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There's something incredibly compelling about graffiti -- and the world takes notice. Not everyone appreciates it as an art form, but if you do, you'll enjoy using this notebook for your own sketches, notes, thoughts, to do lists, or whatever you want to commit to paper. Also available as a calendar planner, 8" x 10", perfect bound with beautiful matte cover finish. It features a 1-page overview of the year, 2-page per month calendars, and 1-page per week spreads throughout. Plenty of space for all your planning and scheduling needs. Great for you and also makes great gifts for all your friends -- especially those hard to buy for people on your list. Undated 3- and 6-month planners also available for some titles. It's About Time brings you a wide array of beautiful, high quality planners, journals, diaries, organizers, specialty journals, composition notebooks, dot grid or bullet journal(tm), notebooks, sketchbooks, and other paper delights -- all just waiting for your creative and inspired input, your notes and ideas, to do lists, sketches and doodles, anything and everything you want to commit to paper.
- GRAFFITI ART NOTEBOOKFor your desk or back to school, the professional designed 8 X 10 inch wide ruled composition books are perfect for journaling or story writing. - PERFECT FOR CREATIVE WRITINGThis notebook contains 150 pages (75 sheets), 60# paper, with wide ruled sheets perfect for back to school. - MULTIPURPOSEPerfect for people of all ages! - GLOSSY COVER DESIGNPremium glossy cover design in fun graffiti urban art. - PERFECT FOR GIFTSThe perfect gift for a boys and girls!
Yearly Planner and journal for self care and intuition, with yearly and monthly calendars, week by week pages, beautiful watercolour illustrations and 56 pages of guidance for the year ahead.
Sketchtravel is an artistic journey unlike any other. No editorial project has ever before brought together as many visual artists around a common object. Passed between 72 artists over 5 years and across over 35,000 miles, the Sketchtravel sketchbook showcases the creativity of artists in numerous disciplines from around the world. Illustrators, animators, painters, and more each illustrated a page with their unique style before passing the book to the next artist. Reflecting a who's who of popular contemporary artists, this imaginative diverse collection of artwork will inspire art lovers with its scope, diversity, and beauty, much as it did each artist who contributed a link in its chain.
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raúl Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Hélio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson
This opulent and expansive volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity,1900-2000, charts the dynamic relationship between the arts and popular conceptions of California. Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout--both in image and in text--and will appeal to anyone who has lived in, visited, or imagined California.