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A selection of travel reports, essays, reviews and diary extracts that spans nearly 70 years. Greene focuses on the themes of travels and politics but also explores the works of other literary figures and characters. The diary extracts and critical reviews evoke the atmosphere of war-time England and other articles visit Vietnam, Cuba, Haiti, Paraguay and Chile.
UPDATED AND EDITED WITH A NEW INTRODUCTION BY JUDITH ADAMSON Whether reporting from the London cinema, Cotswolds villages, second-hand bookshops, war zones or political trouble spots, Graham Greene's novelistic gifts for detail, drama and compassionate curiosity provide unique and resonant insights into his life and times. To know war on any continent, read ‘A Memory of Indo-China’; to glimpse high political chicanery, read ‘The Great Spectacular’; to feel the flush and aftermath of revolutionary change, take up his pieces about Cuba. Reflections provides an extraordinary mirror on the twentienth century from one of its greatest observers.
The British author shares the “strange . . . inner layers of his playful, guilty imagination” in this glimpse into a brilliant novelist’s subconscious (The New York Times). Culled from nearly eight hundred pages of the author’s “dream diaries” kept between 1965 and 1989, this singular journal reveals “the feverish inner life of an intensely private man, providing an uncanny mirror-image of [his] novelistic obsessions, insecurities, and moral preoccupations” (Publishers Weekly). In what Greene calls My Own World—as opposed to the Common World of shared reality—he accompanies Henry James on a disagreeable riverboat trip to Bogota, is caught in a guerilla crossfire with Evelyn Waugh and W. H. Auden, strolls in the Vatican garden with Pope John Paul II who’s doling out Perugina chocolates like hosts, offers refuge to a suicidal Charlie Chaplin, and stages a disastrous play in blank verse for Elizabeth Taylor and Richard Burton. He also shares his headspace with Goebbels, Castro, Cocteau, Queen Elizabeth, D. H. Lawrence, and talking kittens. And the landscape is just as wide: from Nazi Germany to Haiti to West Africa to Bethlehem 1 AD and to Sweden where he seeks treatment for leprosy. Greene is a criminal, spy, lover, assassin, witness, and writer. Encompassing life, death, war, feuds, and career, and alternately absurdist, frightening, funny, and revealing, these fertile imaginings—many of which found their way into Greene’s fiction—comprise nothing less than “an alternate autobiography . . . a uniquely candid self-portrait” of one of the giants of English literature (Kirkus Reviews).
A “masterful . . . brilliantly constructed novel” of love and chaos in 1950s Vietnam (Zadie Smith, The Guardian). It’s 1955 and British journalist Thomas Fowler has been in Vietnam for two years covering the insurgency against French colonial rule. But it’s not just a political tangle that’s kept him tethered to the country. There’s also his lover, Phuong, a young Vietnamese woman who clings to Fowler for protection. Then comes Alden Pyle, an idealistic American working in service of the CIA. Devotedly, disastrously patriotic, he believes neither communism nor colonialism is what’s best for Southeast Asia, but rather a “Third Force”: American democracy by any means necessary. His ideas of conquest include Phuong, to whom he promises a sweet life in the states. But as Pyle’s blind moral conviction wreaks havoc upon innocent lives, it’s ultimately his romantic compulsions that will play a role in his own undoing. Although criticized upon publication as anti-American, Graham Greene’s “complex but compelling story of intrigue and counter-intrigue” would, in a few short years, prove prescient in its own condemnation of American interventionism (The New York Times).
We all carry other people inside our heads - actors, leaders, writers, people from history or fiction, met or unmet, who sometimes seem closer to us than the people we know.Pico Iyer investigates the mysterious closeness he has always felt with Graham Greene and follows him from his first novel, The Man Within, to such later classics as The Quiet American. The further he delves, the more he begins to wonder whether the man within his head is not Greene but his own father, or perhaps some more shadowy aspect of himself. Drawing upon experiences across the globe - from Bolivia to Berkhamsted to Bhutan - one of our most resourceful cultural explorers gives us his most personal and revelatory book.
Available in English for the first time in the U.S., a collection of the speeches of Nobel Prize-winning author Gabriel García Márquez. Throughout his life, Gabriel García Márquez spoke publicly with the same passion and energy that marked his writing. Now the wisdom and compassion of these performances are available in English for the first time. I'm Not Here to Give a Speech records key events throughout the author's life, from a farewell to his classmates delivered when he was only seventeen to his Nobel Prize acceptance speech. Written across a lifetime, these speeches chart the growth of a genius: each is a snapshot offering insights into the beliefs and ideas of a world- renowned storyteller. Preserving García Márquez's unmistakeable voice for future generations, I'm Not Here to Give a Speech is a must-have for anyone who ever fell in love with Macondo or cherished a battered copy of Love in the Time of Cholera.
The story of Henry Pulling, a retired and complacent bank manager, who meets his septuagenarian Aunt Augusta for the first time at what he supposes to be his mother's funeral. She soon persuades Henry to abandon his dull suburban existence to travel her to Brighton, Paris, Istanbul, Paraguay. Through Aunt Augusta, one of Greene's greatest comic creations, Henry joins a shiftless, twilight society; mixes with hippies, war criminals, and CIA men; smokes pot and breaks all currency regulations.
Driven away from his parish by a censorious bishop, Monsignor Quixote sets off across Spain accompanied by a deposed renegade mayor as his own Sancho Panza, and his noble steed Rocinante – a faithful but antiquated SEAT 600. Like Cervantes’s classic, this comic, picaresque fable offers enduring insights into our life and times.
The story of a man who buys his life in a moment of fear set in wartime occupied France.