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Fifteen hundred years have passed and the Holy Grail is still missing, presumed ineffable. The knights have dumped the quest and now deliver pizzas, while the sinister financial services of the lost kingdom of Atlantis threatens the universe with fiscal Armageddon.
Fifteen hundred years have passed and the Holy Grail is still missing, presumed ineffable. The knights have dumped the quest and now deliver pizzas, while the sinister financial services of the lost kingdom of Atlantis threatens the universe with fiscal Armageddon.
"This volume of the "Arthurian Characters and Themes" series is the only one dealing with theme, rather than character. Essays include both newly commissioned and reprinted articles that explore a variety of issues regarding the Arthurian search for the Holy Grail. Topics include analysis of the Grail as vessel, Perceval's sister in the Grail quest, the symbolism of the Grail in Wolfram, chivalric nationalism, and investigations of the use of the Grail in poetry and literature by authors such as Tennyson, T.S. Eliot, and Walker Percy"--Barnes & Noble.
The Lives of Texts: Exploring the Metaphor examines various instances of “textual subsistence” implied by the title. Drawing on the parallel between a text and a living organism, the contributors analyze various literary texts ranging from the Middle Ages to postmodernity, as well as film adaptations and the graphic novel. Apart from the works of canonical writers, attention is also drawn to some long-forgotten authors, along with the most recent instances of popular literature and culture. The exploration of the title metaphor allows the contributors to trace life-like phenomena (e.g. textual birth, maturation, dissemination, death and resurrection) in the texts of writers so remote from each other as Layamon, Thomas More, Mary Shelley, Charles Williams, Ursula Le Guin, A. S. Byatt, Peter Ackroyd, Iain Banks, J. K. Rowling, or Neil Gaiman.
This study constitutes the first to analyse the remarkable surge in popularity of Arthurian literature and art in the modern period from a broad range of instances of cultural production. More novels with Arthurian themes have been published since the war than in any previous period, and Silk and Potatoes provides detailed readings of some of the most famous, including works by Marion Zimmer Bradley, Anthony Burgess, C.J. Cherryh, Guy Gavriel Kay, Mary Stewart, Jack Vance and T.H. White. In addition to examining Arthurian fiction (with chapters on the general novel, Historical fiction and Science Fiction), this study examines the key cinematic examples of Arthuriana (Boorman’s Excalibur, Bresson’s Lancelot du Lac, Rohmer’s Perceval Le Gallois and Monthy Python and the Holy Grail). A further chapter goes on to look at the myriad other forms of cultural production based on Arthurian themes; from Bugs Bunny to Pop Music, from the Camelot of JFK to the British National Lottery. This is a study that touches on many aspects of Arthuriana whilst developing two connected arguments about (on the one hand) the necessary anachronism of any modern Arthurian Literature, and (on the other) the aesthetic-political implications of this literature’s success. The whole, whilst rooted in the scholarly debates on the enduring appeal of King Arthur, is written in an accessible and entertaining style. It will be of interest to students and teachers of Arthurian literature, film and popular culture.
Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.
This is a definitive bibliography of over 600 years of the Arthurian tradition in English. It is a chronological and descriptive listing of Arthurian literature and related material from the beginning of the English language to 2000.
The Oxford Guide to Arthurian Literature and Legend offers a comprehensive survey of the Arthurian legends in all their manifestations, from the earliest medieval texts to their appearances in contemporary culture. Essential reading for Arthurian scholars, medievalists, and for those interested in myth and legend.
A novel set in the magical offices of The Portable Door, now a majorly fantastical film starring Christoph Waltz, Sam Neill, and Miranda Otto. “Tom Holt may be the most imaginative satirist to land on our shores since Douglas Adams.” — Christopher Moore, New York Times bestselling author J.W. Wells seemed to be a respectable establishment, but the company now paying Paul Carpenter's salary is, in fact, a deeply sinister organization with a mighty peculiar management team. Paul thought he was getting the hang of it – particularly when he fell head over heels for his strangely alluring colleague, Sophie – but death is never far away when you work at J.W. Wells. Our love-struck hero is about to discover that custard is definitely in the eye of the beholder. And that it really stings. The J.W. Wells & Co. Series: The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Other titles from Tom Holt: Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug The Management Style of the Supreme Beings An Orc on the Wild Side Holt Writing as K. J. Parker: Sixteen Ways to Defend a Walled City How To Rule An Empire and Get Away With It A Practical Guide to Conquering the World
As everyone knows, when great warriors die, their reward is eternal life in Odin's bijou little residence known as Valhalla. But Valhalla has just changed. It has grown. It has diversified. Just like any corporation, the Valhalla Group has had to adapt to survive. Unfortunately, not even an omniscient Norse god could have prepared Valhalla for the arrival of Carol Kortright, one-time cocktail waitress, last seen dead, and not at all happy.