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"Author Mike McColl-Jones worked alongside Graham Kennedy for almost 20 years, churning out jokes and scripts for the popular television show, In Melbourne Tonight. McColl-Jones is a veteran comedy writer for Australian television; writing not only for Kennedy, but for stars such as Don Lane and Bert Newton. Rather than simply being a biography of the man known as, ‘The King’, this is an insight into how Kennedy’s colleagues felt about him. ‘It is the private Graham Kennedy’. It includes Kennedy’s struggles as a child-the atypical upbringing, the uncertainty of his father going to war and his passion to be a radio presenter. The book shows what a remarkable person Graham Kennedy was in his time."--Publisher details.
For more than three years, she appeared nightly on ch.9's In Melbourne Tonight with Graham Kennedy, Bert Newton. Finally, as 'Princess Panda, ' she reached the pinnacle of an outstanding career.
This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints files of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs.
I would like to acknowledge the 60 million people worldwide, who suffer hesitation in speech. Limitations are just signposts. They may signal different routes or different ways to reach a destination, but they won't prevent you from getting there, unless you empower them to do so. Ignore them, focus on your journey.'
Geoffrey Blainey turns his attention to the state in which he was born and raised.
“Out of the Ordinary is one part unembellished documentation and one part verbi-visual equivalent of a Pro Hart work made with nineteenth-century, paint-loaded canons. It is a cultural history, resource for contemporary designers, imaginarium and luminous almanac of an explorer of the stranger species of creativity – from brick art to letterboxes, junk mail, mail art, television, fashion, food, model trains, Disney’s imagineering, amusement parks, feng-shui, Postmodern architecture, human-scale craftsmanship, forgotten Australian architects in China, famous architects (that, perhaps, should be forgotten save for their bow ties), collectors of Sherlock Holmes memorabilia, outsider artists and clients – and none of these things exactly. Everywhere Derham Groves attends to and finds significance in the minutiae of everyday life, inter-association, and those things that affect us so profoundly but remain just outside the purview of the ‘normal.’ And in these things – objects, art, architecture, environment(s) – he finds stories and teaches his reader how to do the same. Out of the Ordinary is also a motivational text. It begins with bricks, perhaps the most standardized and repeatable units of construction, and reveals how they can be used as vehicles for unfettered creativity and not merely for the creation of containers. Groves shows how art and architecture can emerge and receive nourishment from the garbage of the everyday and creative collisions. Groves also calls, albeit subtly, for a turn away from homogeneity, the standardized, and unimaginative or ‘lazy’ design informed by principles of economy, efficiency, utility and function conceived in abstraction. Rather, Groves celebrates the reanimation and/or rejuvenation of place by the makers of anything out of the ordinary (who don’t necessarily pray to the demiurge of good taste) who have created spaces and things through which the creative imagination shines.” – Dr Andrew Chrystall, School of Communication, Journalism and Marketing, Massey University
Gino Gammaldi has a clear memory of the early beginnings of his family who migrated from Italy to Australia in the mid 1950s and has tried to portray those memories in this book in a manner that is sure to engage everyone’s interest. Much of the earlier parts of this book are written through the eyes of a child, growing up among everything that should probably relate only to those who are adult enough to cope with such hardships, temptations, sorrows, and disappointments. But, as a child, these elements became a part of the simple life that was as normal as anything one could imagine. But, in later stages, Gino also remembers all the good and fun times, and he portrays these beautifully and graphically through the many characters you will encounter in the two volumes of his book. He brings them to life and engages the reader, simply by the humour and by the special qualities that each one of these characters magnifies and how all of these experiences impacted on his own life.
Television presenters are key to the sociability of the medium, speaking directly to viewers as intermediaries between audiences and those who are interviewed, perform or compete on screen. As targets of both great affection and derision from viewers and the subjects of radio, internet, magazine and newspaper coverage, many have careers that have lasted almost as long as post-war television itself. Nevertheless, as a profession, television presenting has received little scholarly attention. Personality Presenters explores the role of the television presenter, analysing the distinct skills possessed by different categories of host and the expectations and difficulties that exist with regard to the promotion of the various films, books, consumer and cultural products with which they are associated. The close involvement of presenters with the content that they present is examined, while the impact of the presenters' own celebrity on the tasks that they perform is scrutinised. With a focus on non-fiction entertainment shows such as game shows, lifestyle and reality shows, chat, daytime and talk shows, this book explores issues of consumer culture, advertising and celebrity, as well as the connection of presenters with ethical issues. Offering detailed case studies of internationally recognised presenters, as well comparisons between national presenters from the UK and Australia, Personality Presenters provides a rich discussion of television presenters as significant conduits in the movement of ideas. As such, it will appeal to sociologists as well as those working in the fields of popular culture, cultural and media studies and cultural theory.
Everything you ever wanted to know about 4,000 Australian films and TV productions. Includes details on every feature film made in Australia since 1930, every Australian-made TV production since 1956, and biogs for 450 casts and crews. Introduction by Geoffrey Rush. The bible for film buffs, DVD buyers and hirers, TV fans and media/communications students.