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Govinda Samanta: Or the History of a Bengal Raiyat (1874) is a novel by Lal Behari Dey. Inspired by a lifetime dedicated to serving the poor and oppressed, Lal Behari Dey wrote Govinda Samanta in order to portray the life of Bengali peasants in a positive, human light. Praised by Charles Darwin, awarded a substantial prize by a prominent Bengali zamindar, Lal Behari's novel is a masterpiece of Bengali literature. "It was considerably past midnight one morning in the sultry month of April, when a human figure was seen moving in a street of Kánchanpur, a village about six miles to the north-east of the town of Vardahamána, or Burdwán. There was no moon in the heavens, as she had already disappeared behind the trees on the western skirts of the village..." After introducing his novel with a brief warning to readers, Lal Behari opens his story with a beautiful description of village life in Bengal. In episodic fashion, he follows one "human figure" after another, each of them enriching his description of his native land. Centered on the raiyat boy Govinda, the story follows the journey from innocence to experience of a youth shaped by the stories and traditions of his village. Opposed to flowery language and romanticism, he hopes to tell "a plain and unvarnished tale of a plain peasant, living in this plain country of Bengal." Praised upon publication, Govinda Samanta: Or the History of a Bengal Raiyat is a compelling and understated narrative of working-class life from an author who dedicated his own life to serving the poor. With a beautifully designed cover and professionally typeset manuscript, this edition of Lal Behari Dey's Govinda Samanta: Or the History of a Bengal Raiyat is a classic work of Bengali literature reimagined for modern readers.
Contemporary children’s literature in Bangla celebrates irreverent, defiant and deviant boys whose subversive doings critique the parenting and schooling they go through, while the girl child is neglected and marginalised. The rare fictional girls who show resilience and demand a normal childhood are consciously silenced, or contained and assimilated within unwritten masculinist norms. This book –a compilation of translated works of the author, critic and academic, Sibaji Bandyopadhyay –focuses on gender and childhood in Bengal. The book includes a translation of his Bangla Shishusahityer Chhoto Meyera (Little Girls in Bangla Children’s Literature), as well as a translated essay on Thakurma’ Jhuli (Grandma’s Sack), a collection of Bangla folk tales and fairytales from early twentieth century that underscores the subaltern role of adolescent female characters with hardly any agency or voice in the oral legends and folklore of Bengal. The translation of the piece ‘An Incredible Transition’ from Bandyopadhyay’s Abar Shishushiksha (On Children’s Education Again) applauds the role of Indian social reformers and British educationists in initiating women’s education in Bengal, while questioning the erasure of protagonists who are girls in the nineteenth-century primers. Interrogating gendered constructions in diverse genres of literature while revisiting the subject of female education, this book will be of interest to students of children’s literature, comparative literature, popular literature, gender studies, translation studies, culture studies and South Asian writings.
Annotation This volume surveys 200 years of Indian literature in English. Written by Indian scholars and critics, many of the 24 contributions examine the work of individual authors, such as Rabindranath Tagore, R.K. Narayan, and Salman Rushdie. Others consider a particular genre, such as post-independence poetry or drama. The volume is illustrated with b&w photographs of writers along with drawings and popular prints. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Reprint of the second (1939) edition of the work that is still the standard source-book of the Anglo-Indian language.
The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art.
An ideal supplement for any course treating the history or culture of South Asia, this collection offers a cross-section of South Asia's ancient and modern classics of thought and expression. It includes a unique mix of poetry, novels, drama, and political and philosophical treatises, each accompanied by a detailed introductory essay on the specific historical context, the author, and the work.