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A blank city wall with a fresh coat of paint—is there anything more appealing to doodlers, dreams, and graffiti artists? Walls Notebook invites you to indulge your inner vandal without the risk of jail time. Here are 160 pages of wall photographs for notes, sketches, drawings, and defacement, all packaged in a delightful lay-flat flexi-bind paperback.
Teaches a variety of graffiti word designs. Includes step-by-step instructions, in both pictures and text that will guide one through the process of creating a graffiti masterpiece.
It's August 1965 and Los Angeles is scorching - and when white police officers arrest an ordinary black Angeleno named Marquette Frye, they light the touchpaper on six days of rioting. Graffiti Palace follows young African-American graffiti expert Americo Monk as he tries to get home through the chaos, telling the secret history of the riots - and the unfolding story of Los Angeles and black America - along the way. As Monk travels through the streets of South Central LA, he orients himself by gang tags and more intricate and mysterious graffiti symbols towards home. But the cops and the gangs are after the notebook where Monk records the city's graffiti, and which might just be the key to the secret tides of power ebbing below the surface of the city... Bursting at the seams with memorable characters - including Nation of Islam leader Elijah Muhammad, sewer-dwelling crack dealers and a legendary Mexican graffiti artist no-one's even sure exists - Graffiti Palace conjures into being a fantastical, living, breathing portrait of Los Angeles in 1965.
Wouldn't it be awesome if you could see how the sketches of your graffiti pieces would look on a brick wall? Well, now you can! Because you can practice your hand style and design your own graffiti masterpieces on the 50 brick wall graffiti sheets in this street art sketchbook! But, if you'd rather practice some of your tags, throw-ups and wildstyle creations on blank white sheets of paper - no problem! Because each page is single sided, giving you over 50 blank pages to sketch on too. So what's the main features of this graffiti blackbook? Well, you get an incredible: 50 brickwork pages (10 different grayscale designs, 5 of each design) Single sided pages to prevent bleed through 80 colors can be tested on the 2 color test pages "Pieces By" page so you can lay claim to your graffiti blackbook And don't forget you can use the "Look inside" feature to see some of these pages for yourself! So give your graffiti designs a more realistic feel and grab your very own brick wall blackbook today. GO ON - SCROLL UP AND GRAB YOUR UNIQUE STREET ART SKETCHBOOK!
"Accompanying a major traveling exhibition, this first-ever survey of the rarely seen notebooks of Basquiat features the artist's handwritten notes, poems, and drawings, along with related works on paper and large-scale paintings. With no formal training, Jean-Michel Basquiat (1960-1988) succeeded in developing a new and expressive style to become one of the most influential artists in the postmodern revival of figurative during the 1980s. In a series of notebooks from the early to mid-1980s, never before exhibited, Basquiat combined text and images reflecting his engagement with the countercultures of graffiti and hip-hop in New York City, as well as pop culture and world events. Filled with handwritten texts, poems, pictograms, and drawings, many of them iconic images that recur throughout his artwork-teepees, crowns, skeleton-like silhouettes, and grimacing masks-and these notebooks reveal much about the artist's creative process and the importance of the written word in his aesthetic. With over 150 notebook pages and numerous drawings and paintings, this important book sheds new light on Basquiat's career and his critical place in contemporary art history."--
A brilliant, exhilarating debut novel that retells The Odyssey during the 1965 Watts Riots—like nothing you’ve ever read before It’s August 1965 and Los Angeles is scorching. Americo Monk, a street-haunting aficionado of graffiti, is frantically trying to return home to the makeshift harbor community (assembled from old shipping containers) where he lives with his girlfriend, Karmann. But this is during the Watts Riots, and although his status as a chronicler of all things underground garners him free passage through the territories fiercely controlled by gangs, his trek is nevertheless diverted. Embarking on an exhilarating, dangerous, and at times paranormal journey, Monk crosses paths with a dizzying array of representatives from Los Angeles subcultures, including Chinese gangsters, graffiti bombers, witches, the Nation of Islam leader Elijah Muhammad, and others. Graffiti Palace is the story of a city transmogrified by the upsurge of its citizens, and Monk is our tour guide, cataloging and preserving the communities that, though surreptitious and unseen, nevertheless formed the backbone of 1960s Los Angeles. With an astounding generosity of imagery and imagination, Graffiti Palace heralds the birth of a major voice in fiction. A. G. Lombardo sees the writings on our walls, and with Graffiti Palace he has provided an allegorical paean to a city in revolt.
Critical Approaches to Comics offers students a deeper understanding of the artistic and cultural significance of comic books and graphic novels by introducing key theories and critical methods for analyzing comics. Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. The authors introduce a wide range of critical perspectives on comics, including fandom, genre, intertextuality, adaptation, gender, narrative, formalism, visual culture, and much more. As the first comprehensive introduction to critical methods for studying comics, Critical Approaches to Comics is the ideal textbook for a variety of courses in comics studies. Contributors: Henry Jenkins, David Berona, Joseph Witek, Randy Duncan, Marc Singer, Pascal Lefevre, Andrei Molotiu, Jeff McLaughlin, Amy Kiste Nyberg, Christopher Murray, Mark Rogers, Ian Gordon, Stanford Carpenter, Matthew J. Smith, Brad J. Ricca, Peter Coogan, Leonard Rifas, Jennifer K. Stuller, Ana Merino, Mel Gibson, Jeffrey A. Brown, Brian Swafford
Create your own original Zentangle patterns! Many an artistic soul has fallen in love with the beautiful, meditative art of Zentangle, an easy-to-learn way of creating pleasing images using repeating patterns. For enthusiasts ready to take it to the next level, Creative Tangle is the first book to show how to invent your own original patterns inspired by everyday items--rugs, pottery, scrapbook paper, fabrics in your clothes closet, a vine in your garden...virtually everywhere you look are shapes and patterns just waiting to be tangled! Turn to the fresh ideas in this book for showcasing your one-of-a-kind designs on a range of pretty, practical items. You will unleash your creativity and look at your world in a whole new, wonderfully tangled way! What's Inside: • A fun and simple 3-step process for designing your own tangles • 24 fantastic off-the-tile projects, from name signs, wine glasses and decorative wrappings to pendants, zendalas and tangled pet portraits! • Expert tips for embellishing preexisting patterns, creating themes, and adding color to your tangles • Inspiration photos, new patterns and templates
What if you could not only travel any location in the world, but to any possible world? We can all imagine such “other worlds”--be they worlds just slightly different than our own or worlds full of magic and wonder--but it is only in fiction that we can travel to them. From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume--until now.
Bardwell L. Smith offers a fresh perspective on mizuko kuyo, the Japanese ceremony performed to bring solace to those who have experienced miscarriage, stillbirth, or abortion. Showing how old and new forms of myth, symbol, doctrine, praxis, and organization combine and overlap in contemporary mizuko kuyo, Smith provides critical insight from many angles: the sociology of the family, the power of the medical profession, the economics of temples, the import of ancestral connections, the need for healing in both private and communal ways and, perhaps above all, the place of women in modern Japanese religion. At the heart of Smith's research is the issue of how human beings experience the death of a life that has been and remains precious to them. While universal, these losses are also personal and unique. The role of society in helping people to heal from these experiences varies widely and has changed enormously in recent decades. In examples of grieving for these kinds of losses one finds narratives not only of deep sorrow but of remarkable dignity.