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Imparting the story of the systematic 1942 execution of five thousand Belgrade concentration camp prisoners in a transport truck, a school teacher recreates historical events for his students on a school bus, an endeavor that overwhelms the teacher with the brutality of the act.
Translated from Serbian, this stirring novel draws on a wealth of archival materials and Nazi bureaucratic records about the concentration camp at the Belgrade Fairgrounds, from where, in five months in 1942, 5,000 Jews were loaded into a truck and gassed. A Serbian Jewish college professor looks back and obsessively imagines himself as perpetrator, victim, and bystander.
2012 Rogers Writers’ Trust Fiction Prize — Winner 2012 Governor General’s Literary Award — Finalist, English-Language Fiction In December of 1944, the Red Army entered Budapest to begin one of the bloodiest sieges of the Second World War. By February, the siege was over, but its effects were to be felt for decades afterward. Siege 13 is a collection of thirteen linked stories about this terrible time in history, both its historical moment, but also later, as a legacy of silence, haunting, and trauma that shadows the survivors. Set in both Budapest before and after the siege, and in the present day – in Canada, the U.S., and parts of Europe – Siege 13 traces the ripple effect of this time on characters directly involved, and on their friends, associates, sons, daughters, grandchildren, and adoptive countries. Written by one of this country’s best and most internationally recognized short story authors – the story "The Restoration of the Villa Where Tibor Kallman Once Lived" won the 2011 O. Henry Prize for short fiction – Siege 13 is an intelligent, emotional, and absorbing cycle of stories about war, family, loyalty, love and redemption.
From the award-winning Serbian author David Albahari comes a devastating and Kafkaesque war fable about an army unit sent to guard a military checkpoint with no idea where they are or who the enemy might be. Atop a hill, deep in the forest, an army unit is dropped off to guard a checkpoint. The commander doesn’t know where they are, what border they’re protecting, or why. Their map is useless. The radio crackles with a language no one can recognize. A soldier is found dead in a latrine and the unit vows vengeance—but the killer, like the enemy, is unknown. Amid orgies and massacres, the commander struggles to maintain order and keep his soldiers alive, but he can’t be sure whether they’re fighting a war or caught in some bizarre military experiment. Equal parts Waiting for Godot and Catch-22, David Albahari’s Checkpoint is a haunting and hysterical confrontation with the absurdity of war. Praise for Checkpoint: "A satirical take on war in the vein of Catch-22 and Slaughterhouse Five, Serbian author David Albahari’s Checkpointis shocking and comic in equal turns, skillfully pulled together by the force of Albahari’s wit.... Visceral, wild, and often hilarious, Checkpoint is a dark delight." —Ho Lin, Foreword Reviews, Starred Review “A worthy descendant of The Good Soldier Svejk and Catch-22.” —Kirkus Reviews “Checkpoint is a tornado of a book. David Albahari, a noted Serbian author who lives in Canada, muscles this Kafkaesque short novel into the war-is-absurd literary tradition in one tremendous 183-page paragraph…. Stylistically, JP Donleavy and Gary Shteyngart come to mind at times, while imagistically one might think of Goya, Picasso, or the Surrealists. But Albahari has a distinctive voice, and it comes through vividly in Ellen Elias-Bursać’s able translation from the Serbian.” —Jon Sobel, Blogcritics “Between adventure and apocalypse... Kafka and Kubrick...combining in grotesque-comical manner all the ridiculousness, beauty, horror, subtlety and extravagance that literature can hold.“ —Neue Zürcher Zeitung
A young journalist sees a man slap a beautiful woman on the shore of the Danube. Intrigued, he follows the woman into the tangled streets of the city until he loses sight of her. A few days later a mysterious package arrives. As he delves deeper trying to decipher the contents, he finds himself unravelling a terrible conspiracy that seems destined to end in tragedy... 'Has the paranoid, hallucinatory feel of a mind slowly breaking down... It's a bold response to Serbia's bloodstained history' Metro 'A masterpiece, a thrilling maelstrom of conspiracies and counter-conspiracies' Die Zeit
After retiring from a lifetime of teaching literature, Patricia Meyer Spacks embarked on a year-long project of rereading dozens of novels: childhood favorites, fiction first encountered in young adulthood and never before revisited, books frequently reread, canonical works of literature she was supposed to have liked but didn’t, guilty pleasures (books she oughtn’t to have liked but did), and stories reread for fun vs. those read for the classroom. On Rereading records the sometimes surprising, always fascinating, results of her personal experiment. Spacks addresses a number of intriguing questions raised by the purposeful act of rereading: Why do we reread novels when, in many instances, we can remember the plot? Why, for example, do some lovers of Jane Austen’s fiction reread her novels every year (or oftener)? Why do young children love to hear the same story read aloud every night at bedtime? And why, as adults, do we return to childhood favorites such as The Hobbit, Alice in Wonderland, and the Harry Potter novels? What pleasures does rereading bring? What psychological needs does it answer? What guilt does it induce when life is short and there are so many other things to do (and so many other books to read)? Rereading, Spacks discovers, helps us to make sense of ourselves. It brings us sharply in contact with how we, like the books we reread, have both changed and remained the same.
Grappling with his son's death, the painter David explores his grief through art and writing, etching out the rippled landscape of his loss. Over twenty years after his son's death, nearly blind and unable to paint, David turns to writing to examine the deep shades of his loss. Despite his acute pain, or perhaps because of it, David observes beauty in the ordinary: in the resemblance of a woman to Egyptian portraits, in the horseshoe crabs that wash up on Coney Island, in the foam gathering behind a ferry propeller; in these moments, González reveals the world through a painter's eyes. From one of Colombia's greatest contemporary novelists, Difficult Light is a formally daring meditation on grief, written in candid, arresting prose.
Was the extermination of the Jews part of the Nazi plan from the very start? Arno Mayer offers astartling and compelling answer to this question, which is much debated among historians today.In doing so, he provides one of the most thorough and convincing explanations of how the genocidecame about in Why Did the Heavens Not Darken?, which provoked widespread interest and controversywhen first published. Mayer demonstrates that, while the Nazis’ anti-Semitism was always virulent, it did not becomegenocidal until well into the Second World War, when the failure of their massive, all-or-nothingcampaign against Russia triggered the Final Solution. He details the steps leading up to thisenormity, showing how the institutional and ideological frameworks that made it possible evolved,and how both related to the debacle in the Eastern theater. In this way, the Judeocide is placedwithin the larger context of European history, showing how similar ‘holy causes’ in the past havetriggered analogous – if far less cataclysmic – infamies.
Believing they were being taken to a better camp, Belgrade's Jews would climb into the truck with a sense of relief. Mainly women, children and the elderly, they expected a long and uncomfortable trip but, after crossing the border, their journey would come to an abrupt end. Here the drivers would get out and attach a hose from the exhaust to the back of the truck-Over the course of a few months in 1942 the Nazis systematically exterminated the majority of Serbia's Jews using carbon monoxide and specially designed trucks. The only information the narrator of this bleakly comic novel can find about the summer when his relatives disappeared is the names of the truck drivers: G-tz and Meyer. During his research he becomes fascinated by the unknowable characters and daily lives of these men. But his imagination proves a dangerous force, and his obsession with the past threatens to overwhelm him.
From the award-winning historian of the Holocaust, the first book to move beyond Germany’s singular crime to the collaboration of Europe as a whole. The Holocaust was perpetrated by the Germans, but it would not have been possible without the assistance of thousands of helpers in other countries: state officials, police, and civilians who eagerly supported the genocide. If we are to fully understand how and why the Holocaust happened, Götz Aly argues in this groundbreaking study, we must examine its prehistory throughout Europe. We must look at countries as far-flung as Romania and France, Russia and Greece, where, decades before the Nazis came to power, a deadly combination of envy, competition, nationalism, and social upheaval fueled a surge of anti-Semitism, creating the preconditions for the deportations and murder to come. In the late nineteenth century, new opportunities for education and social advancement were opening up, and Jewish minorities took particular advantage of them, leading to widespread resentment. At the same time, newly created nation-states, especially in the east, were striving for ethnic homogeneity and national renewal, goals which they saw as inextricably linked. Drawing upon a wide range of previously unpublished sources, Aly traces the sequence of events that made persecution of Jews an increasingly acceptable European practice. Ultimately, the German architects of genocide found support for the Final Solution in nearly all the countries they occupied or were allied with. Without diminishing the guilt of German perpetrators, Aly documents the involvement of all of Europe in the destruction of the Jews, once again deepening our understanding of this most tormented history. Praise for Europe Against the Jews 1880-1945 “A masterpiece.” —Die Zeit “If HBO’s The Plot Against America makes you want to know the grim real-life context, read German historian Götz Aly’s new book, Europe Against the Jews.” —New YorkMagazine “A major work on anti-Semitism of incredible research and singular scholarship. . . . Aly delivers again, this time expanding his lens outside of Germany to offer further revelations about the Holocaust.” —Kirkus Reviews