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Originally published in 1969, this volume provides a lucid analysis of French government and society over two centuries, from the late medieval period to the beginning of Louis XIV’s personal rule. It takes up the essential arguments, contributes some novel interpretations, challenges some assessments, and makes essential reading for anyone trying to study the history of early modern France.
A new series of bespoke, full-coverage resources developed for the AQA 2015 A/AS Level History. Written for the AQA A/AS Level History specifications for first teaching from 2015, this print Student Book covers The Sun King: Louis XIV, France and Europe, 1643-1715 Depth component. Completely matched to the new AQA specification, this full-colour Student Book provides valuable background information to contextualise the period of study. Supporting students in developing their critical thinking, research and written communication skills, it also encourages them to make links between different time periods, topics and historical themes.
Beginning with a discussion of familiar images of the French Revolution, this work looks at how the ancien régime became ancien as well as examining cases in which achievement failed to match ambition.
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.
The 'personal rule' of Louis XIV witnessed a massive increase in the size of the French army and an apparent improvement in the quality of its officers, its men and the War Ministry. However, this is the first book to treat the French army under Louis XIV as a living political, social and economic organism, an institution which reflected the dynastic interests and personal concerns of the king and his privileged subjects. The book explains the development of the army between the end of Cardinal Mazarin's ministry and the outbreak of the War of the Spanish Succession, emphasising the awareness of Louis XIV and his ministers of the need to pay careful attention to the condition of the king's officers, and to take account of their military, political, social and cultural aspirations.
Louis IV represents the apogee of French royal power and the Ancien Regime. Having restored the nation's finances and rebuilt the army, he embarked on a series of wars of conquest which made France universally feared and respected as the central power of continental Europe. In the age of Moliere, Corneille, Racine et al, French culture blossomed at the court of Versailles. The counterpoint to these achievements was the emasculation of the political and legal institutions that might have limited the exercise of the royal will. In this new history, Geoffrey Treasure explores a unique combination of a personal philosophy, moulded by absolutist thinking and propaganda, and by Marzarin's deliberate training. He examines the influences and traits which permitted the growth of this particular exercise of power and its descent into an absolutism that ultimately set France on the road to 1789.
Political and administrative institutions cannot be understood unless one knows who is operating them and for whose benefit they function. In the first volume of this history, Mousnier analyzes such institutions in light of the prevailing social, economic, and ideological structures and shows how they shaped life in 17th- and 18th-century France. He traces the changing role of monarchical government, showing how it emerged over two centuries and why it failed. In a society divided by hierarchical social groups, conflicts among lineages, communities, and districts became inevitable. Aristocratic disdain, ancestral attachment to privileges, and autonomous powers looked upon as rights, made civil unrest, dislocation, and anarchy endemic. Mousnier examines this contention between classes as they faced each other across the institutional barriers of education, religion, economic resources, technology, means of defense and communication, and territorial and family ties. He shows why a monarchical state was necessary to preserve order within this fragmented society. Though it was intent on ensuring the survival of French society and the public good, the Absolute Monarchy was unable to maintain security, equilibrium, and cooperation among rival social groups. Discussing the feeble technology at its disposal and its weak means of governing, Mousnier points to the causes that brought the state to the limits of its resources. His comprehensive analysis will greatly interest students of the ancien régime and comparativists in political science and sociology as well.
"Explores the evolution of the idea that the rise of print culture was a threat to the royal government of eighteenth-century France. Argues that French printers did much to foster this view as they negotiated a place in the expanding bureaucratic apparatus of the state"--Provided by publisher.