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This is the second of a two volume set. The first volume is Grabbing Tea: Queer Conversations on Identity and Libraries (Volume One). Number 15 in the Litwin Books Series on Gender and Sexuality in Information Studies, Emily Drabinski, series editor. Grabbing Tea: Queer Conversations on Archives and Practice (Volume Two) centers queerness in archives and archival theory and practice. Scholars and practitioners share their conversations on the Archive as a site for reclamation, narrative storytelling, ancestral recalling, and historical revisioning within LGBTQ+ communities. These conversations integrate interpersonal experiences of professionalism, dive into our collections, and engage with the implications of race and sexuality in archival practice. Authors invite readers to join their conversations that consider the fluidity of our bodies as queer bodies, and our lives as queer lives inside of the archive.
In the latest novel from the New York Times bestselling author of Agony of the Leaves, Indigo Tea Shop owner Theodosia Browning may always be a bridesmaid, never a bride, but this groom is never going to make it to the altar… Theodosia Browning’s dear friend Delaine Dish has asked her to be a bridesmaid for her wedding. But when the big day arrives, everything seems to be going wrong. First, a massive storm is brewing over Charleston. A bad omen? Second, Delaine’s sister is late for the ceremony. And finally, the groom not only has cold feet—his whole body is cold. A murderer has crashed the wedding. As Theodosia comforts a devastated Delaine, she needs to sort out the suspects on the groom’s side from the suspects on the bride’s side. One thing soon becomes apparent—revenge won’t be the only dish served cold at this wedding. And if Theodosia doesn’t watch her step, a cold-blooded killer may have a rude reception in store for her…

Antoinette Tryssenaar Villa

Published: 2008-01-01

Total Pages: 338


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. my parents don't like other people's children. Actually, I don't think they like their own children much. My mom once said if she could live her life over again, she wouldn't have children. Well June, if I could live my life over again, I wouldn't have parents. With these words Willy tugs at the heartstrings of young and old alike. A Kaleidoscope for June is the fictitious journal of baby boomer Willy Velthuizen's coming of age in rural Ontario Canada in the late 1950's. Willy writes about her struggles against the strictures of an authoritarian upbringing with pathos, humor and insight. She is influenced by her education in a one room country schoolhouse, her passion for reading as well as her love of nature and augments this coming of age narrative with songs, poems and recipes of the times. Reading A Kaleidoscope/or June will bring back the late 1950's vividly to readers who lived at that time and bring it to life for those who did not.
The relationship between mother and daughter is an incomparable blend of affection, comfort, rebellion, pain, frustration, and joy. In Grabbing at Water, mother and daughter Joan and Maddy Lambur explore their extraordinary bond as they recount the events of Maddy's youth and young adulthood -- the successes and struggles, clashes and reconciliations -- telling each story from their very different and equally hilarious points of view. As Joan evolves from a broke, newly single mother living in a Toronto fixer-upper to a high-flying executive, she watches Maddy change too, from a gregarious little girl who struggles in school to a free-spirited, confident teen. Together, they navigate academic crises and health scares, wayward pets and romantic missteps. Joan watches with pride and terror as her daughter asserts her independence for the first time -- and then reasserts it again and again. Maddy, bright and willful, strives to live by her own rules -- even if that means joyriding in her mother's fancy company car, or getting her picture on the front page of the local newspaper at a protest to legalize marijuana. Yet every challenge seemingly designed to test the limits of her mother's love only serves to prove that there are no limits. Honest, heartfelt, and witty, the stories in this unique memoir illuminate and celebrate perhaps the most defining relationship we will ever know -- one that, even at its most difficult, is deeply rewarding and utterly irreplaceable.
An incisive portrait of how the new Black politics can forge a future centered on collective action, community, and care When #BlackLivesMatter emerged in 2013, it animated the most consequential Black-led mobilization since the civil rights and Black power era. Today, the hashtag turned rallying cry is but one expression of a radical reorientation toward Black politics, protest, and political thought. To Build a Black Future examines the spirit and significance of this insurgency, offering a revelatory account of a new political culture—responsive to pain, suffused with joy, and premised on care—emerging from the centuries-long arc of Black rebellion, a tradition that traces back to the Black slave. Drawing on his own experiences as an activist and organizer, Christopher Paul Harris takes readers inside the Movement for Black Lives (M4BL) to chart the propulsive trajectory of Black politics and thought from the Middle Passage to the present historical moment. Carefully attending to the social forces that produce Black struggle and the contradictions that arise within it, Harris illustrates how M4BL gives voice to an abolitionist praxis that bridges the past, present, and future, outlining a political project at once directed inward to the Black community while issuing an outward challenge to the world. Essential reading for the age of #BlackLivesMatter, this visionary and provocative book reveals how the radical politics of joy, pain, and care, in sharp contrast to liberal political thought, can build a Black future that transcends ideology and pushes the boundaries of our political imagination.
Annotation: The religious philosophy of Mahatama Budh called Pratityasamutpada delves deep into the causes of our worldly pains and sorrows. Budh treated caste, change and possibility as the basis of his philosophy. However, the views of different philosophers differ.
Caught in a cafe that travels to seven dimensions on an infinite loop, Jaz Contra serves coffee while trying to locate the mysterious white-haired man who trapped her there. When a young shapechanger named Bracken--whose search for his missing aunt leads him to this very cafe--stows away in her basement, Jaz must help him survive until he can return to his own world. Through a series of bizarre encounters with talking tigers, polymorphs, alchemists, thieves and the occasional grim reaper, Bracken's efforts to locate his aunt create daily chaos, threatening Jaz's chances of ever escaping--not to mention the stability of seven universes.
One day, Song Shuhang was suddenly added to a chat group with many seniors that suffered from chuuni disease. The people inside the group would call each other ¡®Fellow Daoist¡¯ and had all different kinds of titles: Palace Master, Cave Lord, True Monarch, Immortal Master, etc. Even the pet of the founder of the group that had run away from home was called ¡®monster dog¡¯. They would talk all day about pill refining, exploring ancient ruins, or share their experience on techniques. However, after lurking inside the group for a while, he discovered that not all was what it seemed...