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Gower Champion's career spanned the years during which American musical theatre was transformed from a crude popular entertainment into a sophisticated art form. As the director and choreographer of Hello, Dolly!, 42nd Street, and other Broadway musicals, he was central to that transformation. He came of age during the zenith of American musical theatre production and made his mark on both sides of the curtain. As a dancer, he gained notoriety through his work with Jeanne Tyler and Marjorie Belcher, and his experience as a performer gave him a solid foundation for his later success as an organizer of memorable productions. As a choreographer and director, he became known for spectacular numbers that blended dance, staging, and elaborate scenography. More than anyone else, he seemed to realize that the achievement of a musical depended on those spots where music, dance, lighting, costumes, and staging created a sustained narrative and emotional flow through sound and motion rather than words. This book provides the first extensive treatment of Champion's life and legendary career. The book falls neatly into two main sections. The first discusses Champion's career as a performer, with chapters on his early Broadway appearances and his work for MGM Special attention is given to how his experiences as a dancer prepared him for the later half of his career. The second examines his work as a choreographer and director and is organized around the musicals with which he was involved. Each chapter consists of a history of one or more of those productions, from original concept to opening night and sometimes beyond, as Champion, ever the perfectionist, sought to improve on what everyone else thought was already perfect. The volume is fully documented, with basic historical research conducted at several special collections. In addition, the book is based on a careful analysis of Champion's scripts, which include numerous revisions and thus illuminate how he crafted his productions. Finally, the study depends on interviews conducted with various individuals who knew and worked with Champion throughout his impressive career.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"Features skits and songs on topics as varied as psychoanalysts, gossip columnists, tourism, silent screen stars, and 'The Gladiola Girl'."--From publisher's website.
The first book-length biography of a theater icon South Pacific. The Sound of Music. Peter Pan. As the star of these classic Broadway musicals, Mary Martin captivated theater audiences with her impish persona and magnificent voice. Now Ronald L. Davis fills a major gap in theater history, moving beyond Martin’s own 1976 memoir to provide a complete picture of her life and career. Lively and engaging, Davis’s biography is the first book-length portrait of the theater icon, spanning her lifetime to reveal facts about her childhood, marriages, and friendships—as well as artistic collaborations that included the likes of Rodgers and Hammerstein, Cole Porter, and Elia Kazan. Born in Weatherford, Texas, and mother to the future actor Larry Hagman, Martin went to California after the failure of her first marriage. There, she auditioned for every studio without success. “Audition Mary” finally had her big break when she won a talent contest, leading to her breakthrough 1938 performance in Leave It to Me—in which she wowed audiences singing “My Heart Belongs to Daddy.” Davis traces Martin’s numerous appearances on Broadway, in touring productions, and on television, showing how—through hard work and persistent optimism—she built a career that lasted nearly fifty years and earned her the adoration and respect of fans and colleagues alike. Because Martin’s life was entwined with many luminaries of the stage, this biography offers rich insights into theater history, including accounts of how various productions were developed. No other book tells her story in such detail—it is must reading for fans and an essential resource for theater aficionados everywhere.
Dance on the American Musical Theatre Stage: A History chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day. This book explores the fascinating tug-and-pull between the European classical, folk, and social dance imports and America’s indigenous dance forms as they met and collided on the popular musical theatre stage. This historical background influenced a specific musical theatre movement vocabulary and a unique choreographic approach that is recognizable today as Broadway-style dancing. Throughout the book, a cultural context is woven into the history to reveal how the competing values within American culture, and its attempts as a nation to define and redefine itself, played out through developments in dance on the musical theatre stage. This book is central to the conversation on how dance influences and reflects society, and will be of interest to students and scholars of Musical Theatre, Theatre Studies, Dance, and Cultural History.
(Applause Books). David Merrick is the most astonishing showman of our time, and perhaps of all time. No other producer, not even Florenz Ziegfeld nor the combined lights of the Shubert brothers, has equalled his percentage of hits or his demonic flair for publicity. In this first-ever biography, Howard Kissel from his decade-long investigation reveals the man, the mask, and the myth of David Merrick. The charismatic and reclusive mogul emerges as a Broadway version of Howard Hughes, with his own panoply of eccentricities, genius and neuroses. Merrick's much publicized and oftentimes staged battles and feuds are re-ignited here full force with such major personalities as Barbra Streisand, Jackie Gleason, Ethel Merman, Lena Horne, Woody Allen, Peter Ustinov, Andy Griffith, Anthony Newley, Peter Brook, and Carol Channing. Over a hundred interviews with the major players in Merrick's drama from his pre-Merrick St. Louis childhood as David Margoulies to his latest divorce has yielded the first serious interrogation of a life that until now has been the sole creation of Merrick's own invention and press wizardry.
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
"These cautionary tales are provocative, highly instructive, occasionally brutal, and, from a safe distance, downright hilarious, making Second Act Trouble the perfect Broadway bedtime reader - unless you are prone to nightmares."--BOOK JACKET.
Piano Stylings of the Great Standards is a series of books created for the pianist who longs to play the best-loved and most important songs of the popular genre in very special and elegant musical settings. The arrangements are represented in varying styles, written and influenced by the many great pianists who, over the years, have helped to shape popular piano performance. The series is designed to supply a broad scope of popular piano repertoire for solo performance, both for the working pianist and the amateur. As with all books in this series, it includes a unique lay-flat binding to help keep the music open on the music stand. Titles: Dancing on the Ceiling * Days of Wine and Roses * Honeysuckle Rose * I'll Get By * Love is Here to Stay * The More I See You * S'Wonderful * Skylark * Smoke Gets in Your Eyes * While We're Young
Love dance? Go pro and make movement a way of life with this comprehensive guide that can help you land your dream job in the world of dance. From front-and-center careers like professional dancer and choreographer to the lesser-known professions of technical director and costume designer, So, You Want to Be a Dancer? reveals a vast expanse of dance-related job possibilities that are as exciting as they are rewarding. In addition to tips and interviews from many different dance industry professionals, So, You Want to Be a Dancer? includes inspiring stories from young people who are in the industry right now, as well as activities, a glossary, and resources to help you on your way to a successful career in dance.