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'A kind of blissography, teeming with bon mots' Sunday Times A celebrated modern classic that has revolutionised our understanding of the Bloomsbury group and remains the definitive biography of the group's gloriously eccentric patron, Lady Ottoline Morrell. Met with widespread acclaim and translated into fifteen languages, this seminal book provoked a rethinking of the traditional Bloomsbury narrative and the rewriting of some major biographies. For decades, Ottoline Morrell was grossly misunderstood. The artists and writers who benefited from her generous patronage and friendship helped to create the false and vicious image of a nymphomanical aristocrat with cultural aspirations. This landmark literary biography presents Morrell in an entirely new light, rightly setting her centre-stage as the brilliant and courageous lynchpin of the Bloomsbury group. She counted T.S. Eliot, Aldous Huxley, D.H. Lawrence, Lytton Strachey, Siegfried Sassoon, Augustus John, Katherine Mansfield and W.B. Yeats among her closest friends and houseguests. A legendary and agonisingly protracted love-affair with Bertrand Russell never undermined this unlikely couple's deep and understanding friendship. Ottoline's loyalty to her own promiscuous husband survived public humiliation and private crises. Overhauling the long-held conventional view of Morrell as a victim, a creature of her class who was born to be exploited and derided by her wittier friends, Seymour repaints the world of the Bloomsberries and rescues the grand life of Ottoline Morrell from the depths of historical obscurity.
The Kingdome, John (“Jack”) Christiansen’s best-known work, was the largest freestanding concrete dome in the world. Built amid public controversy, the multipurpose arena was designed to stand for a thousand years but was demolished in a great cloud of dust after less than a quarter century. Many know the fate of Seattle’s iconic dome, but fewer are familiar with its innovative structural engineer, Jack Christensen (1927–2017), and his significant contribution to Pacific Northwest and modernist architecture. Christiansen designed more than a hundred projects in the region: public schools and gymnasiums, sculptural church spaces, many of the Seattle Center’s 1962 World’s Fair buildings, and the Museum of Flight’s vast glass roof all reflect his expressive ideas. Inspired by Northwest topography and drawn to the region’s mountains and profound natural landscapes, Christiansen employed hyperbolic paraboloid forms, barrel-vault structures, and efficient modular construction to echo and complement the forms he loved in nature. Notably, he became an enthusiastic proponent of using thin shell concrete—the Kingdome being the most prominent example—to create inexpensive, utilitarian space on a large scale. Tyler Sprague places Christiansen within a global cohort of thin shell engineer-designers, exploring the use of a remarkable structural medium known for its minimal use of material, architectually expressive forms, and long-span capability. Examining Christiansen’s creative design and engineering work, Sprague, who interviewed Christiansen extensively, illuminates his legacy of graceful, distinctive concrete architectural forms, highlighting their lasting imprint on the region’s built environment. A Michael J. Repass Book
This is a follow up to Sibling Rivalry on a Grand Scale: Jacob & Esau. In Volume 1 the foundation was laid regarding this family feud that started about 4,000 years ago. Here in Volume 2 more details are given revealing just how current the Edomite's vendetta is with Jacob's descendants, and how it involves everyone.
The battle of Chickamauga brought an early fall to the Georgia countryside in 1863, where men fell like autumn leaves in some of the heaviest fighting of the war. The battlefield consisted of a nearly impenetrable, vine-choked forest around Chickamauga Creek. Unable to see beyond their immediate surroundings, officers found it impossible to exercise effective command, and the engagement deteriorated into what many participants later called "a soldier's battle." It was, explained Union General John Turchin, "Bushwhacking on a Grand Scale." The stakes were high: control of Chattanooga, "the Gateway City" to the Deep South. The two-day battle of Chickamauga was the only major victory of the war for the ill-starred Confederate Army of Tennessee, which managed to break through on the second day and drive the Union army off the field in a wild rout. The victory, however, left a legacy of dashed hopes for Braxton Bragg and his Confederate army. Ironically, Bragg won the costly victory but lost the city, while Union commander William Rosecrans lost the battle but somehow managed to hold the city which President Lincoln considered as important as the Confederate capital of Richmond. Despite its importance, however, Chickamauga has been largely overlooked and is rife with myths and misunderstandings. Author William Lee White has spent most of his life on the Chickamauga battlefield, taking thousands of visitors through the wooded landscape and telling the story of the bloodiest engagement in the Western Theater. Bushwhacking on a Grand Scale describes the tragic events of Chickamauga, but also includes many insights about often-neglected aspects of the fighting that White has gained from his many years studying the battle and exploring its scenic landscape. Bushwhacking on a Grand Scale can be enjoyed in the comfort of one's favorite armchair or as a battlefield guide. It is part of the new Emerging Civil War Series, which offers compelling, easy-to-read overviews of some of the Civil War's most important stories. The masterful storytelling is richly enhanced with more than one hundred photos, illustrations, and maps.
The significance of the present IAU symposium, "The Large Scale Structure of the Universe", fortunately requires no elaboration by the editors. The quality of the wide range of observational and theoretical astrophysics contained in this volume speaks for itself. The published version of the proceedings contains all the contributions presented at the symposium with the exception of the introductory lecture by V. A. Ambartsumian. Contributed papers, short contributions and discussions have been included according to the recommendations of the IAU. Many people contributed to the success of the symposium. First of all, thanks are due to the USSR Academy of Sciences and to the Estonian Academy of Sciences for sponsoring this symposium in Tallinn. The efforts of Academician K. Rebane, President of the Estonian Academy of Sciences, are particularly appreciated. The astronomical hosts of the symposium were the members of the W. Struve Astrophysical Observatory of Tartu who made outstanding efforts to lavish participants with Estonian hospitality which was greatly appreciated and enjoyed by them and their guests. The members of the Scientific and Local Organising Committees are listed below and we thank all of them for their contributions which were central to the success of the symposium. In addition are listed members of the Technical Organising Committee who were responsible for all details of the organisation and whose vigilance ensured that all aspects of the symposium ran smoothly and efficiently. Their contributions are all gratefully acknowledged.
John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music
Jackson Hole features the greatest vertical drop of any ski resort in the United States, and has extremely varied terrain. Gonzales tells the whole story, past and present, of this daunting but irresistible mountain. He covers the geography, geology, and history of the area, and devotes a full chapter to its development by pioneer Paul McCollister.
From small decisions that paralyze us to big data that knows everything about us, Not to Scale is a thought-provoking guide to navigating the surprising complexities of a networked age when the things that are now shaping experience have no weight or size. The dictionary defines "scale" as a range of numbers, used as a system to measure or compare things. We use this concept in every aspect of our lives-it is essential to innovation, helps us weigh options, and shapes our understanding of the impact of our actions. In Not to Scale, Jamer Hunt investigates the complications of scale in the digital age, highlighting an interesting paradox: We now have a world of information at our fingertips, yet ironically the more informed we have become, the more overwhelmed we feel. The global effects of our daily choices (Paper or plastic? Own or lease? Shop local or buy online?) remain difficult for us to comprehend, and solutions to large-scale national and international issues feel inconceivable. Hunt explains how these challenges are intimately tied to a new logic of scale and provides readers with survival skills for the twenty-first century. By taking massive problems and shrinking them down to size, we can use scale to effect positive change and adapt to the modern era. Connecting our smallest decisions to the grand scheme of things, Not to Scale is a fascinating and empowering guide to comprehending and navigating the high stakes often obscured from our view.
With contributions by specialists in optimization and practitioners in the fields of aerospace engineering, chemical engineering, and fluid and solid mechanics, the major themes include an assessment of the state of the art in optimization algorithms as well as challenging applications in design and control, in the areas of process engineering and systems with partial differential equation models.