Download Free Grand Obsessions Book in PDF and EPUB Free Download. You can read online Grand Obsessions and write the review.

Legendary Grand Canyoneer Harvey Butchart climbed, hiked, floated and bushwhacked 12,000 pioneering miles below the rim during a 42-year obsession with the world-famous gorge. Here for the first time is Harvey's life story: his years as a fatherless child in the mountains of China, his struggles in America during the Great Depression, and finally, his all-consuming drive for greatness by exploring one of the West's last unknown wildernesses. Lace up your boots and follow along as the authors retrace Harvey's footsteps on dangerous cliff edges while chronicling his thrilling exploits, heart-breaking tragedies, and lasting triumphs. Part biography, part modern-day adventure, Grand Obsession will take you deeper into the soul of this fascinating man - and Grand Canyon - than you have ever been before. Contains over 170 photographs, many never-before-published, and Harvey Butchart's hand-stenciled maps showing his treks in Grand Canyon.
On 23 May 1912, American Walter Burley Griffin was announced to the world as the winner of the international design competition for the new Australian capital to be built on a sheep paddock they called Canberra. Almost a century later, Griffin's design - but most of all its implementation - is still hotly debated. Who was this man and what was his vision? How did he come to Canberra, what happened once the Australian establishment tore him to shreds, and what was the role of his wife, helpmate, fellow architect and equal creative partner, Marion Mahony Griffin? In this definitive new biography of Griffin husband and wife, Alasdair McGregor delineates the role each played in the production of their greatest works - Canberra, Castlecrag, Newman College and the rest - and charts their lives, from their childhoods and meeting in Chicago in the employ of the larger than life Frank Lloyd Wright, to their battles in Canberra, Melbourne and Sydney, and their swansong in India. This is a tale of many parts. It traces the lives of two individuals of great talent and vision and their fight against mediocrity. It is the story of the birth of Canberra, one that tells us as much about the Griffins as it does about ourselves and the troubled birth of the Australian national identity. It is a portrait of a pioneering woman who achieved extraordinary things but was rarely credited with that achievement. And it is an examination of the nature of fame in a young country uncertain of its position in the world. The Griffins' story resonates through the years, and their fight to see their idealistic vision realised is one that goes on in Australia today. 'This biography . . . is a treasure.' Dimity Reed, Sunday Age 'This handsome book . . . is the latest in a growing line of books about the Griffins, and it is perhaps the most successful to date.' Roger Pegrum, Canberra Times 'a meticulously detailed account of the Griffins' professional output.' Annabel Lawson, Australia Coast to Coast Country Style 'This belongs on every architect's bookshelf.' Susan Hewitt, West Magazine
For a long time, the American West was mainly identified with white masculinity, but as more women’s narratives of westward expansion came to light, scholars revised purely patriarchal interpretations. Writing the Trail continues in this vein by providing a comparative literary analysis of five frontier narratives---Susan Magoffin’s Down the Santa Fe Trail and into Mexico, Sarah Royce’s A Frontier Lady, Louise Clappe’s The Shirley Letters, Eliza Farnham’s California, In-doors and Out, and Lydia Spencer Lane’s I Married a Soldier---to explore the ways in which women’s responses to the western environment differed from men’s. Throughout their very different journeys---from an eighteen-year-old bride and self-styled “wandering princess” on the Santa Fe Trail, to the mining camps of northern California, to garrison life in the Southwest---these women moved out of their traditional positions as objects of masculine culture. Initially disoriented, they soon began the complex process of assimilating to a new environment, changing views of power and authority, and making homes in wilderness conditions. Because critics tend to consider nineteenth-century women’s writings as confirmations of home and stability, they overlook aspects of women’s textualizations of themselves that are dynamic and contingent on movement through space. As the narratives in Writing the Trail illustrate, women’s frontier writings depict geographical, spiritual, and psychological movement. By tracing the journeys of Magoffin, Royce, Clappe, Farnham, and Lane, readers are exposed to the subversive strength of travel writing and come to a new understanding of gender roles on the nineteenth-century frontier.
Western expansion in North America has mainly been described as either a linear sequence energized by nineteenth-century nation-building processes at a moving frontier, or as the practice of settler colonialism and its exploitation of resources and displacement of nonwhite peoples. This book suggests that shifting the focus from this binary pattern towards spatial imaginations and spatialization processes—a new theoretical framework developed at SFB 1199—provides novel insights into the placemaking dynamics of the American West. It brings to light a discursive diversity that often contradicts unidirectional interpretive patterns. It becomes clear that while some discourses solidified into spatial metanarratives like the character-shaping clash of civilizations at the frontier or manifest destiny, alternative spatial imaginations exist juxtaposed to or obfuscated by canonical interpretations. Making use of a variety of sources (including works of literature, poetry, newspapers, paintings, and speeches) to access spatialization processes on several sociocultural scales, the book presents a careful exploration of the parameters that inform(ed) the creation, affirmation, and subversion of spatial imagination of the American West throughout the nineteenth century from the perspective of American Studies.
If you missed the first eight titles in MUP's acclaimed Little Books on Big Themes series, this is your chance to collect the whole set. Released in time for Christmas, the ON-nibus brings together eight 10,000-word essays on the big themes in life by leading Australian thinkers. Featured authors are Germaine Greer ('On Rage'), David Malouf ('On Experience'), Blanche d'Alpuget ('On Longing'), Barrie Kosky ('On Ecstasy'), Don Watson ('On Indignation'), Gay Bilson ('On Digestion'), Malcolm Knox ('On Obsession') and Anne Summers ('On Luck').
Experience the power and the promise of working in today' most exciting literary form: Creative Nonfiction Writing Creative Nonfiction presents more than thirty essays examining every key element of the craft, from researching ideas and structuring the story, to reportage and personal reflection. You'll learn from some of today's top creative nonfiction writers, including: • Terry Tempest Williams - Analyze your motivation for writing, its value, and its strength. • Alan Cheuse - Discover how interesting, compelling essays can be drawn from every corner of your life and the world in which you live. • Phillip Lopate - Build your narrator–yourself–into a fully fleshed-out character, giving your readers a clearer, more compelling idea of who is speaking and why they should listen. • Robin Hemley - Develop a narrative strategy for structuring your story and making it cohesive. • Carolyn Forche - Master the journalistic ethics of creative nonfiction. • Dinty W. Moore - Use satire, exaggeration, juxtaposition, and other forms of humor in creative nonfiction. • Philip Gerard - Understand the narrative stance–why and how an author should, or should not, enter into the story. Through insightful prompts and exercises, these contributors help make the challenge of writing creative nonfiction–whether biography, true-life adventure, memoir, or narrative history–a welcome, rewarding endeavor. You'll also find an exciting, creative nonfiction "reader" comprising the final third of the book, featuring pieces from Barry Lopez, Annie Dillard, Beverly Lowry, Phillip Lopate, and more–selections so extraordinary, they will teach, delight, inspire, and entertain you for years to come!
Negotiating Identities is a study of the development of writing by Asian American women in the 20th century, with particular emphasis on the successful late 20th century writers such as Maxine Hong Kingston, Amy Tan, Joy Kogawa, Bharati Mukherjee, and Gish Jen. It relates the development of Asian writing by women in America – with a comparative element incorporating Britain – to a series of theoretical preoccupations: the mother/daughter dyad, biracialism, ethnic histories, citizenship, genre, and the idea of 'home'.
A radically new interpretation of two medieval Icelandic tales, known as the Vinland sagas, considering what the they reveal about native peoples, and how they contribute to the debate about whether Leif Eiriksson or Christopher Columbus should be credited as the first "discoverer" of America.
This collection of essays and interviews is the first book about the drama of American playwright Terrence McNally; it examines his career to date (30-plus years), focusing particularly on the two plays for which McNally won Tony Awards for Best Play of 1995, Love! Valour! Compassion!, and Best Play of 1996, Master Class. Toby Zinman, a distinguished scholar and critic, has invited none respected authorities to write about McNally's work, and has included records of the long conversations she had with the playwright about his work, his love of opera, his ideas about acting and education, and life in general. Also included are two interviews she conducted with two of his leading actors: one with the legendary Zoe Caldwell, who played the even more legendary Maria Callas in Master Class, a performance that earned her the Tony Award for Best Actress in 1996, a role McNally wrote for her, and another with the great American comic actor, Nathan Lane, whom McNally considers his foremost interpreter. The collection moves chronologically, beginning with Howard Stein's essay on the promise of the plays of the first decade, through to Cary Mazer's essay on the diva in Master Class, a play about Maria Callas' master classes at Juilliard; that essay is preceded by an essay on those famous master classes by John Ardoin, the world's foremost authority on Maria Callas. In between there are two essays debating McNally's position as a gay playwright, one by John Clum and one by Steven Drukman, both centering on the firestorm of controversy generated by Love! Valour! Compassion! In addition, there is an essay on The Lisbon Traviata by Sam Abel which discusses the play's much-revised conclusion (to murder or not to murder) and another on McNally's screenplays of Frankie and Johnny in the Clair de Lune, and The Ritz, by Helen Buttel, a film critic. This is followed by Stephen Watt's examination of McNally as a postmodernist, using Lips Together, Teeth Apart as his focus, and Benilde Montgomery's essay on Indian myth as it informs McNally's play (soon to be a film) A Perfect Ganesh The volume also includes in its introduction the latest information on McNally's newest projects, an extensive bibliography, and a chronology of the playwright's career.
'When we are young adults, not only are we looking for signposts but we are afraid of ourselves, frightened of where our tendencies may lead. Are we all just a tiny bit mad, and were my obsessions, like my grandfather's, always going to take on a mild and manageable aspect?' In On Obsession, Malcolm Knox contemplates love, Proust, soulmates in fiction, palindromic numbers and bloodlines, among other fixations, and wonders if the obsessive quest marks a retreat from life.