity: in addition to rulers and conquerors, there are priests, charlatans, artists, scientists, tycoons, gangsters, lovers, husbands, wives, and children. There is Hongwu, the beggar who founded the Ming dynasty; Ewuare, the Leopard-King of Benin; Henry Christophe, King of Haiti; Kamehameha, the conqueror of Hawaii; Zenobia, the Arab empress who defied Rome; Lady Murasaki, the first female novelist; Sayyida al-Hurra, the Moroccan pirate-queen. Here too are moderns such as Indira Gandhi, Margaret Thatcher, Barack Obama, Vladimir Putin, and Volodymyr Zelensky. Here are the Caesars, Medicis and Incas, Ottomans and Mughals, Bonapartes, Habsburgs and Zulus, Rothschilds, Rockefellers and Krupps, Churchills, Kennedys, Castros, Nehrus, Pahlavis and Kenyattas, Saudis, Kims and Assads. These powerful families represent the breadth of human endeavor, with bloody succession battles, treacherous conspiracies, and shocking megalomania alongside flourishing culture, moving romances, and enlightened benevolence. A dazzling achievement as spellbinding as fiction, The World captures the whole human story in a single, masterful narrative.
Alain Corbin depicts prostitution in nineteenth-century France not as a vice, crime, or disease, but as a well-organized business. Corbin reveals how the brothel served the sex industry in the same way that the factory served manufacturing: it provided an institution for the efficient and profitable sale of services.
Though male French authors plotted prostitution to make their names—mimicking the surveillance of municipal authorities—the sex workers in their books manage to evade efforts to contain them While prostitutes in nineteenth-century Paris were subject to municipal laws that policed their bodies and movements, writers of the era enlisted them to stake their own claims on both the city and the novel as literary territory. Sex Work, Text Work: Mapping Prostitution in the Nineteenth-Century French Novel explores how prostitutes depicted by Émile Zola, Joris-Karl Huysmans, Edmond de Goncourt, Adolphe Tabarant, and Charles-Louis Philippe “write back,” confounding civil and literary efforts to contain them in space and in narrative. In city-regulated brothels, brasseries à femmes, Haussmannian boulevards, and the novel itself, working-class prostitutes served to reinforce the boundaries of social inclusion and exclusion. And yet, Jessica Tanner contends, even the novels that most explicitly aligned with the disciplinary logic of regulated prostitution make space for a distinctly literary form of resistance: these women elude or disrupt the mapping that would claim them as literary territory, revealing their authors’ failure to secure their narratives as property. Tanner pushes back against the critical tendency to attribute agency only to courtesans who became published authors and forwards a new framework for understanding the political work novels engage in as they circulate. Observing that debates about the regulation of prostitution surfaced in tandem with racialized anxieties about the boundaries of the French nation, Tanner ultimately expands that framework to the history of French colonialism and the politics of immigration in the current day. This book shows that while sex workers have been recruited to mark the borders of civic and moral life, prostitution can also make space for more inclusive forms of community, both in the novel and in the world beyond its bounds.
This collective volume provides the reader with an exploration of Latin America from an Irish perspective. The contributors have explored the multiple, and sometimes surprising, links that exist between Ireland and Latin America, touching on specific features of these links such as the political and cultural influence of the Irish diaspora and their political relations. These topics are examined through different media, including literature, films, history, poetry and sociology, and offer an opportunity to discover an aspect of Irish culture and history that has not been widely studied. The authors deal with these questions from different cultural perspectives within past and present contexts, exploring two cultures and histories which, at times, are linked through their shared destinies. They also provide the reader with different national perspectives. In presenting the long-lasting and multifaceted relationships between Ireland and Latin America, the contributors have helped to deepen our understanding of a part of Ireland’s historical heritage that deserves more focus.