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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book provides an in-depth look at the great motor races that took place in Savannah, Georgia, in the golden era of early road racing: the Grand Prize of the Automobile Club of America and the Vanderbilt Cup. By examining Savannah's earlier fame in national bicycle racing competitions and its ties to the powerful dynasties who controlled the racing world, the book explains how and why Savannah was chosen. It details the construction of the course, reveals why the races and course were considered "America's greatest" by international racing experts of the period and includes many biographies of the drivers who came to Savannah. Finally, the book explores the theories and complexities of why Savannah's races and road racing in general came to an end.
Laden with works of art acquired by young British travelers on the Grand Tour in Italy, the British merchant ship Westmorland sailed from the Italian port of Livorno before being captured by French naval vessels and escorted to Malaga in southern Spain. The artistic treasures on board were purchased by King Carlos III of Spain, and the majority were deposited in the collections of the Real Academia de Bellas Artes de San Fernando. There they resided, unknown, until recent research, using original inventories that survive in the Academia's archives, identified the Westmorland's rich cargo. The English Prize reveals the gripping story of the ship's capture and the disposition of its artistic contents, which included Raphael Mengs's Perseus and Andromeda, Pompeo Batoni's portraits of Frances Bassett and Lord Lewisham, and watercolors by John Robert Cozens. This volume illuminates the cultural phenomenon of the Grand Tour and the young travelers who acquired the trove of books and art works on board the Westmorland but were never able to enjoy their purchases. Published in association with the Yale Center for British Art, the Paul Mellon Centre for Studies in British Art, and the Real Academia de Belles Artes de San Fernando, Madrid Exhibition Schedule: Ashmolean Museum, Oxford(05/09/12-08/29/12) Yale Center for British Art (10/03/12-01/20/13)
The New York Times bestselling author of My Sunshine Away returns with another instant Southern classic: a gripping and heartfelt novel about a mysterious machine that upends a small Louisiana town, asking us all to wonder if who we truly are is who we truly could be. What would you do if you knew your life's potential? That's the question facing the residents of Deerfield, Louisiana, when the DNAMIX machine appears in their local grocery store. It's nothing to look at, really--it resembles a plain photo booth. But its promise is amazing: With just a quick swab of your cheek and two dollars, the device claims to use the science of DNA to tell you your life's potential. With enough credibility to make the townspeople curious, soon the former teachers, nurses, and shopkeepers of Deerfield are abruptly changing course to pursue their destinies as magicians, cowboys, and athletes--including the novel's main characters, Douglas Hubbard and his wife, Cherilyn, who both believed they were perfectly happy until they realized they could dream for more... Written with linguistic grace and a sense of wonder, The Big Door Prize sparkles with keen observations about what it might mean to stay true to oneself while honoring the bonds of marriage, friendship, and community, and how the glimmer of possibility can pull these bonds apart, bring them back together, and make second chances possible, even under the strangest of circumstances.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
From the intersection of public and private fear, Kerri Webster’s award-winning collection speaks of anxiety and awe, vanishings and reappearances. A city both rises and falls; worlds are simultaneously spoken into being and torn down by words. “This is how time sounds,” Webster writes; this is the hum and click of bodies “desirous of believing we’re all vehicle, every wet atom of us,” even as the saved seeds root in the fallen brickwork and the artifacts pile up: wisdom teeth, hummingbird skulls, plumb bobs, icons, antlers, incandescent bulbs. Grand & Arsenal begins “Bless me I am not myself,” but it is not long before the probability of being blessed is revealed to be as remote as the concept of a whole self. Thus begins the book’s defining struggle, enacted by a multitude of voices which move from rush to stumble and back again—meanwhile using all the tools we as a culture use to hold fear at arm’s length. We hear a familiar irony, as in “On a trip West, porn in the hotel room. I can take or leave it. The climax that puts me in the seats? World’s end.” We hear humor, as in “I believed in . . . / . . . a certain apocalypse not so much foretold as crafted / by large-brained monkeys.” We hear understatement, as in “knowing it does not matter / in the grand—she would say scheme, I would say / mishap—.” Most importantly, though, these poems allow for the fleeting triumph of an undefended voice, which appears often to emerge tentatively from a sort of exhausted collapse.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
What Every Engineer Should Know About Data-Driven Analytics provides a comprehensive introduction to the theoretical concepts and approaches of machine learning that are used in predictive data analytics. By introducing the theory and by providing practical applications, this text can be understood by every engineering discipline. It offers a detailed and focused treatment of the important machine learning approaches and concepts that can be exploited to build models to enable decision making in different domains. Utilizes practical examples from different disciplines and sectors within engineering and other related technical areas to demonstrate how to go from data, to insight, and to decision making Introduces various approaches to build models that exploits different algorithms Discusses predictive models that can be built through machine learning and used to mine patterns from large datasets Explores the augmentation of technical and mathematical materials with explanatory worked examples Includes a glossary, self-assessments, and worked-out practice exercises Written to be accessible to non-experts in the subject, this comprehensive introductory text is suitable for students, professionals, and researchers in engineering and data science.