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Mick Hill's colourful book is packed with his signature artwork, and skillfully showcases the cars, drivers and designers that contributed to the history of Formula 1. Beginning with the flags for hosting countries, it goes on to show every winning car, with details of its designers, drivers, points, and races won. The book also considers drivers' helmets, from historic leather caps to modern carbon fibre, as well as the world championship stickers from teams and sponsors, a memento for fans to the race meetings they attended. A complete reference of the first 70 years of F1, this book will appeal to motor racing fans young and old.
Following on from Grand Prix's Winning Colours, the author turns his attention to 100 years of Le Mans The follow-on book to Mick Hill's successful Grand Prix's Winning Colours turns its attention to the Le Mans 24-hour race, once again showcasing his skillful artwork to present the cars, drivers and designers that contributed to its long history. Also revealing the results, route and laps covered, the book also briefly covers the history of Le Mans and its circuit changes over the years. With a selection of posters as well as details on the drivers, races won, and fatal accidents, this beautiful book, looking back over 100 years, is something to treasure for all racing car enthusiasts.
The birth of a Grand Prix team does not occur every day -- or every season for that matter, Formula 1 is an extremely difficult business to break into, and very few new arrivals survive beyond their first year. That's why the racing world took note in 1997 when a new team bearing the name of race legend Jackie Stewart gained a foothold in the sport. The team has, in fact, been in the news since 1996, when Stewart and his son, Paul, first announced their intentions. Racing Stewart tells the story of this remarkable adventure, charting in full for the first time ever, the birth of a Grand Prix challenger. Hamilton and Nicholson were granted unparalleled access to the team from Stewart's initial decision, giving them a behind-the-scenes look at the peaks and valleys that are an inevitable part of gaining acceptance in this ruthless sport.
SHORTLISTED FOR THE 2023 GILLER PRIZE • The story of the restorative power of art in one man’s life, set against the sweep of the twentieth century—from Toronto in the ’20s and ’30s, through the killing fields of World War II, to 1960s Sicily. “Bold and resplendent.” —Nita Prose, #1 New York Times bestselling author of The Maid “Supremely artful.” —Toronto Star Henry, born 1916, thin-as-sticks, nearsighted, is an obsessive doodler—copying illustrations from his Boy’s Own magazines. Left in the care of a nurturing, Shakespeare-quoting grandmother, eight-year-old Henry receives as a gift his first set of colouring pencils (and a pocket knife for the sharpening). As he commits these colours to memory—cadmium yellow; burnt ochre; deep scarlet red—a passion for art, colour, and the stories of the great artists takes hold, and becomes Henry’s unique way of seeing the world. It is a passion that will both haunt and sustain him on his journey through the century: from boyhood dreams on a summer beach to the hothouse of art academia and a love cut short by tragedy; from the psychological wounds of war to the redemption of unexpected love. Projected against a backdrop of iconic masterpieces—from the rich hues of the European masters to the technicolour magic of Hollywood—All the Colour in the World is Henry’s story: part miscellany, part memory palace, exquisitely precise with the emotional sweep of a great modern romance.
This book provides an in-depth look at the great motor races that took place in Savannah, Georgia, in the golden era of early road racing: the Grand Prize of the Automobile Club of America and the Vanderbilt Cup. By examining Savannah's earlier fame in national bicycle racing competitions and its ties to the powerful dynasties who controlled the racing world, the book explains how and why Savannah was chosen. It details the construction of the course, reveals why the races and course were considered "America's greatest" by international racing experts of the period and includes many biographies of the drivers who came to Savannah. Finally, the book explores the theories and complexities of why Savannah's races and road racing in general came to an end.
Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.