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"A poignant love story . . . Bittersweet and charming, perfect for fans of Jojo Moyes. " --Shelf Awareness Grace sees her boyfriend Henry everywhere. In the supermarket, on the street, at the graveyard. Only Henry is dead. He died two months earlier, leaving a huge hole in Grace's life and in her heart. But then Henry turns up to fix the boiler one evening, and Grace can't decide if she's hallucinating or has suddenly developed psychic powers. Grace isn't going mad--the man in front of her is not Henry at all, but someone else who looks uncannily like him. The hole in Grace's heart grows ever larger. Grace becomes captivated by this stranger, Andy--to her, he is Henry, and yet he is not. Reminded of everything she once had, can Grace recreate that lost love with Andy, resurrecting Henry in the process, or does loving Andy mean letting go of Henry?
"A poignant love story . . . Bittersweet and charming, perfect for fans of Jojo Moyes. " --Shelf Awareness Grace sees her boyfriend Henry everywhere. In the supermarket, on the street, at the graveyard. Only Henry is dead. He died two months earlier, leaving a huge hole in Grace's life and in her heart. But then Henry turns up to fix the boiler one evening, and Grace can't decide if she's hallucinating or has suddenly developed psychic powers. Grace isn't going mad--the man in front of her is not Henry at all, but someone else who looks uncannily like him. The hole in Grace's heart grows ever larger. Grace becomes captivated by this stranger, Andy--to her, he is Henry, and yet he is not. Reminded of everything she once had, can Grace recreate that lost love with Andy, resurrecting Henry in the process, or does loving Andy mean letting go of Henry?
Incisive essays on Patty Hearst and Reagan, the Central Park jogger and the Santa Ana winds, from the New York Times–bestselling author of South and West. In these eleven essays covering the national scene from Washington, DC; California; and New York, the acclaimed author of Slouching Towards Bethlehem and The White Album “capture[s] the mood of America” and confirms her reputation as one of our sharpest and most trustworthy cultural observers (The New York Times). Whether dissecting the 1988 presidential campaign, exploring the commercialization of a Hollywood murder, or reporting on the “sideshows” of foreign wars, Joan Didion proves that she is one of the premier essayists of the twentieth century, “an articulate witness to the most stubborn and intractable truths of our time” (Joyce Carol Oates, The New York Times Book Review). Highlights include “In the Realm of the Fisher King,” a portrait of the White House under the stewardship of Ronald and Nancy Reagan, two “actors on location;” and “Girl of the Golden West,” a meditation on the Patty Hearst case that draws an unexpected and insightful parallel between the kidnapped heiress and the emigrants who settled California. “Sentimental Journeys” is a deeply felt study of New York media coverage of the brutal rape of a white investment banker in Central Park, a notorious crime that exposed the city’s racial and class fault lines. Dedicated to Henry Robbins, Didion’s friend and editor from 1966 until his death in 1979, After Henry is an indispensable collection of “superior reporting and criticism” from a writer on whom we have relied for more than fifty years “to get the story straight” (Los Angeles Times).
1910. Pownal, Vermont. At 12, Grace and her best friend Arthur must leave school and go to work as a “doffers” on their mothers’ looms in the mill. Grace’s mother is the best worker, fast and powerful, and Grace desperately wants to help her. But she’s left handed and doffing is a right-handed job. Grace’s every mistake costs her mother, and the family. She only feels capable on Sundays, when she and Arthur receive special lessons from their teacher. Together they write a secret letter to the Child Labor Board about underage children working in Pownal. A few weeks later a man with a camera shows up. It is the famous reformer Lewis Hine, undercover, collecting evidence for the Child Labor Board. Grace’s brief acquaintance with Hine and the photos he takes of her are a gift that changes her sense of herself, her future, and her family’s future.
On July 22, 1988, Henry Green was saved by grace from a life of addiction to drugs and alcohol. He was born in 1955 in the South during the days of segregation to a single mother. After a difficult childhood, at thirteen, Henry turned to drugs and alcohol as a way to cope. Growing up in an era fueled by sex, drugs, and rock-n-roll, one drug led to another and finally to a needle in his arm. Henry contracted Hepatitis C, lost everything, and became homeless due to his substance abuse. After Henry hit bottom, he entered recovery in Alcoholics Anonymous (A.A.) and Narcotics Anonymous (N.A.) and became a leader in the community as an Addictions Specialist. Then in 2009, Henry was diagnosed with terminal liver disease. Henry went for a second opinion at Mayo Clinic. With the advent of a new medication (Harvoni) for hepatitis and the expertise of Mayo Clinic, Henry was cured of hepatitis and received a liver transplant in 2014. Since that time, Henry retired from a lucrative career to dedicate his life to service to others. Now fueled by gratitude Henry, uses his experience, time, and resources to help homeless alcoholics and addicts in the Fernandina Beach, Florida, area recover.
On February 11, 1972, Wanda arrived home at 11:30 p.m. She was the charge nurse at a local nursing home. What she did not know was by 3:00 a.m. February 12, her life would be irrevocably changed by the unexpected violent death of her mother. Walk with Wanda through the cycles of homicidal loss. See how she was spiritually transformed. Allow her to help you regain hope and healing as she gently accompanies you in the aftermath of a loved ones murder. My Story, My Song: Daughter of a Murder Victim is Wandas story of her transition from devastation to spiritual transformation after the loss. Her story is an intimate and inspirational portrayal of how one can be transformed through grief and mourning while experiencing divine and human grace.
“I don’t know how to say what the grace of God is. What I can say is what it’s like for me.” We all know about grace being amazing—after all, there’s a whole song about it—but Patrick Henry reminds us that that’s not all it is. It’s also intimidating, disorienting, demanding, reassuring, and sometimes even just downright mind-boggling. Describing thirty-three different aspects of grace based on his everyday experiences, Henry tells the story of a grace that is wide-ranging and comprehensive—if not always comprehensible. Rather than trying to capture and tame his encounters with God, he lets the mystery of memory speak for itself, exemplifying his mantra that being a Christian is about being “an explorer, not a colonizer.” Flashes of Grace is wise and grounded, earnest and light, faithful and quirky. Henry describes encountering grace in airports, baseball, hazelnuts, and just about anywhere else you can imagine, while engaging with dialogue partners ranging from King Saul and Saint Augustine to Yogi Berra and Captain Picard. For anyone longing to connect (or reconnect) with God, this book provides a surprising journey that broadens perspectives and explores strange new worlds, while loosening stiff spiritual joints so movement can be free and spontaneous.
How are children—and their parents—affected by the world's most influential corporation? Henry A. Giroux explores the surprisingly diverse ways in which Disney, while hiding behind a cloak of innocence and entertainment, strives to dominate global media and shape the desires, needs, and futures of today's children.
John Green meets Rainbow Rowell in this irresistible story of first love, broken hearts, and the golden seams that put them back together again. Henry Page has never been in love. He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him—at least not yet. Instead, he's been happy to focus on his grades, on getting into a semi-decent college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything's about to change. Grace isn't who Henry pictured as his dream girl—she walks with a cane, wears oversized boys' clothes, and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It's obvious there's something broken about Grace, but it seems to make her even more beautiful to Henry, and he wants nothing more than to help her put the pieces back together again. And yet, this isn't your average story of boy meets girl. Krystal Sutherland's brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.
Celebrating the African-American tradition of style and creativity in home design and decoration, this richly illustrated study looks at the unique homes of hip-hop entrepreneur Russell Simmons, photographer Gordon Parks, Congressman Charles Rangel, and other African-American artists and professionals. 20,000 first printing.